Ottawa: National Gallery of Canada, 1975. Illustrated. 4to, stiff wrappers. Ottawa: National Gallery of Canada, 1975. Exhibition catalog, printed in French and English. Presentation copy from Arnott to Francis Steegmuller. Laid are are two typed letters signed to Steegmuller concerning his doing a radio broadcast on Craig in conjunction with the exhibition.
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Los Angeles: Philosopher's Press, 1940. From the text and anagrammatic writing in the First Folio Edition of the Shakespeare Hamlet. Transcribed by Wallace McCook Cunningham. Frontis. 96pp., thin 8vo, black cloth-backed boards, dust wrapper; dust wrapper lightly edgeworn. Los Angeles: Philosopher's Press, 1940. A very good (+) copy in a very good dust wrapper.
New York: David Belasco, 1923. 28 full-page plates. 173 pages, folio, flexible boards with plain brown printed wrappers. New York: Privately Printed for Distribution, 1923. A fine copy.
Boston: Butterfield, 1910. Illustrated.Thin 4to, black cloth- backed boards, (soiled). Boston: Butterfield, 1910. First Edition. Very good.
30 steel and 10 wood engravings, t.p. in red & black. 96pp. 4to, cloth, worn and stained, a.e.g.; hinges broken. London, 1886. With a number of other illustrations loosely inserted.
London: Rein, 1951. Profusely illustrated with full-bleed black and white photos by Angus McBean plus 18 pages of text. Small slim 4to, grey pictorial cloth. London, (1951). A very good(+) copy.
Profusely illus. Short 4to, cloth, d.w. New York: Knopf, 1970. Near fine.
London: Bulmer, 1805. 375 pages, 8vo, boards; neatly re-backed in green cloth with part of spine label preserved. London, 1805. First Edition. A very good copy with un-opened pages. With Remarks upon the explanations and amendments of the commentators in the editions of 1785, 1790, 1793.
London: Shakespeare Association, 1932. Slim 8vo, white parchment boards, pages un-cut and un-opened. London: Shakespeare Association/Oxford UP, 1932. Near fine.
Englewood Cliffs, NJ: Prentice-Hall, 1967. Illustrated (b.w.). 4to., 433 pages, blue boards, corners lightly bumped. chipped and edge-worn dust wrapper. First edition. Englewood Cliffs: Prentice-Hall, (1967). Previous owner's embossed library stamp on first free end page. A very good copy in a good wrapper. Signed by Olivier on first free end page. "For [...] - all love - L Olivier"
Paris: Editions de Centre National dela Recherche Scientifique, 1959. Musical notations throughout. 195pp. 4to, buckram. Paris, Editions du Centre National de la Recherche Scientifique, 1959. Very good.
London: John Russell Smith, 1859. vii + 227pp. plus ads. 8vo, brown blind-stamped cloth; corners bumped, spine ends lightly worn, a few instances of scattered light pencil marginalia. London: John Russell Smith, 1859. A very good copy.
Philadelphia. 147 loose plates, including a duplicate of no. 4, part 5. 12 parts in total, enclosed in portfolio. 4to, cloth-backed decorative boards with fabric ties. Philadelphia, 1900. No. 261 of the Connoisseur Edition. Very good copy.
1994. b/w photo illus., 554pp., tall 8vo, cloth-backed bds., d.w. Boston: Little, Brown and Company, (1994).
New York: Summit Books, 1981. 376 pages. 8vo with cloth-backed boards, dust wrapper. New York: Summit Books, (1981). A fine copy.
New York: Oxford University Press, 1937. Frontispiece and other black-and-white illustrations. 234 pages, 8vo, black cloth, dust wrapper (worn) in a mylar sleeve. New York: Oxford University Press, 1937. First edition. A very good copy in a very good(-) dust wrapper. Inscribed by John Gielgud to actor Richard Sterne on the front free endpaper, with two quotes from Hamlet: "...with all good wishes for your happiness and success - To Richard from John, Boston, Mass. March 1963."
New York: McKay, 1975. Illustrated. 626pp., thick 8vo, brown cloth, d.w. New York: David McKay, (1975). A very good copy in a very good dust wrapper.
2 vols., 8vo, cloth, d.w. (chipped). Berlin, 1928.
Princeton: Princeton University Library, 2010. Preface by Julie Mellby. Illustrated. 109pp., tall thin 8vo, printed wrappers. Princeton: Princeton University Library, 2010. A near fine copy.
New York: St. Martin's, 1971. Illustrated in black & white. 302pp. 8vo, brick colored cloth (scuffed and a bit soiled, internally clean). New York: St. Martin's, (1971). A very good(-) copy.
xiv, , 573pp. Thick 8vo, bound in 19th century calf (rubbed and worn with neat repairs at corners, spine ends and front hinge repaired; pages are lightly foxed, toned and soiled throughout; bookplate inside cover with corresponding pale ink stamp on title). London: W. Johnston, 1765. First edition. Despite the flaws, a solid and reasonably attractive copy of this uncommon book.
London: Oxford University Press, 1973. Illustrated. 99pp, 4to, cloth, dust wrapper; d.w. lightly browning & price-clipped. London; Oxford University Press, 1973. Very good.
London: Adam and Charles Black, 1922. 32 color by Frederick Whitehead. B/w map. 8vo, blue decorative cloth, cloth lightly soiled, scattered light foxing, mostly to margins, not affecting plates. London: A & C Black, (1922).
Berkely: University of California Press, 1977. Frontis. Illustrated, 210pp. 8vo, cloth, d.w. Berkeley: University of California Press, 1977.
1972. 5 x 5-inch portion of a program from the 1972 production of "Macbeth" at the Theatre Rive-Gauche in Paris. Inscribed: "Pour Helmut Mayer homage de l'auteur, Eugene Ionesco." Matted in blue beside a 5 x 7-inch photo of the playwright reclining on a couch with a book in his hands. Set in a black and silver frame measuring 10.5 x 18 inches. Near fine condition.