Madrid: La Fabrica, 2014. Color illustrations. slim, tall 8vo, stiff pictorial boards. Madrid: La Fabrica, (2014. First Edition. very slight bumping at corners, still a near fine copy. Signed and dated by the artist on the half title. More

New York: Rizzoli, 1997. Introduction by Dave Fulton, Foreword by John Waters. More than 200 black & white photographic portraits. 369 pages. Thick square 4to, brown cloth, d.w., brown cloth slipcase. New York: Rizzoli, (1997). Limited edition with slipcase and signed duotone photo of nude male torso laid in (this copy actually has 2 of the signed photos). Previous owner has written--erroneously--in pencil on title page "Goes for up to $1,350.00" otherwise a fine copy in a fine dust wrapper..... More

London: Quartet Books, 1987. Illustrated (color and black & white). 151 pages. Oblong 4to, green cloth, dust wrapper. London: Quartet Books, (1987). First edition. boards bumped at bottom of front cover, still a very good(+) copy. More

Paris: Verve, 1939. An original full color lithograph after Guys. Sheet measures 13.75 x 10.375 inches, image measuring 12 x 8.5 inches. On reverse is another Guys lithograph with similar dimensions. Published in Paris for Verve, and printed by Mourlot Freres. Paris: Verve, 1939. A near fine bright copy. Verve was founded in 1937 as a showcase for work by the day's best artists, produced by the finest printers. These pieces were printed in Volume 2, numbers 5-6... More

New York: International Center of Photography, 1979. Color and black & white photographs. Tall, thin 8vo, stiff, glossy pictorial wrappers. New York: International Center of Photography, 1979. A near fine copy. More

Boston: Bulfinch, 1998. Edited by Jane Halsman Bello and Steve Bello. Introduction by Mary Panzer. 168 black & white photographic portraits. 4to, black cloth, d.w. Boston: Bulfinch Press, (1998). A fine copy in a fine dust wrapper. More

New York: Rizzoli, 2000. Signed. Foreword by Carter Ratcliff. Illustrated throughout by Bill Hayward. 167pp. 4to, black boards, d.w. New York: Rizzoli, (2000). A near fine copy in a near fine dust wrapper. Signed and inscribed by Bill Hayward opposite the title page: "8/11/2007 NYC. For Christina and Norman and their delight of 192 books and a summer's afternoon. Thanks, B." More

New York: Putnam, 1905. 43 plates with tissue guards, several in color. Thick small 4to, ornately gilt green cloth. New York: Putnam, 1905. Very good (+). Full, well-illustrated account, from medieval illuminated mss. to 18th century masters. More

Boston: Museum of Fine Arts, 2009. Illustrated in black and white and color. 262 pages, small 8vo, tan cloth (some transfer of color to edges), dust wrapper. Boston: Museum of Fine Arts, (2009). A very good(+) copy in a very good(+) dust wrapper. More

1646. Etching. Inscribed upper left, W. Hollar fecit 1646. 3 7/8 x 2 5/8 inches. Trimmed to neat line. Beautiful portrait of an elegant woman shown half-length to right, with long dark hair parted in the middle and held in fabric, wearing a thin drop necklace, and a low-cut bodice fastened by ribbons, in a patterned fabric with puffed sleeves. Her arms are crossed below her bust. After Italian painter Giorgione. Wenceslaus Hollar also known as Wenzel Hollar (1607 -..... More

1645. Etching. Inscribed lower right, F. Parm: inu: / W. Hollar fecit : 1645. Measures 4 5/8" x 3" Trimmed to neat line. Impressive etching of a female figure standing in classical pose, looking to the right with her left arm extended, wearing a loose robe held by her right hand. After Italian Mannerist painter Parmigianino. Wenceslaus Hollar also known as Wenzel Hollar (1607 - 1677) was an accomplished Bohemian graphic artist of the 17th century, who spent most of..... More

1646. Etching. Inscribed upper left, Lorenzo di Credi: inu. Inscribed upper right, W: Hollar fecit 1646, 2 January. 4 x 2 3/4 inches. Trimmed to neat line. Striking portrait of an elegant woman shown bust length, with long blonde hair parted in the middle, a double-loop necklace, and a bodice with a low-cut and rounded neckline. After Florentine painter Lorenzo di Credi. Wenceslaus Hollar, also known as Wenzel Hollar (1607 - 1677) was an accomplished Bohemian graphic artist of the..... More

Boston: Little Brown, 1992. Photographs and Commentary by Yousuf Karsh. Full-page color and black-and-white photographs throughout. 157 pages, 4to, blue cloth, dust wrapper. Boston: Little, Brown and Company, (1992). First edition. A near fine copy with a near fine dust wrapper. Inscribed on the front free endpaper: "For Phyllis Levine in friendship and affectionate high regards, Yousuf Karsh, New York, October, 1992." More