Das Pastell: Seine Geschichte un seine Meister.
Berlin: Kunstwissenschaft. 9 mounted color plates, 262 illus. 430pp. 8vo, blue cloth-backed pictorial boards. Berlin, n.d. ca, 1920. A very good copy. History of pastel painting. More
Berlin: Kunstwissenschaft. 9 mounted color plates, 262 illus. 430pp. 8vo, blue cloth-backed pictorial boards. Berlin, n.d. ca, 1920. A very good copy. History of pastel painting. More
Leipzig: VEB, 1962. Translated by Dr. Margaret Kunzle. 100 full-page-color plates. 166pp., folio, natural cloth, d.w.; dust wrapper worn, torn at spine ends. Leipzig: VEB, (1962). A near fine copy in a very good (-) dust wrapper. More
New York: Abbeville, 1981. 65 pages, tall folio, white cloth, d.w.; a few spots of minor wear to dust wrapper spine ends. New York: Abbeville Press, (1981). ear fine in very good(+) dust wrapper. More
New York: New York Graphic Society, 1982. Illustrated (color and b/w). 321 pages, thick oblong 4to., brown cloth, Mylar wrapped d.w. Second printing. New York: New York Graphic Society/Little Brown, (1982). A near fine copy in a near fine wrapper. More
Boston: New York Graphic Society, 1984. Foreword by Charles C. Eldredge. Packed with 100 color, and 297 black and white plates. 350pp. Ssquare 4to, blue cloth, d.w. Boston: New York Graphic Society, 1984. First Edition. A fine copy in a near fine dust wrapper. Surveys the work of 131 artists, lavishly illustrated. More
Boston: New York Graphic Society, 1984. Foreword by Charles C. Eldredge. Packed with 100 color, and 297 black and white plates. 350pp. Ssquare 4to, blue cloth, d.w. Boston: New York Graphic Society, 1984. First Edition. Small faint dampstain at lower corner, still a very good copy. Surveys the work of 131 artists, lavishly illustrated. More
New York: Abbeville, 1979. Numerous full page color plates. 156 pages. Slim 4to, red cloth, d.w. New York: Abbeville, (1979). Fine in very good(+) dust wrapper. More
Norwalk: Easton, 1990. Frontispiece and illustrations by El Greco, both in color and black and white. 127pp. Slim 4to, brown cloth. New York: Harry Abrams, (1990). Owner's name stamped on fly-leaf, else a fine copy. More
Freeport: The Bond Wheelwright Company, 1969. Illustrated in color and black and white. 373 pages, large 8vo, black pictorial cloth in a mylar sleeve. Freeport: The Bond Wheelwright Company, (1969). Very good(+). More
Antique Collectors' Club, 1981. 254 illustrations, some in color, 381pp., 4to, blue cloth, d.w. N.p.: Antique Collectors' Club, (1981). A fine copy in a fine dust wrapper. More
Suffolk: Antique Collectors' Club, 1985. Over 29 color plates, 227 black-and-white plates, 368 pages, 4to, blue cloth, d.w. (Suffolk): Antique Collector's Club, (1985). A very good(+) copy in a very good dust wrapper. More
Zwolle: Waanders, 1990. Foreword by Hans R. Hoetink. Illustrated profusely in color and black and white. 561 pages, 4to, pictorial wrappers. Zwolle: Mauritshuis, the Hague, Waanders Publishers, (1990). A near fine copy. More
London: George G. Harrap, 1963. Illustrated in black and white. 104 pages, wide 8vo, orange cloth, dust wrapper (light rubbing). London: George G. Harrap, (1963). A very good(+) copy in a very good dust wrapper. More
London: 1921. Illustrated in b/w. 8vo, cloth. London, 1921. Very good. More
New York: Abbeville, 1984. Profusely illustrated with many color plates. 240 pages. 4to, rust cloth, d.w. New York: Abbeville, 1984. Fine in near fine dust wrapper, slightly mis-aligned. With an Appendix of artists' biographies, and bibliography. More
London: Pitman, 1933. Three volumes bound together, with separate pagination. Volumes I & II color frontis., each volume extensively illustrated in black and white. Tall, thick 8vo, blue cloth; spine lightly worn and faded, some spotting on inside front and rear covers and endpapers. London: Sir Isaac Pitman & Sons, 1933 & 1934. Internally fine, a very good (+) copy. More
University Park: Pennsylvania State University Press, 1994. 40 illustrations in black & white, frontispiece illustrated in color. 166 pages, 4to, red cloth, d.w. University Park: Penn State Univ. Press. In fine condition, More
New York: Whitney Museum, 1974. Illustrated in color and black and white. 64 pages, slim square 8vo, pictorial wrappers (one crease to front cover along spine). New York: Whitney Museum, 1974. A very good copy. Exhibition catalog. More
Milan: Galleria Schwarz, 1970. Text in Italian, French, and English. With b/w and color illustrations throughout. 36 pages. Tall, slim 8vo, pictorial wrappers. Milan: Galleria Schwarz, 1970. A near fine copy with light sunning and scuffing to wrappers. More
Vienna: 1941. Illustrated with 40 color plates, and 17 black & white. Tall slim 8vo, cloth-backed boards, d.w. Vienna, (1941). Reprint. A very good copy in a very good dust wrapper. More
Chambord: Domaine national de Chambord, 2015. With color images and illustrations throughout. 95 pages. Slim, oblong 8vo, pictorial boards. Chambord: Domaine national de Chambord, (2015). A fine copy. More
Ostfildern: Hatje Cantz, 2012. With contributions by various authors. Hundreds of illustrations. 247pp., 4to, pictorial boards. Ostfildern: Hatje Cantz, (2012). A near fine copy. Text in German and English. More
Alentejo: Quetzal Art Center, 2019. With b/w and color images. 62 pages. Slim 4to, black pictorial wrappers. (Alentejo: Quetzal Art Center, 2019). A near fine copy with a minor scuff along outer edge of rear cover. More
Paris: Galerie Schoffel-Valluet and Galerie Samy Kinge, 2010. With color and b/w images. 140 pages. Slim 8vo, black cloth. Paris: Galerie Schoffel-Valluet and Galerie Samy Kinge, 2010. A near fine copy. More
Milan: 5 Continents, 2005. Text in French. Preface by Thomas M. Messer, Intro by Pierre Descargues. Illustrated in color and black and white. 223 pages, square 4to, pictorial boards. Milan: 5 Continents, (2005). A near fine copy. More
Hello again. We received the Lincoln document yesterday and are very very pleased -- it is in wonderful condition. Thanks.
I saw CNN student news on the other day and impressed how you ladies doing at the bookstore. I am Japanese woman and we value and treasure ancient things. Plus I am a genuine bookworm who prefer printed volumes than electric gadget. So I wanted to say it was a great interview and wonderful to know that there are someone who try to preserve old things rather than sell them and go to Carribean or wherever to swing in hammock. Hope I can visit you someday. Love and respect,