Jacques Henri Lartigue, Photographer
Boston: Bulfinch, 1998. Well-illustrated throughout, including some folding plates. Oblong 4to, gray cloth, d.w.Boston: Bulfinch Press, (1998). First American edition. A fine copy. More
Boston: Bulfinch, 1998. Well-illustrated throughout, including some folding plates. Oblong 4to, gray cloth, d.w.Boston: Bulfinch Press, (1998). First American edition. A fine copy. More
New York: Aperture, 1986. Edited with Marvin Heiferman, Mark Holborn and Suzanne Fletcher. Illustrated throughout with gritty color photographs of Goldin and her circle of friends behaving badly. 144 pages. Slim oblong 4to, blue cloth-backed boards, d.w. (some very light scratching). New York: Aperture, (1986). True first edition of Goldin's influential and now classic first monograph. A fine copy in a near fine dust wrapper. --Parr and Badger II, p. 39; Roth p. 252-253. More
New York: Aperture, 1986. Edited with Marvin Heiferman, Mark Holborn and Suzanne Fletcher. Illustrated throughout with gritty color photographs of Goldin and her circle of friends behaving badly. 144 pages. Slim oblong 4to, blue cloth-backed boards, d.w. (some very light scuffing). New York: Aperture, (1986). True first edition of Goldin's influential and now classic first monograph. A fine copy in a near fine dust wrapper. --Parr and Badger II, p. 39; Roth p. 252-253. More
New York: Abbeville, 1985. Illustrated in color and black & white. 168 pages. Square 4to, gilt stamped blue cloth, dust wrapper. New York: Abbeville, (1985). Fine in fine dust wrapper. Exhibition catalog published on the occasion of the artist's 1985 retrospective at the Walker Art Center. More
New York: Abrams, 1982. 195 illustrations, including 98 in full color. Slim 4to, blue cloth, d.w. (light wear at spine ends). New York: Harry Abrams/ Aurora Art Publishers, Leningrad, (1982). A near fine copy in a very good(+) dust wrapper. More
New York: Abrams, 1982. 195 illustrations, including 98 in full color. Slim 4to, blue cloth, d.w. New York: Harry Abrams/ Aurora Art Publishers, Leningrad, (1982). A fine copy in a fine dust wrapper. More
Bogota: Panamerica Formas, 2001. Illustrated throughout, mostly in color. 237 pages with text in Spanish. Large square 4to, blue boards, d.w. Bogota: Panamerica Formas, 2001. First edition. A fine copy in a fine dust wrapper. Inscribed by the artist on the half title. A scarce monograph of the Colombian artist. More
New York: Abrams. Frontispiece and 87 other color plates, many mounted & some folding; 158 b/w illustrations. 306 pages. Oblong folio, green cloth (a bit sunned at bottom edge), dust wrapper. New York: Abrams, (no date, ca. 1970). First edition. A very good(+) copy in a very good(-) dust wrapper, torn but largely intact. A rather large and heavy book, that will require additional postage. More
New York: Smithsonian, 1968. With 123 b/w reproductions in gravure. 136pp. Short thin 4to, orange clothNew York: Smithsonian Institution Press, (1968). A very good copy Published for The Museum of Graphic Art by the Smithsonian Institution Press. More
Washington: National Gallery of Art, 1982. Hundreds of illustrations, some in color. Square 4tos, two-toned cloth. Washington: National Gallery of Art/Harvard UP, 1982. First edition. A near fine set in a near fine slipcase. The Ailsa Mellon Bruce Studies in American Art. More
Washington: National Gallery of Art, 1982. Hundreds of illustrations, some in color. Square 4tos, two-toned cloth. Washington: National Gallery of Art/Harvard UP, 1982. First edition. A fine set in a near fine slipcase. Signed by the author on front free endpaper of Volume I. More
New York: Abrams, 1983. Approximately 365 illustrations, including 125 color plates, some folding. 304 pages, 4to, pale yellow cloth, d.w.; some spotting along top edge of cloth and half-title page. New York: Abrams, 1983. First edition. Presentation copy signed by Robert Gordon. Some foxing, still a very good copy in a very good(+) dust wrapper. Lavishly illustrated study, with some works reproduced in color for the first time. More
