Dance Back The Buffalo.
Boston: Houghton Mifflin, 1959. 406 pages, 8vo, cloth, d.w.; d.w. rubbed. Boston: Houghton Mifflin, 1959. First Edition. A Novel. More
Boston: Houghton Mifflin, 1959. 406 pages, 8vo, cloth, d.w.; d.w. rubbed. Boston: Houghton Mifflin, 1959. First Edition. A Novel. More
Santa Fe: Twin Palms, 2002. Illustrated with b/w photos throughout. 108 pages. 4to, red cloth. d.w. (Santa Fe): Twin Palms, 2002. Book is fine; wrapper has slight scuffing & sunning, otherwise fine. More
Illus. 8vo, d.w. N.Y., 1980. Juvenile Edition. More
Los Angeles: Limited Editions Club, 1968. Illustrated by Everett Gee Jackson, mostly in color. 406pp. Square 8vo, 1/4 beige leather, printed wood label on spine, (top of spine lightly rubbed), board slipcase. Los Angeles: The Limited Editions Club, 1968. A very good copy--scuffing to spine. One of 1500 numbered copies signed by the artist. More
New York: Promontory, 1981. Many illustrations. 447 pages, folio, cloth; New York: Promontory, (1981). More
New York: Clarkson Potter, 1990. Over 400 color illustrations. square 4to, cloth, d.w. New York: Clarkson Potter, (1990). A very good copy. More
New York: Viking, 1991. Afterword by Martin Garbus. xli + 645 pages, thick 8vo, cloth-backed boards, d.w.; tear to upper front corner of dust wrapper. New York: Viking Press, (1991). A very good copy in a very good(-) dust wrapper. More
Lincoln: University of Nebraska, 1992. Illustrated, maps. xii + 357 pages, 8vo, cloth, d.w. Lincoln: University of Nebraska Press, (1992). A near fine copy in a very good(+) dust wrapper. More
New York: Dial Press, 1959. Nearly 170 illustrations, including 36 in color. 216pp. Slim 4to, cloth, d.w. New York: Dial Press, 1959. A near fine copy in a worn dust wrapper. More
London: Merrell, 2002. With chapters by several authors. Extensively illustrated. 224 pages, 4to, pictorial wrappers. London: Merrell/American Craft Museum, (2002). A very good copy. More
New York: Hill and Wang, 2001. Illustrated in black and white. xvi, 204 pages. 8vo, yellow cloth-backed boards, d.w. (slight wear at head and tail). New York: Hill and Wang, (2001). A fine copy in a near fine dust wrapper. More
Philadelphia: E.C Biddle, 1833. Portrait. Lithograph with original hand coloring. Page measures 19.5" x 14". Beautiful portrait from the folio edition of McKenney and Hall's "History of the Indian Tribes of North America". As Superintendent of the Indian Trade Bureau, Thomas McKenney wanted to document the rapidly disappearing culture of the American natives. He activated the project, sponsored by the War Department, by commissioning writer James Hall and Charles Bird King, a renowned American portraitist. King painted the prominent Indians..... More
Philadelphia: Daniel Rice & James G. Clark, 1842. Portrait. Lithograph with original hand coloring. Page measures 20" x 14". A few small tears around edges and one larger repaired tear at top of page. Slight tape residue along top and bottom edges. Beautiful portrait from the folio edition of McKenney and Hall's "History of the Indian Tribes of North America". As Superintendent of the Indian Trade Bureau, Thomas McKenney wanted to document the rapidly disappearing culture of the American natives..... More
Philadelphia: Key & Biddle, 1836. Portrait. Lithograph with original hand coloring. Page measures 20" x 13.75". Beautiful portrait from the folio edition of McKenney and Hall's "History of the Indian Tribes of North America". As Superintendent of the Indian Trade Bureau, Thomas McKenney wanted to document the rapidly disappearing culture of the American natives. He activated the project, sponsored by the War Department, by commissioning writer James Hall and Charles Bird King, a renowned American portraitist. King painted the prominent..... More
Philadelphia: Daniel Rice & James B. Clark, 1843. Portrait. Lithograph with original hand coloring. Page measures 20" x 14". Beautiful portrait from the folio edition of McKenney and Hall's "History of the Indian Tribes of North America". As Superintendent of the Indian Trade Bureau, Thomas McKenney wanted to document the rapidly disappearing culture of the American natives. He activated the project,sponsored by the War Department, by commissioning writer James Hall and Charles Bird King, a renowned American portraitist. King painted..... More
Philadelphia: F.W. Greenough, 1838. Portrait. Lithograph with original hand coloring. Page measures 19 x 13.75". Beautiful portrait from the folio edition of McKenney and Hall's "History of the Indian Tribes of North America". As Superintendent of the Indian Trade Bureau, Thomas McKenney wanted to document the rapidly disappearing culture of the American natives. He activated the project, sponsored by the War Department, by commissioning writer James Hall and Charles Bird King, a renowned American portraitist. King painted the prominent Indians..... More
