London: Nonesuch Press, 1923. An Excellent Narration of their Marriage, translated into English by William Adlington out of the Latine Bookes of the Golden Asse by Apuleius, 1566. Each page printed within burgundy decorative borders by Geofroy Tory. Thin 8vo, red vellum-backed patterned boards. London: Nonesuch Press, 1923. A very good(+) clean copy. One of 625 copies reproducing text from the 1639 edition.
London: Oxford University Press, 1965. 5 volumes. The Text based on Collation of the Early Editions. With Noted Indexes and (black and white) Illustrations From Contemporary Sources. Small 8vos, handsomely rebound by Sangorsky and Sutcliffe in 3/4 green crushed morocco over green cloth, marbled endpapers and top edges gilt, gilt stamped spines (spines slightly toned). London: Oxford University Press, (1965). A fine set.
New York: Putnam, 1906. Illustrated by Frederick Simpson Coburn with 6 full-page sepia plates each protected with lettered tissue, and 20 text pages with large colored headpieces and decorations. Tall 8vo, the original vellum boards with handsome gilt-stamped design by Margaret Armstrong are preserved, but the book has been re-backed in plain gray cloth, a.e.g. New York: G.P. Putnam's Sons, (1906). First Edition thus. Limited Edition - number 95 of only 100 copies printed on Japanese vellum. The limitation page...
Kentfield: Allen Press, 1956. Handsomely printed in letterpress with color illustrations along each margin. Short slim 4to, parchment-backed white boards, untrimmed edges (spine darkened as usual; slipcase soiled, otherwise near fine). Kentfield: Allen Press, 1956. Limited Edition. A very good(+) copy. One of 130 copies. After a romance of the 13th century France. The original and only known copy is the Caxton edition in the British Museum.
Amsterdam: Marc Michel Rey, 1750. Text in French. 4 Volumes. Frontis. piece plus 9 full page engraved plates, plus ornamental devices. 12mo, full mottled leather; some toning to the paper, scattered foxing throughout, covers worn with bumped corners (a few damaged) and some cracked hinges, volume 2 mistakenly marked as IV on Spine label, volume 4 missing spine label. Amsterdam: Marc Michel Rey, 1750. A worn, but very good set.
Franklin Center: Franklin, 1981. 377 pages, illustrated by Allan Manham. 8vo, gilt stamped blue leather, all edges gilt, silk moire endpapers. Franklin Library, 1981. A fine copy aside for subtle foxing to gilt of foredge. Includes the stories: 'Kiss Me Again, Stranger', 'The Birds', 'The Little Photographer', 'Monte Verita', 'The Apple Tree', 'The Old Man', 'The Split Second', and 'No Motive'.
Paris: Librairie de France, 1922. Text in French. Charmingly illustrated with black and white and color sketches by Andre Dunoyer De Segonzac. Frontispiece in color. 515 pages, deckle edges, small 4to, 3/4 brown crushed morocco leather over brown cloth, marbled endpapers, gilt ruling, and raised spine bands (light wear to corners/extremities, very subtle sunning to top of leather on both covers). Title page in red and black. Paris: Librairie de France, 1922. A very good (+) copy. "Edition du Centenaire"...
New York: Dodd Mead, 1888. Illustrated by Madame Madeleine Lemaire with frontispiece and 9 other black and white photogravures printed by Goupil. 140pp. Large 4to, original stiff printed wrappers. New York: Dodd, Mead & Co., 1888. First American Edition. Some foxing throughout, still a very good copy.
Indianapolis: Bobbs-Merrill, 1953. 288pp. Short 8vo, green cloth, edge-worn and sunned d.w. Indianapolis: Bobbs-Merrill, (1953). First edition. Slightly edge-worn near spine, still a very good copy(+) in a very good(-) dust wrapper. Signed and inscribed on endpaper by Bernice Kavinoky for the philanthropists Edith and Martin Segal: "To Edith & Marty, Long overdue, the season's greetings! Best wishes, Bennie (Bernice Kavinoky Inacrum)."
Paris: Saugrain, 1797. 2 volumes. Illustrated with 8 exquisite copper engravings and a frontispiece portrait of La Fontaine by Moreau le Jeune. Full dark green polished calf, ornately gilt spines with red inlaid labels, gilt borders on covers and inner dentelles, a.e.g.. Paris: Saugrain, l'an V - 1797. A beautiful, near fine copy with wide margins. Brunet III, 762, Cohen, 584.
London: Longmans, 1893. Numerous illustrations by L. Bogle, Lucien Davis, H.J. Ford, et al. 337pp. Thick 12mo, original ornate gilt-stamped pictorial blue cloth, a.e.g. (ownership bookplates and inked name on half title, otherwise a fine bright copy). London & New York: Longmans Green and Co., 1893.
London: Longmans, 1908. Edited by Andrew Lang. Illustrated by H.J. Ford with 8 color plates and numerous black & white drawings. 361pp. Thick 12mo, original ornate gilt-stamped pictorial blue cloth, a.e.g. (small scratch on front cover; ownership bookplate, otherwise a fine bright copy). London, New York, Bombay & Calcutta: Longmans Green and Co., 1908.
London: Day & Son. 52 richly illustrated chromolithographic plates, (plates are glued into binding as issued, one is loose). Slim folio contemporary brown embossed cloth, beveled edges, spine, titles and decorative tooling is gilt, corners lightly bumped, a.e.g. (London): Day & Son, no date, ca. 1860. Near Fine. A tale from Moore's Lallah Rookh.