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Haarlem: De Erven F. Bohn, 1939. Text in Dutch. Veertigste Druk geillustreerd door Jo Spier. Profusely illustrated with full page and text drawings. 462 pages. Tall 4to, gilt decorated red buckram (paper over interior hinges repaired and slightly rumpled, but hinges firm). Haarlem: De Erven F. Bohn, 1939. A very good(+) copy. A collection of tales and sketches of life and manners in Holland, first published in 1839 by the Dutch cleric and professor of theology at Utrecht...
New York: Estate of Stuart Davis, 1991. Short 2 page introduction by Earl Davis. Illustrated in color. Slim square 8vo, black cloth-backed patterned boards, cardboard slipcase with paper label. New York: Estate of Stuart Davis, 1991. Limited first edition - one of 1000 copies, though the laid-in limitation card is absent. Printed in conjunction with the retrospective exhibition at the Metropolitan Museum of Art by Stamperia Valdonega in Verona Italy.
Munich: Albert Langen, 1906. Text in German. Patterned endpapers. Profusely illustrated with 60 plates, many in color, some folding, & 446 text reproductions of rare caricatures of women. 487 pages. Thick 4to, lovely grey pictorial cloth (corners lightly rubbed, spine sunned). Munich: Albert Langen, 1906. A very good copy. Original edition of this iconographic survey.
London: The British Libarary, 2005. Profusely illustrated in black and white. 337 pages, very tall 8vo, green cloth, dust wrapper. London: The British Library, (2005). A near fine copy in a near fine dust wrapper. First book to present faithful reproductions of all of Millais's published illustrations.
Canada: Hancock House, 1978. Illustrated with black and white drawings and photographs. 408 pages, thick square 8vo, red cloth, dust wrapper. Canada: Hancock House, 1978. A near fine copy in a very good(+) dust wrapper. Portions of Emily Carr's sketch books collected in this volume for the first time.
Boston: Houghton Mifflin, 1988. Profusely illustrated throughout. 384 pages, 4to, glossy pictorial boards, dust wrapper, slightly darkened at foot. Boston: Houghton Mifflin, 1988. Corners are just a bit bumped and wrappers a bit edgeworn, still a very good clean copy with a signed inscription from the author along with a small original sketch of a woolly mammoth.
San Marino: Huntington Library, 1968. Endpapers printed with maps, illustrated in black and white. 143 pages, oblong short 4to, olive drab cloth with decorative gilt stamping, dust wrapper (1 inch closed tear on back cover) San Marino: The Huntington Library, 1968. A fine copy in a very good(+) dust wrapper.
Milan: Christian Stein, 1990. Drawings and sketches. 78pp., 8vo, printed boards with inlaid illustration on front cover. Milano: Christian Stein and Firenze: Hopeful Monster, (1990). A fine copy. Presentation copy to Nan Rosenthal, signed "Claes" by Oldenburg on title page, the inscription is written backwards.
Illustrated with 40 single-sided plates, a few in color. Facsimile sketchbook, drawings and watercolors chiefly made during Pascin's vacation at the beach in Ostend, Belgium. Thin folio, colored pictorial boards (darkened at edges and neatly rebacked in cloth; internally clean). Berlin: Bruno Cassirer, no date - circa 1920. A very good copy. Small bookplate of art historian Meyer Schapiro.
New York: Metropolitan Museum of Art, 1997. Illustrated in b/w. 88 pages, oblong 4to, original beige printed wrappers; the un-lettered spine is evenly faded to blue, else fine. New York: Metropolitan Museum of Art, 1997. First edition. A fine copy. Scarce. Published in conjunction with an exhibit, "Jackson Pollock: Early Sketchbooks and Drawings." This is the text volume ONLY and does not have the slipcase or the additional 3 spiral bound volumes. Text includes a general background on the sketchbooks.....
Boston: Boston Book and Art Shop, 1962. 96 black and white illustrations. 197 pages, slim small 4to, red cloth, orange pictorial dust wrapper (very light surface rubbing to wrapper, spine sunned to yellow). Boston: Boston Book and Art Shop, (1962). A fine copy in a very good(+) dust wrapper. First book devoted entirely to the work of Domenico Tiepolo.