New York: Prestel, 2013. 303 pages, including 250 color plates. Thick 4to, blue cloth, purple printed d.w. New York: Prestel in association with Los Angeles County Museum of Art, 2013. First edition. A fine copy in a fine dust wrapper. Scarce in any condition, this one is as new in the original shrinkwrap. Published on the occasion of the exhibition from the Los Angeles County Museum of Art, Los Angeles CA May 26, 2013-Apr 6, 2014. More
Boston: Bulfinch, 1990. Illustrated with 106 handsomely printed photographs. 127pp. Slim oblong 4to, orange cloth, d.w. (one corner bumped, otherwise a fine copy). Boston: Bulfinch Press & Philadelphia Museum of Art, (1990). First trade edition. A near fine copy in a near fine dust wrapper. Published on the occasion of the exhibition shown at the Philadelphia Museum of Art. More
London: Weidenfeld & Nicolson, 1988. Illustrated mostly in color. 230 pages, small 4to, green cloth, dust wrapper. London: Royal Academy of Arts in association with Weidenfeld and Nicholson, (1988). A fine copy in a near fine dust wrapper. More
New York: Thames & Hudson, 1992. 180 illustrations, primarily in black & white. 232 pages. Wide 4to, stiff pictorial wrappers. New York: Thames & Hudson, (1992). Reprint. Sunned edges, but still a very good(+) copy. More
New York: Thames & Hudson, 1982. 180 illustrations, primarily in black & white. 230 pages. Wide 4to, pictorial cloth, printed mylar wrapper. New York: Thames & Hudson, (1982). First edition. A fine copy in a near fine dust wrapper. More
Boston: Pond Press, 2004. Color photographs throughout. 78pp. Slim oblong 4to,red boards, d.w. Boston: Pond Press, 2004. First edition. A fine copy in a near fine dust wrapper, signed by the artist on half title. Published on the occasion of the Chicago exhibition. More
New York: Thames & Hudson, 2001. 143 illustrations, 121 in color. 232 pages. Small 4to, black cloth, dust wrapper. (New York): Thames & Hudson, (2001). Revised and expanded edition. Fine in fine dust wrapper. More
Lugano: Giulio Topi, 1979. An interestingly produced collection consisting of 23 folded fasicules on heavy brown paper, each with mounted plate and short description. 5 additional fasicules with title, limitation, and other small amounts of various information. Short 4to, all housed together in a brown cloth chemise with leather spine label. Lugano: Editore-Stampatore Giulio Topi, 1979. Limited edition -- number 310 of 500 copies. Several small stains on slipcase, internally fine. Scarce. More
Washington: National Gallery of Art, 1984. 580 pages. Hundreds of Illustration in color and black & white.Square 4to, stiff pictorial wrappers (one small abrasion on spine). Washington D.C.: National Gallery of Art, 1984. First American edition. A very good(+) copy. More
London: Methuen, 1953. Illustrated with graphs and charts throughout. 142 pages. Tall, slim 12mo, red cloth. London: Methuen, (1953). First edition. A very good copy--bookplate on pastedown, slight bowing to front board. More
New York: Rizzoli, 2013. Foreword by Carolyne Roehm. Profusely illustrated in color photos throughout. 303 pages. Tall, oblong 4to, navy boards, d.w. New York: Rizzoli, (2013). First edition. Gift inscription by Greenberg on half-title page. A fine copy in a fine dust wrapper. More
Washington: National Gallery of Art, 2005. Illustrated with 4 color plates, 112 tritones, and 135 duotones. xiv, 302 pages. Thick 4to, red cloth, pictorial d.w. Washington: National Gallery of Art in association with Princeton University Press, (2005). First Edition. A fine copy in a near fine dust wrapper. Catalogue published in conjunction with the 2005 Andre Kertesz exhibition. More
New York: Harcourt, 1961. Well illustrated throughout with 171 b/w heliogravures and 12 mounted color plates printed by Draeger Freres, and with 8 color lithographs specially designed by the artist and printed by Mourlot Freres. Unpaginated. Thick 4to, pictorial boards; lightly worn at extremities, chipped dust wrapper. New York: Harcourt, Brace & world, 1961. First American edition. A very good(+) copy in a poor dust wrapper. All lithographs clean. Produced by Editions Verve, this volume is devoted to the works..... More
Thank you for sending me the book in exceptionally nice condition, as well as in such careful packaging. I'll be happy to order from you again.
Got the books today! Wow the best wrapped, quickest delivery in the history of transtlantic book transport. If I had a hat it would now be removed, Muchas gracias