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New York: Pierpont Morgan Library, 1993. Many illustrations in color and black and white. 310 pages, 4to, gilt stamped black cloth (text on spine a little worn), green cloth slipcase with pictorial label (slipcase worn at corner but it did a good job of protecting the book itself.) New York: Pierpont Morgan Library, (1993). A near fine copy in a good slipcase.
Notre Dame, Indiana: University of Notre Dame, 1987. Profusely illustrated in color and black & white. 285 pages. Square 4to, burgundy cloth, dust wrapper. Wrapper is very lightly worn. Notre Dame, Indiana: University of Notre Dame, (1987). A near-fine copy. Inscriptions to former owner from the museum staff on title page.
Seattle: Seattle Art Museum, 1973. Color frontispiece and many other illustrations, both in color and black and white. 300 pages, 4to, maroon cloth with gilt-stamped spine (ex-libris stamp and previous owner's signature on front free endpaper; erased pencil notations on title page). Seattle: Seattle Art Museum, 1973. A very good copy.
New York: National Academy of Design, 1988. 30 full pages color plates plus many black & white illustrations. Introduction by Annamaria Petrioli Tofani. Text by Caterina Caneva and Antonio Natali. 108 pages. Slim 4to, black cloth, d.w. New York: National Academy of Design, (1988). First edition. A near fine copy in a near fine dust wrapper. Printed on the ocasion of the exhibition.
New York: Abrams, 1984. Foreword by J. Carter Brown. Packed with 1,120 illustrations, including 1,028 in color. 696pp. Very thick 4to, yellow blind stamped cloth, d.w. New York: Abrams, (1984). A fine copy in a near fine dust wrapper. A lavishly illustrated work on the greatest collection of Western art in the U.S., by the gallery's Director Emeritus.