Newtown: Bird & Bull Press, 2005. Illustrations and tipped in articles in color & in black & white. 105 pages, untrimmed, tall 8vo, tan morocco spine, blue cloth, blue cloth slip case. Newtown: Bird & Bull Press, 2005. Limited Edition. Fine. One of only 160 numbered copies. More
North Hills: Bird & Bull Press, 1970. Illustrated. 89 pages, tall 8vo, 1/2 maroon morocco, marbled boarrds. North Hills: Bird & Bull Press, 1970. Limited Edition. Fine. One of only 210 numbered copies. Without the outer paper wrapper that was to be used for a cover, but was found unsuitable. More
Iowa: Windhover Press, 1981. 38 pages, small slim square 8vo, untrimmed edges. 1/2 black cloth, blue boards, paper spine label. Iowa City: Windhover Press, 1981. Fine. One of 400 copies, 200 printed for the United States. More
Norwalk: Easton, 1990. Illustrations by Frank Mayo. 4to, full gilt decorated blue leather. Norwalk: Easton Press, (1990). Fine. More
Oak Knoll: Delaware Bibliophiles, 1991. Illustrated with 4 wood engravings by John DePol. 81 pages, slim 8vo, blue cloth backed boards. Oak Knoll: Delaware Bibliophiles, 1991. Limited Edition. Fine. One of only 200 numbered copies. More
San Francisco: Nash, 1932. Illustrated with 88 black & white plates. 464pp. Short thick 4to, velum-backed marbled boards, slipcase (case cracked, crudely repaired). San Francisco: John Henry Nash, 1932. Ink inscription on flyleaf, else a very good(+) copy with slightly dusty spine. More
Cambridge: Privately Printed, 1957. Edited with a supplement by Alan Fern. 11 illustrations in color & in black & white, 1 tipped in. 52 pages, slim 12mo, grey backed patterned boards. Cambridge: Privately Printed, 1957. Limited Edition. Fine. One of 500 copies. More
Norwalk: Easton, 1996. Illustrated by Fritz Kredel. 8vo, full ornately gilt brown leather, a.e.g. Norwalk: Easton Press, (1996). Fine. More
Norwalk: Easton, 1969. Illustrations by John Groth. 221 pages. Small 4to, full ornately gilt green leather, a.e.g. Norwalk: Easton Press, (1969). Fine. More
Norwalk: Easton, 1991. Illustrated by Thomas Hart Benton. Tall slim 8vo, full ornately gilt green leather, a.e.g. Norwalk: Easton Press, (1991). Fine. More
North Hills: Bird & Bull Press, 1970. Thin 4to, cloth backed boards. North Hills: Bird & Bull Press, 1970. Fine. A memento of a meeting of the Phylobiblon Club at Jenkintown Pennsylvania. The Introduction is adapted from the paper Lessing Rosenwald read that evening. Enclosed, in a pouch on the back end-paper is a facsimile of the catalogue. More
London: Golden Cockerel Press. Being a Bibliography of The Golden Cockerel Press June 1943-December 1948. Foreword & Notes by Christopher Sandford. Black & white illustrations from the books. 112 pages, slim 8vo, brown cloth, d.w. (edgeworn). (London: Golden Cockerel Press). n.d. ca. 1948. First Edition. A fine copy in a good (+) dust wrapper. More
London: Ballantyne Press /Vale Press, 1901. Border designs by Charles Ricketts. Thin 8vo, light green cloth, stamped in blind with a design by Ricketts, and in gilt on the spine. (London: Vale Press, 1901). Limited Edition. This edition was seen through the press by T.S. Moore, and printed at the Ballantyne Press, as part of the Vale Shakespeare. One of 310 (unstated) copies. The spine and front cover are slightly darkened and rubbed, corners bumped, endpapers darkened, but the interior..... More
London: Ballantyne Press /Vale Press, 1901. Border designs by Charles Ricketts. Thin 8vo, light green cloth, stamped in blind with a design by Ricketts, and in gilt on the spine. (London: Vale Press, 1901). Limited Edition. This edition was seen through the press by T.S. Moore, and printed at the Ballantyne Press, as part of the Vale Shakespeare. One of 310 (unstated) copies. The spine is slightly darkened, but the interior is immaculate and partially unopened. Bookplate. More
London: Ballantyne Press /Vale Press, 1902. Border designs by Charles Ricketts. Thin 8vo, light green cloth, stamped in blind with a design by Ricketts, and in gilt on the spine. (London: Vale Press, 1902). Limited Edition. This edition was seen through the press by T.S. Moore, and printed at the Ballantyne Press, as part of the Vale Shakespeare. One of 310 (unstated) copies. The spine is slightly rubbed, slight foxing on a few preliminary pages, the interior is immaculate and..... More
London: Ballantyne Press /Vale Press, 1902. Border designs by Charles Ricketts. Thin 8vo, light green cloth, stamped in blind with a design by Ricketts, and in gilt on the spine. (London: Vale Press, 1902). Limited Edition. This edition was seen through the press by T.S. Moore, and printed at the Ballantyne Press, as part of the Vale Shakespeare. One of 310 (unstated) copies. The spine and front cover are slightly darkened and rubbed, but the interior is immaculate and partially..... More
