Edinburgh: Oliver & Boyd, 1837. 358pp plus ads. Frontispiece portrait. 16mo, bound in contemporary full black morocco with gilt-stamped decorations, a.e.g. Edinburgh: Oliver & Boyd, 1837. A near fine copy. With an idylic fore-edge painting depicting a fisherman seated on a log with a stone bridge in the pastoral background.
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New York: Harper, 1874. Illustrated with numerous engraved plates and in-text drawings, tissue guards. 108pp., tall 8vo, original beautiful blue gilt-stamped pictorial cloth, hinges reinforced. New York: Harper & Brothers, (1874). Very good. With the half-title, and a leaf of advertisements at the end.
London: Macmillan, 1883. With 65 black-and-white illustrations by Arthur B. Frost, and 9 by Henry Holiday. xii, 214 pages, 8vo, Sumptuously rebound by Bayntun in full green morocco with multiple gilt borders and oflyleaves, all edges gilt. Original cloth covers & spine bound-in at rear. London: Macmillan, 1883. First edition. The spine is a touch faded and the front silk end-papers are a bit edge-worn; otherwise a fine copy in a lovely binding.
New York: Putnam, 1903. Frontispiece. Illustrated in sepia and black and white with lettered tissue guards. Decorative title page. 310 pages, (deckle edges), large 8vo, forest green crushed levant with floral gilt stamping, (hinges starting to crack slightly but still firm) raised spine bands, inner gilt rubricated dentelles, top edge gilt, and mottled endpapers. New York: Putnam, 1901. New York: Putnam, 1903. A very good(+) copy. Subtle remains of adhesive from removed bookplate on front attached endpaper.
New York: Putnam, 1901. Frontispiece. Illustrated in sepia and black and white with photographs and reproductions of artworks with lettered tissue guards. Decorative title page. 312 pages, (deckle edges), large 8vo, forest green crushed levant with floral gilt stamping, (hinges starting to crack slightly but still firm) raised spine bands, inner gilt rubricated dentelles, top edge gilt, and mottled endpapers. New York: Putnam, 1901. A very good(+) copy. Bookplate on front attached endpaper.
London: Longmans, 1865. Engraved frontispiece, numerous illustrations with engravings throughout by John Leighton. Translated and edited, with additions, by Richard Pigot. Rubricated title, 242pp., 4to, full gilt and blind-stamped burgundy leather, gilt-stamped raised bands, inner dentelles, a.e.g. London: Longmans, 1865. Very good (+).
Gregynog, 1925. Frontispiece portrait and 30 additional woodcut illustrations by R.A. Maynard & H.W. Bray. Printed throughout in red and black. xxx, , 88 pages. Square 4to, exquisitely bound in full burgundy levant; ornate gilt-tooled designs on covers and spine; uncut edges, t.e.g.; matching levant-tipped cloth slipcase. Gwasg Gregynog, 1925. Fine. Welsh poems by John Ceiriog Hughes. Very scarce. Number 15 of only 30 numbered copies printed on handmade paper in a special leather binding. With the armorial bookplate of.....
Princeton: Princeton University Press, 1999. Edited with an introductory essay, commentary, and appendices by Charles Ryskamp & Scott D. Westrem. xiv + 220pp., tall 8vo, red cloth, clear mylar dust wrapper.. Princeton: Princeton University Press, 1999. A fine copy. Presentation copy signed by co-editor, Charles Ryskamp.
Ridgefield: Story Songs, 1975. Signed book by the American songwriter and popular musician. Profusely illustrated with black-and-white surrealist drawings by Rob White. Square 8vo, stiff pictorial wrappers (some minor staining on covers and light scattered foxing on a few pages inside). Ridgefield CT: Story Songs, (1975). First edition. Very good. Signed in full on the flyleaf -- "Keep the change! Harry Chapin"