1890. Two A.L.S.'s to [William] Schill, pertaining to an on-going art project, no place, no date, both docketed on verso: April, 1890, written in his best Horace Greeley styled penmanship, in part: "I must have the plaster for the kneeling girl - Her face is worked and my drawing lost. They can't put it back for her nose is cut away - The nose of the standing girl "You Least" is nearly as bad. Above all... I wish I could..... More

New South Wales: Craftsman House, 1996. Double-page title page image; illustrated profusely in color and black and white. 226 pages, short 4to, neon orange boards with silver stamping, dust wrapper. New South Whales: Craftsman House in association with G+B Arts International. A near fine copy in a near fine dust wrapper. More

Neuchatel: Griffon, 1962. All texts by the artist, translated from the French. Illustrated throughout, a few in color; musical record in pouch at rear. 129pp. Slim 4to, white-lettered gray cloth, d.w. Neuchatel: Editions du Griffon, 1962. First edition. A fine copy in a fine dust wrapper, inscribed by the artist on the title page. the Sculpture of the Twentieth Century. A collection edited and published by Marcel Joray. More

Navarra: Taller Macla, 1990. Profusely illustrated with large color photographs. 117pp with text in English. 4to, stiff glossy pictorial wrappers. Navarra: Taller Macla, [1990]. A fine copy of this handsome catalogue, with a lengthy inscription and small drawing on a preliminary page. Scarce. Fine. More

Cambridge: University Press, 1938. Illustrated with black and white photographs. 99 pages, 12mo, red cloth with gilt stamped elephant on cover (wear along exterior of back hinge, still completely firm). Cambridge: University Press, 1938. A very good copy. More

London: Henry Moore Foundation, 1996. Profusely illustrated in color & in black & white.4to, black cloth, d.w. (London): Henry Moore Foundation and Lund Humphries, (1996). First Edition. Fine. More

London: Annely Juda Fine Art, 1991. Illustrated with color photographs and drawings. 47 pages, slim small 4to, pictorial wrappers. London: Annely Jude Fine Art. A near fine copy. Exhibition catalog. More

London: Thames & Hudson, 1970. With 365 illustrations including 37 color plates. 344 pages, 4to, grey cloth, dust wrapper. London: Thames & Hudson, (1970). A near fine copy in a good dust wrapper (tattered at corners). More

London: Phaidon, 1997. Many illustrations, mostly color. 160pp. Square 4to, pictorial wrappers. (London: Phaidon, 1997). First softcover edition. A fine copy. More

New York: Whitney Museum, 1990. Profusely illustrated in black & white and color. 355pp. Thick 4to, stiff printed wrappers. New York: The Whitney Museum of American Art, 1990. First Edition. Still in the original shrinkwrap. With Essays by Richard Armstrong, John G. Hanhardt, Robert Pincus-Witten. This book was published on the occassion of an exhibition held at the Whitney Museum of American Art, New York, from February 20 through June 3, 1990. More

Worcester: Common Wealth, 1964. b/w plates. 144pp. 8vo, pictorial wrappers (lightly worn) Worcester, MA: Common Wealth Press, [1964]. Very good. Exhibition Worcester Art Museum January 16-February 23, 1964. More

New York: Oxford University Press, 1975. 144 black & white illustrations.4to, burgundy clot, d.w. New York: Oxford University Press, (1975). First Edition. Fine. Considered the foremost sculptor of the 18th century. More

New York: Beechhurst, 1953. Color frontispiece with 192 illustrations. 366 pages. 8vo, green cloth; somewhat worn. New York: Beechhurst, (1953). First American edition. Several pages with minor penciling, else a very good copy. More