1890. Two A.L.S.'s to [William] Schill, pertaining to an on-going art project, no place, no date, both docketed on verso: April, 1890, written in his best Horace Greeley styled penmanship, in part: "I must have the plaster for the kneeling girl - Her face is worked and my drawing lost. They can't put it back for her nose is cut away - The nose of the standing girl "You Least" is nearly as bad. Above all... I wish I could...
New South Wales: Craftsman House, 1996. Double-page title page image; illustrated profusely in color and black and white. 226 pages, short 4to, neon orange boards with silver stamping, dust wrapper. New South Whales: Craftsman House in association with G+B Arts International. A near fine copy in a near fine dust wrapper.
Neuchatel: Griffon, 1962. All texts by the artist, translated from the French. Illustrated throughout, a few in color; musical record in pouch at rear. 129pp. Slim 4to, white-lettered gray cloth, d.w. Neuchatel: Editions du Griffon, 1962. First edition. A fine copy in a fine dust wrapper, inscribed by the artist on the title page. the Sculpture of the Twentieth Century. A collection edited and published by Marcel Joray.
Baltimore: The Walters Art Museum, 2009. Illustrated throughout, mostly in color. Wide 4to, black cloth, d.w. Baltimore: The Walters Art Museum, (2009). A fine copy in a near fine dust wrapper. Catalog for a traveling exhibition. With essays by Michal J. Anderson, Jorge J. Bravo III, Gunnel Ekroth, Guy Hedreen, Ralf von den Hoff, Jennifer Larson, Jenifer Neils, John H. Oakley, Corinne Ondine Pache, H.A. Shapiro.
London: Annely Juda Fine Art, 2005. Illustrated in color and black and white. 72 pages, slim oblong 8vo, tan pictorially stamped cloth. London: Annely Juda Fine Art, 2005. A fine copy (every so slightly bumped spine ends). Signed David Nash on the title page with a drawing of a pyramid, a sphere, and a cube.
Tokyo: Bijutsu Shuppan-sha, 1952. 4 volumes (of 6 total): volumes 1, 3, 4, 5. Numerous dramatic photogravure plates. Small very slim folios, white boards, edge-worn d.w. (large chip on dust wrapper of volume 3 with boards discolored beneath). Tokyo: Bijutsu Shuppan-sha, 1952-53. Very good clean copies. Vol I: Archaic Period. Photographs by Manshichi Sakamoto. Vol. III: Hakuho Period. Photographs by Yonpachi Fujimoto. Vol. IV: Tempyo Period. Photographs by Taikichi Irie. Vol. V: Heian Period. Photographs by Domon Ken.