Philadelphia: Daniel Rice & James G. Clark, 1841. Portrait. Lithograph with original hand coloring. Page measures 20.25" x 14". Beautiful portrait from the folio edition of McKenney and Hall's "History of the Indian Tribes of North America". As Superintendent of the Indian Trade Bureau, Thomas McKenney wanted to document the rapidly disappearing culture of the American natives. He activated the project, sponsored by the War Department, by commissioning writer James Hall and Charles Bird King, a renowned American portraitist. King..... More
Philadelphia: K.C. Biddle, 1835. Portrait. Lithograph with original hand coloring. Page measures 21.5 x 15.5". Beautiful portrait from the folio edition of McKenney and Hall's "History of the Indian Tribes of North America". As Superintendent of the Indian Trade Bureau, Thomas McKenney wanted to document the rapidly disappearing culture of the American natives. He activated the project, sponsored by the War Department, by commissioning writer James Hall and Charles Bird King, a renowned American portraitist. King painted the prominent Indians..... More
Philadelphia: E.C. Biddle, 1837. Portrait. Lithograph with original hand coloring. Page measures 21.25" x 14.75". Beautiful portrait from the folio edition of McKenney and Hall's "History of the Indian Tribes of North America". As Superintendent of the Indian Trade Bureau, Thomas McKenney wanted to document the rapidly disappearing culture of the American natives. He activated the project, sponsored by the War Department, by commissioning writer James Hall and Charles Bird King, a renowned American portraitist. King painted the prominent Indians..... More
Philadelphia: E.C. Biddle, 1836. Portrait. Lithograph with original hand coloring. Page measures 20" x 14". Beautiful portrait from the folio edition of McKenney and Hall's "History of the Indian Tribes of North America". As Superintendent of the Indian Trade Bureau, Thomas McKenney wanted to document the rapidly disappearing culture of the American natives. He activated the project, sponsored by the War Department, by commissioning writer James Hall and Charles Bird King, a renowned American portraitist. King painted the prominent Indians..... More
Philadelphia: E.C. Biddle, 1837. Portrait. Lithograph with original hand coloring. Page measures 20.25" x 14". Beautiful portrait from the folio edition of McKenney and Hall's "History of the Indian Tribes of North America". As Superintendent of the Indian Trade Bureau, Thomas McKenney wanted to document the rapidly disappearing culture of the American natives. He activated the project, sponsored by the War Department, by commissioning writer James Hall and Charles Bird King, a renowned American portraitist. King painted the prominent Indians..... More
Philadelphia: F.W. Greenough, 1836. Portrait. Lithograph with original hand coloring. Page measures 20.5" x 14.25". Beautiful portrait from the folio edition of McKenney and Hall's "History of the Indian Tribes of North America". As Superintendent of the Indian Trade Bureau, Thomas McKenney wanted to document the rapidly disappearing culture of the American natives. He activated the project, sponsored by the War Department, by commissioning writer James Hall and Charles Bird King, a renowned American portraitist. King painted the prominent Indians..... More
Philadelphia: J.T. Bowen, 1841. Portrait. Lithograph with original hand coloring. Page measures 20.25" x 14.25". Chip to top edge and right corners. Small tears to edges and faded from the sun. From the folio edition of McKenney and Hall's "History of the Indian Tribes of North America". As Superintendent of the Indian Trade Bureau, Thomas McKenney wanted to document the rapidly disappearing culture of the American natives. He activated the project, sponsored by the War Department, by commissioning writer James..... More
Philadelphia: E.C. Biddle, 1836. Portrait. Lithograph with original hand coloring. Page measures 20.5" x 14.25". Beautiful portrait from the folio edition of McKenney and Hall's "History of the Indian Tribes of North America". As Superintendent of the Indian Trade Bureau, Thomas McKenney wanted to document the rapidly disappearing culture of the American natives. He activated the project, sponsored by the War Department, by commissioning writer James Hall and Charles Bird King, a renowned American portraitist. King painted the prominent Indians..... More
Philadelphia: F.W. Greenough, 1838. View. Lithograph with original hand coloring. Page measures 14" x 19.25". Some toning and a few chips to lower right corner. Some tape residue along top and bottom edges. Scene from the folio edition of McKenney and Hall's "History of the Indian Tribes of North America". As Superintendent of the Indian Trade Bureau, Thomas McKenney wanted to document the rapidly disappearing culture of the American natives. He activated the project, sponsored by the War Department, by..... More
My books arrived today and they are beautiful copies. Your packaging was also most excellent. You have a very happy customer up here in the north. Thank you.
Received the book today and I thank you for such prompt service, I'm delighted and I know my mother-in-law will be particularly pleased.