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Cleveland: Burows Brotheres, 1895. Text throughout printed in black & red, some pages within highly decorative borders. , 131 pages, 8vo, linen- backed blue holland boards, pictorially stamped in black & red. Cleveland: Burrows Brothers, 1895. First edition. Bradley's masterpiece of American Art Nouveau book design. Number 8 of 40 copies on Japan Paper. Enclosed are 3 portraits of Blackmore & Bradley, on Japan Paper and each numbered 8. Bookplate.
London: Medici Society, 1927. With a Prefatory Letter by W. B. Yeats. 12 color plates plus black & white text illustrations. 42pp., 8vo, blue cloth, d.w.; dust wrapper worn and torn, inscription on front free endpaper. London and Boston: The Medici Society, (1927). A very good copy in a poor dust wrapper.
London: Trianon, 1968. The introductory volume with text by Geoffrey Keynes, is illustrated with Blake's Preliminary sketches, and bound in red cloth in 8vo format. Volumes II & III contain excellent facsimile reproductions of Blake's etchings and engravings, bound in matching cloth but 16mo format. All 3 volumes housed in red cloth slipcase, slightly faded along back edge. London: For the William Blake Trust by The Trianon Press, 1968. Limited edition -- number 61 of 700 copies printed on Arches...
Cambrige: Limited Editions Club, 1973. Selected, Edited, & Introduced by Aileen Ward. With illustrations from Blake's Illuminated Books. 12 color mounted plates. 290pp. Tall 8vo, 1/4 morocoo, medallion portrait embossed on cover, board slipcase. Cambridge: Limited Editions Club, 1973. Spine is just a bit scuffed, else near fine. One of 1500 numbered copies.
Oxford: Clarendon, 1926. 2 Volumes. Edited with General Introduction & Glossarial Index of Symbols by D. J. Sloss and J.P.R. Wallis. 10 facsimile illustrations, including folding frontispiece. Thick 8vo, blue cloth. Oxford: The Clarendon Press, 1926. First edition. A near fine set with mostly un-opened pages.
Franklin Center: Franklin, 1980. Illustrated with 54 color plates by Blake. 104 pages. Thin 8vo, gilt-stamped brown leather, a.e.g. Franklin Library, 1980. A fine copy, as new in the original un-opened Franklin Library packing sleeve with embossed gold seal. 100 Greatest Books of All Time series. A Limited Edition.
New York: Orion, 1967. With an Introduction and Commentary by Sir Geoffrey Keynes. A facsimile reproduction in the original size. Illustrated with 54 color plates by Blake. Unpaginated, 8vo, blue cloth, dust wrapper. London: Rupert Hart-Davis in association with the Trianon Press (Paris). A fine copy in a near fine dust wrapper.
London: Sampson Low, 1858. 30 engravings by Birket Foster and others. 68pp., small 8vo, original decoratively gilt cloth; (spine ends slightly worn). London: Sampson, Low, 1858. "The success of the `Farmer's Boy' was remarkable... Byron referred to Bloomfield (and this work) in complimentary terms..." DNB II, pp. 698-9.
New York: Appleton. Thirty engravings from drawings by Birket Foster, Harrison Weir, and G. E. Hicks. 4 + 68pp., small 8vo, gilt-lettered embossed leather with decorative spine and beveled edges, a.e.g. New York: D. Appleton & Co., n.d. "The success of the `Farmer's Boy' was remarkable... Byron referred to Bloomfield (and this work) in complimentary terms..." DNB II, pp. 698-9.
Manchester: 1775. Frontis portrait plus 10 engraved plates and many ornamental head and tail pieces. 201pp. + 33pp. 12mo, leather spine over marbled boards; text browned, some of the plates out margin trimmed, bookplate inside front cover, covers worn. Manchester: The Author, 1775. A very good copy.