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Gwasg Gregynog, 1927. Printed throughout in red & black. 1 full-page woodcut and title page vignette by David Jones. 21 pages. Short slim 4to, publisher's full dark blue levant with simple gilt lettering and frame, inner gilt dentelle (front joint slightly worn and with small chip at head; internally fine). Uncut edges, t.e.g. Gwasg Gregynog, 1927. A very good(+) copy of this scarce book. Number 20 of only 25 numbered copies on Batchelor handmade paper in a full binding executed.....
San Francisco: Porpoise Bookshop, 1961. More than 40 linoleum block prints by Rick Barton. 88 pages, tall thin 4to, handmade boards, cloth slipcase; spine very slightly sunned; slipcase edgeworn, but sound. San Francisco: The Porpoise Bookshop, 1961. A fine copy in a very good slipcase. Printed on Murasaki vellum paper. One of 165 copies printed by Henry Evans at the Peregrine Press.
Dallas: Ondine Press, 1977. Tall slim 8vo, 19 pages. Original cream cloth (lightly dust-soiled), printed paper label on spine. ( Dallas: printed by Bob and Bonnie Baris at the Ondine Press. Bridwell Library, Southern Methodist University, Dallas, TX, 1977). First Edition. Limited. Number 69 of 145 hand numbered copies.
New York: George Sas at The Marble Hill Press, 1968. 2 reproductions of 15th century woodcuts. 2 pages of text followed by 5 pages of charts, thin 4to, printed wrappers, string tied. New York: George Sas at The Marble Hill Press, (1968). A fine copy. One of 100 copies privately printed from hand-set Jessen types on Strathmore papers.
East Aurora: Roycroft, 1896. Illustrated with 12 black & white photogravures with lettered tissue guards, Original watercolor of a flowers on title page, 27 hand colored initials throughout, rubricated title, printed on heavy hand made paper. Small 4to, rebound in simple full brown morocco with gilt-lettered spine. Aurora: Roycroft Printing Hose, 1896. A very good(+) copy. Number 292 of 473 signed and numbered copies.
New York: Red Angel, 2000. Colored woodcuts by Ronald Keller. 11pp. of text. Oblong 4to, bound in brick (sienna) colored cloth, with a three dimensional paper-mache device on the front cover; marbled end-paper; board slipcase.. Number 7 of 100 copies, signed by Keller. This work was first published iin the Atlantic Monthly, 1874, and later collected in Italian Hours, 1909. The book is unique in that the four woodcuts are bound so that when unfolded they stand upright to form.....
Northampton: Double Elephant, 2000. 13 color copper-plates + full page title page and frontispiece in black & white. Folio, wood-grained boards, with square passe-partout opening which reveals part of the frontispiece; cloth clam-shell case. Northhampton: Double Elephant press, (2000). Limited Edition. Fine. Kuch drew, bit & printed the copperplates and composed the poetry. Number 30 of only 60. copies. Dedicated to Leonard (Baskin).