New York: Museum of Modern Art, 1992. Frontispiece portrait, and packed with 592 illustrations, including 320 in color. 480 pages. Thick square 4to, black cloth, d.w. (slightly dust-soiled). New York: MOMA/Abrams, (1992). First edition. A near fine copy in a near fine dust wrapper. Published in conjunction with the 1992-1993 Matisse retrospective at The Museum of Modern Art, New York.
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London: Routledge, 1949. Commemorative Catalogue of an Exhibition Held at the Victoria and Albert Museum, May 5th - June 20th, 1948. 3 color plates. 120pp. of monochrome illustrations. 94pp. of text. 4to, beige cloth, d.w. London: Routledge and Kegan Paul, 1949. Very good (+). One of 1000 numbered copies.
New York: Dutton, 1976. Profusely illustrated in both color and black and white. 294pp., 4to, cloth, d.w.; dust wrapper price clipped, lightly faded spine. New York: E. P. Dutton and Company, (1976). A fine copy in a near fine dust wrapper. One of the largest assemblages of New England furniture in existence, with examples of early American cabinetmaking from other areas as well. Inscribed by the author.
2 volumes in slipcase. Profusely illustrated with mounted color plates, along with other b/w figures. Numbered and un-numbered leaves. Large square 4tos, black-stamped cream cloth, d.w., pictorial cloth slipcase. Koln: Verlag M. DuMont Schauberg, (1961-1966). First edition. A fine set in fine dustwrappers and slipcase.
Washington: Freer Gallery, 1972. Illustrated with 131 large plates, many in color; plus numerous smaller detail images. 184pp. Folio, gilt-decorated white boards, d.w. very slightly chipped. Washington: Freer Gallery and Tokyo: Kodansha, (1972). First Edition. A fine copy in a very good dust jacket.
New York: Hudson Hills, 1998. With and introduction by Christine M. Miles. Illustrated profusely in both color and black and white. 332 pages, 4to, red cloth with blind stamping (faint sunning to edges), dust wrapper (all over sunning to the front cover and spine). New York: Hudson Hills Press in association with Albany Institute of History & Art. First edition. A near fine copy in a near fine dust wrapper.
New York: Metropolitan Museum of Art, 1962. Illustrated with 202 full-page photographic plates. lxv, 64pp of text. Thick 4to, two-toned cloth with red spine label.. New York: Metropolitan Museum, (1962). A very good(+) copy Volume V of the Irwin Untermyer Collection. The collection consists primarily of bronzes from Italy, Germany, France and the Netherlands, from the 13th to the 18th centuries.
New York: Metropolitan Museum of Art, 1969. Color frontispiece + 213 plates, additional photos of hallmarks. xlvi + 115 pages. 4to, two-toned cloth, d.w. New York: Metropolitan Museum of Art, (1969). Revised edition. Near fine in very good dust wrapper Volume 6 only of the 6 volume set. Objects from the Tudor period to the nineteenth century, presented in chronological order, with enlargements of hallmarks, and with additional objects acquired since publication of the first edition.
Paris: G. Van Oest, 1928. 55, pp followed by LX finely printed collotype plates. Small folio, original green gilt-lettered cloth (a bit bumped at spine ends and corners; several signatures loose or starting, otherwise a very good clean and complete copy); uncut edges, t.e.g. Paris & Brussels: Editions G. Van Oest, 1928. Small ownership signature of art historian Meyer Schapiro.