Music and Western Man.
New York: Philosophical Library, 1958. xxiii + 328pp. 8vo, cloth; light dampstain to cover. New York: Philosophical Library, 1958. A very good copy. More
New York: Philosophical Library, 1958. xxiii + 328pp. 8vo, cloth; light dampstain to cover. New York: Philosophical Library, 1958. A very good copy. More
Portland: Amadeus, 1995. Frontispiece and several other black-and-white illustrations. 379 pages, 8vo, green cloth, dust wrapper. Portland: Amadeus Press, (1995). A near fine copy in a near fine dust wrapper. More
New York: G.P. Putnam's Sons, 1955. Translated from the Italian by Elisabeth Abbott. Frontis., vi + 371pp., 8vo, cloth, chipped d.w. New York: G.P. Putnam's Sons, 1955. A very good copy in a very good(-) dust wrapper. More
Turin: Unione Tipografico, 1966. 4 volumes, Abbellimenti - Wolf. Profusely illustrated with 30 color plates, 1400 in-text illustrations and 1050 musical examples. Thick 4to, blue cloth with mylar wrapper (spine ends very slightly darkened). Torino: Unione Tipografico - Editrice Torinese, (1966). Light foxing of end papers, else near fine. Text is in Italian. More
London: Orr. Numerous woodcut vignettes throughout by Alfred Crowquill, Richard Doyle and John Leech. 12mo, full brown polished calf, decorative spine with red and green leather labels. London: Wm. S. Orr, ca 1880. A New Edition, with Several New Ballads. More
New York: Atria, 2009. Some black & white photographs. 598 pages. 8vo, grey boards, dust wrapper. New York: Atria, (2009). Fine. More
London: Watts, 1728. The Second Edition: To which is Added The Overture in Score; And the Musick prefixed to each Song. 76p., original calf boards, the later spine is mostly missing. London: John Watts, 1728. Second edition. The first edition printed earlier the same year had 16 pages of engraved music at the end. Here the music is printed in the text in woodcut. Internally a clean, very good copy. More
Bern: Francke Verlag, 1973. 895pp., large 8vo, cloth, d.w. Bern: Francke Verlag, (1973). First Edition. Voluminous festschrift. More
Paris: Chene, 1997. Extensively illustrated with photographs by Christine Bastin and Jacques Evrard. 200 pages, large 4to, black cloth, d.w. Paris: Editions du Chene, (1997). A fine copy in a very good(+) dust wrapper. More
New York: Oxford University Press, 1946. Trans. by Bernard Miall. Illusrated. xviii + 278pp., 8vo, cloth, d.w.; worn. New York: Oxford University Press, 1946. A very good copy in a very good(-) dust jacket. More
New York: Abrams, 1983. Illustrated with 200 plates in color and an additional 70 in black and white. 223 pages, red blind stamped cloth, French fold dust wrapper. Hinges slightly loose but still completely firm binding. New York: Abrams, 1983. A near fine book in a very good dust wrapper. Book based on the PBS-TV series 1984-1986. More
New York: Abrams, 1983. Illustrated with 200 plates in color and an additional 70 in black and white. 223 pages, full gilt and blind-stamped red leather, all edges gilt. New York: Abrams, 1983. Special Leatherbound edition. First several pages just a bit wavy, else a fine copy. Book based on the PBS-TV series 1984-1986. More
New York: Knopf, 1953. Illustrated. xvi + 286pp., 8vo, red cloth, d.w.; dust jacket spine faded. New York: Alfred A. Knopf, 1953. A very good ( ) copy in a very good dust jacket. More
Roslyn Harbor: The Stone House Press, 1979. Songs by Jim Gelfand. 41 pages. Slim 8vo, blue cloth, paper title labels on spine and front cover. Roslyn Harbor: The Stobe House Press, 1979. Fine. One of 100 numbered copies. More
New York: Simon & Schuster, 1960. Foreword by Ira Gershwin. Illustrated by Milton Glaser. Arrangements by Dr. Albert Sirmay. xiv + 178 pages, 4to, spiral bound within a cloth-backed boards cover and pictorial cloth slipcase; spine of book lightly sunned, some minor white spotting low lower edge of slipcase. New York: Simon & Schuster, (1960). First printing. A very good(+) copy in a very good(+) slipcase. More
New York: Knopf, 1993. Illustrated. 414 pages. Thick oblong 4to., black cloth backed stamped brown boards, one corner bumped. New York: Alfred A. Knopf, 1993. A very good copy in a very good(+) price-clipped wrapper. More
New York: Oxford University Press, 1985. xv + 292pp., 8vo, cloth-backed boards, d.w. New York: Oxford University Press, 1985. A very good ( ) copy in a very good ( ) dust jacket. More
New York: Oxford University Press, 1981. 313pp., 8vo, cloth, d.w. New York: Oxford University Press, 1981. A very good copy in a very good dust jacket. More
London: Routledge, 1869. Illustrated by the author. 222pp. + ads. 12mo, gilt-decorated and lettered green cloth, a.e.g.; lightly worn, ownership signature and inscription on front free end paper and first flyleaf. London: George Routledge and Sons, (1869). A very good copy. More
London: Routledge, 1894. Line illustrations throughout by the author. Slim 8vo, tan pictorial cloth (lightly rubbed). London: George Routladge, 1894. Very Good. More
New York: Holt, 1971. Edited by Robert Kimball. Designed by Bea Feitler. 283 pages. 4to, electric blue cloth with decorative silver stamping, very lightly edge-worn metallic dust wrapper. New York: Holt, Reinehart & Winston, (1971). Second printing. A fine copy in a very good(+) dust wrapper. More
Oxford: Phaidon, 1981. With many b/w and color illustrations. 287pp. 4to, black cloth, d.w. Oxford: Phaidon, (1981). A fine copy in a fine dust wrapper. A Cornell/Phaidon Book. More
illus. 8vo, cloth, d.w.; (d.w. chipped, otherwise very good). Washington: New Republic, (1976). Inscribed by the author. More
New York: Farrar & Rinehart, 1938. Frontis. 202pp., 8vo, cloth, d.w.; dust jacket very worn. New York: Farrar & Rinehart, 1938. A very good copy in a good dust jacket. More
New York: Farrar & Rinehart, 1937. Frontis. ix + 268pp., 8vo, cloth; light wear. New York: Farrar & Rinehart, 1937. A very good copy. More
I am very glad to let you know that the copy of Daniel Bell's The End of Ideology arrived yesterday in Brazil. Thank you very much for your kind attention and promptness.
Hello the book is well arrived a few minutes ago thanks sincerely