New York: Whitney Museum, 1996. Profusely illustrated throughout, mostly in color. 492 pages. Short thick 4to, glossy pictorial wrappers (upper corner faintly rippled). New York: Whitney Museum & Zurich: Scalo, (1996). First softcover edition. Other than slight cover damage, a near fine copy. Published on the occasion of the 1996 Whitney exhibition. More

New York: Rizzoli, 1997. Introduction by Dave Fulton, Foreword by John Waters. More than 200 black & white photographic portraits. 369pp., large, square 8vo, brown cloth, d.w.; dust wrapper lightly rubbed. New York: Rizzoli, (1997). A near fine copy in a very good (+) dust wrapper. More

London: Quartet Books, 1987. Illustrated (color and black & white). 151 pages. Oblong 4to, green cloth, dust wrapper. London: Quartet Books, (1987). First edition. boards bumped at bottom of front cover, still a very good(+) copy. More

Paris: Verve, 1939. An original full color lithograph after Guys. Sheet measures 13.75 x 10.375 inches, image measuring 12 x 8.5 inches. On reverse is another Guys lithograph with similar dimensions. Published in Paris for Verve, and printed by Mourlot Freres. Paris: Verve, 1939. A near fine bright copy. Verve was founded in 1937 as a showcase for work by the day's best artists, produced by the finest printers. These pieces were printed in Volume 2, numbers 5-6... More

New York: International Center of Photography, 1979. Color and black & white photographs. Tall, thin 8vo, stiff, glossy pictorial wrappers. New York: International Center of Photography, 1979. A near fine copy. More

Boston: Bulfinch, 1998. Edited by Jane Halsman Bello and Steve Bello. Introduction by Mary Panzer. 168 black & white photographic portraits. 4to, black cloth, d.w. Boston: Bulfinch Press, (1998). A fine copy in a fine dust wrapper. More

New York: Rizzoli, 2000. Signed. Foreword by Carter Ratcliff. Illustrated throughout by Bill Hayward. 167pp. 4to, black boards, d.w. New York: Rizzoli, (2000). A near fine copy in a near fine dust wrapper. Signed and inscribed by Bill Hayward opposite the title page: "8/11/2007 NYC. For Christina and Norman and their delight of 192 books and a summer's afternoon. Thanks, B." More

New York: Putnam, 1905. 43 plates with tissue guards, several in color. Thick small 4to, ornately gilt green cloth. New York: Putnam, 1905. Very good (+). Full, well-illustrated account, from medieval illuminated mss. to 18th century masters. More

New York: Henry & William Vought, 1865. Uncolored lithograph. Sheet measures 18.25" x 22.25" This commemorative patriotic lithograph by Henry and William Vought was issued following President Lincoln's assassination in April 1865. The portraits of each appear on the two sides with the Declaration of Independence below Washington and the Emancipation Proclamation below Lincoln. In the center is Columbia, the allegorical female personifying Liberty, is dressed in classical garb and a Phrygian cap, holding a laurel wreath above both men..... More

Boston: Museum of Fine Arts, 2009. Illustrated in black and white and color. 262 pages, small 8vo, tan cloth (some transfer of color to edges), dust wrapper. Boston: Museum of Fine Arts, (2009). A very good(+) copy in a very good(+) dust wrapper. More

1646. Etching. Inscribed upper left, W. Hollar fecit 1646. 3 7/8 x 2 5/8 inches. Trimmed to neat line. Beautiful portrait of an elegant woman shown half-length to right, with long dark hair parted in the middle and held in fabric, wearing a thin drop necklace, and a low-cut bodice fastened by ribbons, in a patterned fabric with puffed sleeves. Her arms are crossed below her bust. After Italian painter Giorgione. Wenceslaus Hollar also known as Wenzel Hollar (1607 -..... More

1645. Etching. Inscribed lower right, F. Parm: inu: / W. Hollar fecit : 1645. Measures 4 5/8" x 3" Trimmed to neat line. Impressive etching of a female figure standing in classical pose, looking to the right with her left arm extended, wearing a loose robe held by her right hand. After Italian Mannerist painter Parmigianino. Wenceslaus Hollar also known as Wenzel Hollar (1607 - 1677) was an accomplished Bohemian graphic artist of the 17th century, who spent most of..... More

1646. Etching. Inscribed upper left, Lorenzo di Credi: inu. Inscribed upper right, W: Hollar fecit 1646, 2 January. 4 x 2 3/4 inches. Trimmed to neat line. Striking portrait of an elegant woman shown bust length, with long blonde hair parted in the middle, a double-loop necklace, and a bodice with a low-cut and rounded neckline. After Florentine painter Lorenzo di Credi. Wenceslaus Hollar, also known as Wenzel Hollar (1607 - 1677) was an accomplished Bohemian graphic artist of the..... More