New York: Pace Gallery, 2021. Illustrated profusely in black and white throughout. 266 pages. 4to, grey cloth boards with black embossed lettering, all edges black. New York: Pace Gallery, (2021). A fine copy. This new volume, designed in collaboration with American artist Adam Pendleton (born 1984) and Ghanaian British artist and architect David Adjaye (born 1966), explores the blurred boundary between art and architecture. Featuring new silkscreen canvases by Pendleton and marble sculptures by Adjaye, this publication brings the artists.....
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Beijing: Art Publishing House, 1990. Well-illustrated with 204 objects (bronzes, pottery figurines, stone carvings, gold & silverwork), much in color. 232 pages with text entirely in Chinese. Small folio, gold patterned silk cloth; silk cloth box with paper label; the box is a bit dusty and discolored along backstrip but the book is fine. Beijing: Art Publishing House & Kodansha, 1990. First edition, second printing? Very scarce.
New York: Tudor Publishing. Text in English, Spanish, French, and German. Illustrated with mostly black and white photographs. 237 pages, (light toning to page edges), pictorially stamped white cloth, dust wrapper (spine rubbed). New York: Tudor Publishing, No Date. A near fine copy in a very good(+) dust wrapper.
Middletown: Wesleyan University Press, 1974. Extensively illustrated in black and white by careful reproductions of authors' rubbings and photographs. 309 pages, large 8vo, grey cloth with image of winged skull, dust wrapper (price clipped). Page edges foxed, else near fine in a very good dust wrapper.
Chicago: Center for American Places, 2009. With an essay by Eric Scigliano. Profusely illustrated in color and black & white. 83pp. Tall and oblong 8vo, grey cloth, d.w. Chicago: The Center for American Places at Columbia College Chicago, (2009). First edition. A near fine copy in a near fine dust wrapper.
Princeton Architectural Press, 1995. Illustrated throughout in black and white. 157 pages, 12mo, blindstamped black cloth, dust wrapper. A fine copy in a near fine dust wrapper. Signed in full by the photographer and inscribed to Mildred Schmertz, editor in chief of the Architectural Record on the half title page: "For Mildred Schmertz in friendship and with all the best John Yang 1-14-96."