London: John Lane The Bodley Head, 1900. Edited with Notes by Grant Allen, many full page and text illustrations by by Edmund H. New. xl + 528pp., thick 4to, decorative tan cloth; spine darkened, cloth buckling and wrinkling in some spots. London: John Lane, The Bodley Head, 1900. Internally clean and tight, a very good copy.
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Ipswich: Limited Editions Club, 1972. With drawings by John Nash, including 16 lithograph plates in colour and 15 in-text drawings. 275pp. 4to, gilt-lettered leather-backed patterned boards; publishers board slipcase (lightly edgeworn). Ipswich: The Limited Editions Club, 1972. A near fine copy. One of 1500 numbered copies signed by the Artist.
Chicago: School of the Art Institute, 1926. Portfolio, containing 198 plates, including 11 in color, and one folding, loose, as issued, in green cloth portfolio, stamped in gilt, with cloth ties. Chicago: School of the Art Institute, 1925. The work of 84 artists and over 3000 designs are shown, depicting indigenous arts alongside of natural history sketches to show how the designs have counterparts in nature. The number of plates actually exceeds the listing called for in the Table of...
New York: Appleton, 1866. Being a Description of the Habituation of Adams, Classed According to Their Principle of Construction. Frontispiece, numerous black and white engravings based on designs by F. Keyl and E. Smith. 632pp., thick 4to, gilt-decorated green cloth; (hinges repaired). New York: Appleton, 1866. Very good.