London: Ballantyne Press /Vale Press, 1900. Border designs by Charles Ricketts. Thin 8vo, light green cloth, stamped in blind with a design by Ricketts, and in gilt on the spine. (London: Vale Press, 1900). Limited Edition. This edition was seen through the press by T.S. Moore, and printed at the Ballantyne Press, as part of the Vale Shakespeare. One of 310 (unstated) copies. The spine is rubbed, slight foxing in margins of first few endpapers, but the interior is immaculate..... More
London: Ballantyne Press /Vale Press, 1902. Border designs by Charles Ricketts. 99 pages. Thin 8vo, light green cloth, stamped in blind with a design by Ricketts, and in gilt on the spine. (London: Vale Press, 1902). Limited Edition, handsomely printed in letterpress. This edition was seen through the press by T.S. Moore, and printed at the Ballantyne Press, as part of the Vale Shakespeare. One of 310 (unstated) copies. The spine is rubbed and lightly spotted; top corner bumped and..... More
London: Ballantyne Press /Vale Press, 1902. Border designs by Charles Ricketts. Thin 8vo, untrimmed, light green cloth, stamped in blind with a design by Ricketts, and in gilt on the spine. (London: Vale Press, 1900). Limited Edition. This edition was seen through the press by T.S. Moore, and printed at the Ballantyne Press, as part of the Vale Shakespeare. One of 310 (unstated) copies. The spine and rear cover are spotted, but the interior is immaculate and partially unopened... More
London: Ballantyne Press /Vale Press, 1900. Border designs by Charles Ricketts. Thin 8vo, untrimmed, light green cloth, stamped in blind with a design by Ricketts, and in gilt on the spine. (London: Vale Press, 1900). Limited Edition. This edition was seen through the press by T.S. Moore, and printed at the Ballantyne Press, as part of the Vale Shakespeare. One of 310 (unstated) copies. The spine is slightly darkened, but the interior is immaculate and partially unopened. More
London: Ballantyne Press /Vale Press, 1901. Border designs by Charles Ricketts. Thin 8vo, light green cloth, stamped in blind with a design by Ricketts, and in gilt on the spine. (London: Vale Press, 1901). Limited Edition. This edition was seen through the press by T.S. Moore, and printed at the Ballantyne Press, as part of the Vale Shakespeare. One of 310 (unstated) copies. The spine is slightly darkened and rubbed, but the interior is immaculate and partially unopened... More
London: Ballantyne Press /Vale Press, 1903. Border designs by Charles Ricketts. Thin 8vo, light green cloth, stamped in blind with a design by Ricketts, and in gilt on the spine. (London: Vale Press, 1903). Limited Edition. This edition was seen through the press by T.S. Moore, and printed at the Ballantyne Press, as part of the Vale Shakespeare. One of 310 (unstated) copies. The spine is slightly darkened and rubbed, but the interior is immaculate and partially unopened... More
London: Ballantyne Press /Vale Press, 1902. Border designs by Charles Ricketts. Thin 8vo, light green cloth, stamped in blind with a design by Ricketts, and in gilt on the spine. (London: Vale Press, 1902). Limited Edition. This edition was seen through the press by T.S. Moore, and printed at the Ballantyne Press, as part of the Vale Shakespeare. One of 310 (unstated) copies. The spine and front cover are slightly darkened and rubbed, corners bunped, endpapers darkened, but the interior..... More
London: Ballantyne Press /Vale Press, 1903. Border designs by Charles Ricketts. Thin 8vo, light green cloth, stamped in blind with a design by Ricketts, and in gilt on the spine. (London: Vale Press, 1903). Limited Edition. Very good (+). This edition was seen through the press by T.S. Moore, and printed at the Ballantyne Press, as part of the Vale Shakespeare. One of 310 (unstated) copies. The spine is slightly darkened and rubbed, endpapers darkened, but the interior is immaculate..... More
London: Ballantyne Press /Vale Press, 1901. Border designs by Charles Ricketts. Thin 8vo, light green cloth, stamped in blind with a design by Ricketts, and in gilt on the spine. (London: Vale Press, 1901). Limited Edition. This edition was seen through the press by T.S. Moore, and printed at the Ballantyne Press, as part of the Vale Shakespeare. One of 310 (unstated) copies. The spine is darkened and rubbed, but the interior is immaculate and partially unopened. More
I saw CNN student news on the other day and impressed how you ladies doing at the bookstore. I am Japanese woman and we value and treasure ancient things. Plus I am a genuine bookworm who prefer printed volumes than electric gadget. So I wanted to say it was a great interview and wonderful to know that there are someone who try to preserve old things rather than sell them and go to Carribean or wherever to swing in hammock. Hope I can visit you someday. Love and respect,
The Michener book arrived today in great shape!! It's what I wanted and I do appreciate your professionalism in handling this transaction for me!!! Thanks, again, and I'll look forward to any future transaction.