John Heartfield.
New York: Abrams, 1992. Extensively illustrated in both color and black & white. 342pp., 4to, stiff, glossy pictorial wrappers. New York: Harry N. Abrams, (1992). A near fine copy. More
New York: Abrams, 1992. Extensively illustrated in both color and black & white. 342pp., 4to, stiff, glossy pictorial wrappers. New York: Harry N. Abrams, (1992). A near fine copy. More
Tokyo: Pacific Press Service, 1997. Illustrated throughout with 77 photographs, some in color. Short introduction in Japanese & English. photo captions in Japanese & French. Slim 4to, pictorial wrappers. (Tokyo: Pacific Press Service, 1997). First edition. A fine copy of this scarce exhibition catalogue. More
Milano: Rizzoli, 1969. Illustrated mostly in color. 120 pages with text In Italian. slim 4to, pictorial boards. Milan: Rizzoli, (1969). First edition. A very good(+) copy. Number 34 in the Classici dell'Arte series. More
New York: Thames & Hudson, 1985. Translated from the Hungarian by Eva Grusz. Contains 252 illustrations, 44 in color. 448 pages. Small 4to, tan cloth, pictorial d.w. New York: Thames & Hudson, (1985). A fine copy in a fine dust wrapper. More
Burbank: Peak Books, 2012. Introduction by Fred Taraba & edited by B.R. Gilbert. Profusely illustrated throughout, mostly color. 392 pages. Thick square 4to, red cloth, d.w. (Burbank CA: Peak Books/Art Works, 2012). First edition. Fine in fine dust wrapper. "Legendary artist Bob Peak re-defined the language and reshaped the face of illustration while ushering in a bold new look for commercial art in the fast-paced postwar era... Most recognizable for his iconic movie posters he set new standards in every..... More
New York: Rizzoli, 1992. Text by Jane B. Davies, Carrie Rebora, Francis R. Kowsky, Susanne Brendel-Pandich, and Amelia Peck. Illustrated throughout in color and black & white. 192 pages. Slim 4to, glossy pictorial wrappers. New York: Rizzoli/Metropolitan Museum of Art, (1992). A near fine copy. Published in conjunction with an exhibition at The Metropolitan Museum of Art from October 20, 1992 to January 24, 1993. More
New York: Simon and Schuster, 1960. Many finely printed illustrations, a handful in color. 183 pages. 4to, natural cloth, d.w. (small closed tear at top of spine), glossy pictorial slipcase. New York: Simon & Schuster, (1960). First edition. A fine copy in a very good(+) dust wrapper. Classic monograph, a high-spot of mid-twentieth century photography books. More
New York: Simon and Schuster, 1960. Many finely printed illustrations, a handful in color. 183 pages. Slim 4to, natural cloth, d.w. (torn and sunned); glossy pictorial slipcase (chipped but largely intact and solid). New York: Simon & Schuster, (1960). Near fine in goo dust wrapper andpublisher's board slipcase. First edition of this classic monograph, a highspot of mid-twentieth century photography books. More
New York: Knopf, 1991. With the collaboration of Alexandria Arrowsmith and Nicola Majocchi. Introduction by Alexander Liberman. Packed with 468 photographs and drawings, including 71 in color. 300pp. Large square 4to, natural cloth, d.w. New York: Knopf/Callaway, 1991. First edition. The collection of Penn's drawings here first published. A fine copy in a fine dust wrapper, signed by Penn on the half title. More
New York: Knopf, 1991. With the collaboration of Alexandria Arrowsmith and Nicola Majocchi. Introduction by Alexander Liberman. Packed with 468 photographs and drawings, including 71 in color. 300pp. Large square 4to, natural cloth, d.w. New York: Knopf/Callaway, 1991. First edition. A fine copy in a fine dust wrapper. The collection of Penn's drawings here first published. More
New York: Grossman, 1980. Illustrated with many black & white portrait photographs by Penn, as an ambulant studio photographer. 95 pages. Thin square 4to, natural cloth, white pictorial d.w., yellowed along spine and at edges. New York: Grossman, (1974). First edition. A near fine copy in a very good(+) dust wrapper. Penn's second monograph. More
