1890. Two A.L.S.'s to [William] Schill, pertaining to an on-going art project, no place, no date, both docketed on verso: April, 1890, written in his best Horace Greeley styled penmanship, in part: "I must have the plaster for the kneeling girl - Her face is worked and my drawing lost. They can't put it back for her nose is cut away - The nose of the standing girl "You Least" is nearly as bad. Above all... I wish I could..... More

New South Wales: Craftsman House, 1996. Double-page title page image; illustrated profusely in color and black and white. 226 pages, short 4to, neon orange boards with silver stamping, dust wrapper. New South Whales: Craftsman House in association with G+B Arts International. A near fine copy in a near fine dust wrapper. More

Neuchatel: Griffon, 1962. All texts by the artist, translated from the French. Illustrated throughout, a few in color; musical record in pouch at rear. 129pp. Slim 4to, white-lettered gray cloth, d.w. Neuchatel: Editions du Griffon, 1962. First edition. A fine copy in a fine dust wrapper, inscribed by the artist on the title page. the Sculpture of the Twentieth Century. A collection edited and published by Marcel Joray. More

Navarra: Taller Macla, 1990. Profusely illustrated with large color photographs. 117pp with text in English. 4to, stiff glossy pictorial wrappers. Navarra: Taller Macla, [1990]. A fine copy of this handsome catalogue, with a lengthy inscription and small drawing on a preliminary page. Scarce. Fine. More

Cambridge: University Press, 1938. Illustrated with black and white photographs. 99 pages, 12mo, red cloth with gilt stamped elephant on cover (wear along exterior of back hinge, still completely firm). Cambridge: University Press, 1938. A very good copy. More

London: Henry Moore Foundation, 1996. Profusely illustrated in color & in black & white.4to, black cloth, d.w. (London): Henry Moore Foundation and Lund Humphries, (1996). First Edition. Fine. More

London: Annely Juda Fine Art, 1991. Illustrated with color photographs and drawings. 47 pages, slim small 4to, pictorial wrappers. London: Annely Jude Fine Art. A near fine copy. Exhibition catalog. More

London: Thames & Hudson, 1970. With 365 illustrations including 37 color plates. 344 pages, 4to, grey cloth, dust wrapper. London: Thames & Hudson, (1970). A near fine copy in a good dust wrapper (tattered at corners). More

New York: Abrams, 1971. Translated by Daniel Dichter. 222 illustrations in color and in black and white. 4to, blue polished calf, cloth slipcase; (case a bit bumped at edges). New York: Abrams, (1971). Very Good (+). Limited Edition, one of 90 numbered copies. More

New York: Whitney Museum, 1990. Profusely illustrated in black & white and color. 355pp. Thick 4to, stiff printed wrappers. New York: The Whitney Museum of American Art, 1990. First Edition. A near fine copy. With Essays by Richard Armstrong, John G. Hanhardt, Robert Pincus-Witten. This book was published on the occassion of an exhibition held at the Whitney Museum of American Art, New York, from February 20 through June 3, 1990. More

New York: Oxford University Press, 1975. 144 black & white illustrations.4to, burgundy cloth. New York: Oxford University Press, (1975). Very good (+). Considered the foremost sculptor of the 18th century. More

London: Academy Editions, 1995. Illustrated in color. 128 pages, slim 4to, pictorial wrappers. London: Academy Editions, (1995). A near fine copy. More

Irvine: Art Gallery, University of California, 1968. More than 30 works illustrated, including several full page color plates. 59pp., thin 8vo, glossy, pictorial wrappers, ink ownership name of Nan Rosenthal on front endpaper; lightly rubbed. Irvine: Art Gallery, University of California, 1968. A very good copy of this scarce exhibition catalog. Works by Wallace Berman, Edward Kienholz, George Herms, Bruce Conner, Fred Mason, and Ben Talbert. More