Highlands: Nantahala Foundation, 1964. With a note on Anderson's poetry by Edward Dahlberg and a poem by Frederick Eckman. Very slim, panoramic folio (7.5 x 21.75 inches), spiral-bound with brown printed wrappers. Highlands North Carolina: Nantahala Foundation/Jonathan Williams, 1964. First edition - limited to 1550 copies. Very minor edgewear and bumping along with light scattered foxing, still a very good copy, lacking the original clamshell box. Issued as Jargon 45, this is Sinsabaugh's first book, and the awkward sizing was to accomodate his panoramic photographs.
Refine search resultsSkip to search results
Haybarn Press, 2018. Frontispiece on Rives Heavyweight, printed from a painting on a Mylar plate, and hand-colored by the artist. Illustrated in color by Ed Colker. Letterpress printed. Unpaginated, unbound in burgundy cloth portfolio, as issued. Haybarn Press, 2018. A fine copy. Limited edition, number 24 of 125. Signed by the artist on the limitation page. Poems by: Lee Briccetti, Lea Graham, Kathryn Hellerstein, Catherine Kasper, Kadya Molodowsky, Kathleen Norris, Nina Pick, Ronnie Scharfman, Rosmarie Waldrop, Jeanne Murray Walker, and Suzanne Wise.
New York: Metropolitan Museum of Art, 1977. Illustrated with woodcuts by Raoul Dufy. 30 full-page woodcuts & other vignettes. Unpaginated. Thin folio, cream-colored linen, in board slipcase with pictorial paper label (some sunning to case). New York: The Metropolitan Museum of Art, 1977. A fine copy in a very good(+) slipcase. Reprint of the 1911 edition with new English translations and foreword. These woodcuts are considered among Dufy's best work.
London: Chez tous les Libraires, 1853. , 108 pages with text in French. 32mo, contemporary 3/4 red calf over marbled boards; matching endpapers; top edge red. Londres et New-York: Chez tous les Libraires, 1853. First edition. A very good clean copy of this scarce book. OCLC lists only 3 copies Thompson and Davidson Printers, London.
California Library Association, 1961. 39 pages. Very slim 8vo, original tan printed wrappers, staple-bound. California Library Association, 1961. First Edition. Near Fine. Limited Edition. One of 750 copies designed by Ward Ritchie and Printed by the Ward Ritchie Press. Keepsake Series No. 2. Inscribed by the author on the half-title.
London: Millar, 1765. 99 pages. 12mo, re-covered in modern wrappers. London: Printed for A. Miller, in the Strand. 1765. Good (+). "In the class of poetry to which it belongs, the Art of Preserving Health holds a distinguished place. No writer of the eighteenth century had so masterful a grasp of blank verse as is shown in parts of this poem. The powerful passage descriptive of the plague (book iii) has been highly praised." -- DNB I, 567. Foxon A296.
London: Millar, 1744. , 134pp. Large square 8vo, rebound in plain grey boards with worn leather spine label. London: A. Millar, 1744. First edition. 2 bookplates on recto of title page, else a very clean wide-margined copy. Very good (+). "In the class of poetry to which it belongs, the Art of Preserving Health holds a distinguished place. No writer of the eighteenth century had so masterful a grasp of blank verse as is shown in parts of this poem...
Leipzig: Tauchnitz, 1891. Frontispiece portrait of the author with tissue guard. 246 pages, 12mo, gorgeous Florentine vellum binding with ornate gilt stamping and dark green leather label and panels, beveled edges, metallic filigree endpapers. Boston: Roberts Brothers, 1891. A near fine copy. An adaptation of the Lalitavistara Sutra. Binder's label on preliminary page.
Avon: Limited Editions Club, 1976. Illustrated by Ayers Houghtelling with 8 color plates and other drawings in the text. 193pp. 4to, patterned cloth with green leather label, board slipcase. Avon, CT: The Limited Editions Club, 1976. A fine copy in a near fine box. One of 2000 numbered copies signed by the illustrator.
London: Macmillan, 1903. 15 volumes, rubricated titles. Tall 8vo, full maroon morocco, ornately gilt spine (tops of spines lightly rubbed), blind-stamped and gilt-ruled borders on covers, decorative endpapers, top edge gilt. London: Macmillan, 1903. Limited Edition. Very good(+). One of 775 copies. Previous owners bookplate.
New York: Andre Emmerich, 1959. Photographs by Lee Boltin. Thin 8vo, leather backed marbled boards. N.Y.: Andre Emmerich Gallery, (1959). Limited First Edition. An anthology of poems, and objects of art of the pre-Columbian past. Of 1500 copies printed, this is one of 50, signed by each of the contributing poets, each on a separate blank page. The poets include Theodore Roethke, W. Carlos Williams, W.S. Merwin, Octavio Paz, Louise Bogan & C. Day Lewis. This is No XVI, and...