Milan: Olivetti, 1986. Illustrated throughout with finely printed b/w photographs; pictorial endpapers. 194pp with text in Italian. Square 4to, gray cloth, d.w. (chipped at head of spine with cloth barely discolored beneath). Milan: Olivetti, (1986). First edition. Pages are a bit toned at edges, still a near fine copy in a very good dust wrapper, inscribed by the photographer on a preliminary page. More
New York: Whitney Museum, 1991. Additional essay by Klaus Kertes. Extensively illustrated, mostly in color. 202pp., oblong 8vo, stiff, pictorial wrappers. New York: Whitney Museum of Art, (1991). A fine copy. More
New York: Rizzoli, 2014. A monograph illustrated in color. 288 pages. 4to, glossy green pictorial boards; laminate on back cover lightly scratched. New York: Rizzoli, (2014). First edition. A near fine copy. Signed by the artist on title page. More
Cambridge: Migrant Apparition, 1970. Illustrated throughout in b/w. 142 pages. 4to, white printed wrappers, spiral-bound. Cambridge: Migrant Apparition, (1970). First edition. A fine copy. More
New York: C&M Arts, 2005. Illustrated in color. Unpaginated, slim square 4to, red cloth, large poster folded up to double as dust wrapper (light rubbing to folds). New York: C&M Arts, (2005). A fine copy in a very good(+) dust wrapper. More
Seattle: Henry Art Gallery, 1983. Includes chronology, bibliography, and index. 69 color and 66 duotone illustrations. 204 pages. Oblong 4to, purple cloth, d.w. Seattle: Henry Art Gallery at the University of Washington, (1983). A fine copy in a fine dust wrapper. More
New York: Abrams, 1993. Packed with 354 illustrations, including 205 in color. 309pp. Short square folio, white-stamped green silk, d.w. New York: Abrams, (1993). First edition. A fine copy in a fine dust wrapper. More
Cologne: Taschen, 1999. Essay by Terence Pitts and a Personal Portrait by Ansel Adams. Profusely illustrated. 252pp with text in English, German & French.Slim folio, green glossy boards, d.w. Koln: Taschen, (1999). First edition. A fine copy in a fine dust wrapper. More
New York: Metropolitan Museum of Art, 1997. TEXT VOLUME ONLY. Illustrated in b/w. 88 pages, oblong 4to, original beige printed wrappers; the un-lettered spine is evenly faded to blue, else fine. New York: Metropolitan Museum of Art, 1997. First edition. A fine copy. Scarce. Published in conjunction with an exhibit, "Jackson Pollock: Early Sketchbooks and Drawings." This is the text volume ONLY and does not have the slipcase or the additional 3 spiral bound volumes. Text includes a general background..... More
New Haven: Pierpont Morgan, 1971. Volume II (Plates 1-242). Illustrated in b/w. Folio, blue cloth with black and gilt spine label. New Haven & London: Yale University Press, 1971. Published for the Pierpont Morgan Library. Ex-library copy with small stamp on top edge and small label inside rear cover, otherwise near fine. Volume 2 ONLY of the 3 volume set. More
New York: Hugh Lauter Levin Associates, 1987. With 121 large color plates and many other b/w illustrations. 387pp. Short thick folio. green cloth, d.w. New York: Hugh Lauter Levin Associates, (1987). First edition. A fine copy in a fine dust wrapper. More
New York: Neue Galerie, 2005. Profusely illustrated in color & in black & white. 504 pages. Thick tall 4to, orange cloth, d.w. New York: Neue Galerie & Munich: Prestel, (2005). First edition. A fine copy in a near fine dust wrapper. More
New York: Abrams, 1992. 213 illustrations, including 76 in color. 261pp. 4to, black cloth, d.w. New York: Abrams/Amon Carter Museum, (1992). First edition. A fine copy, as new in the original shrinkwrap. More
Many thanks for obtaining "Churchill's Generals" - a pristine copy that I did not expect. In recent years Argosy has obtained several books for me that I had been trying to find for quite a while... Many, many thanks!
Wow! I received my book today, and am very, very pleased with my purchase. I have recommended your store to the Alibris community and hope to do business with you again! Thank you!!!!