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New York: Metropolitan Museum of Art, 2010. Illustrated throughout with high-quality color and b/w photographs on glossy paper. Slim 4to, glossy pictorial wrappers. New York: Metropolitan Museum of Art, 2010. A fine copy, but lacking the DVD from rear pocket and also the publisher's original tied linen satchel. A lavish photographic tribute to the life of artist Jean-Claude, held at the Metropolitan Museum of Art, April 26, 2010.
Paris: Maeght, 1956. Juin-Juillet-Auot, 1956. Whole issue devoted to Miro. Illustrated with (including covers) 7 original lithographs, 6 of which are color and 3 double-page; a few other b/w plates. Slim folio, loose as issued in pictorial wrappers (upper corner of cover is slightly bent; tiny ding on spine, otherwise a fine copy). Paris: Maeght, 1956. First edition. Near fine.
New York: Brewer, Warren & Putnam, 1932. Translated by Daphne M. Hoffmann. Illustrated with 170 black & white images. 191 pages. Short slim 4to, red-lettered gray cloth; spine sunned and with some light wear at ends; light foxing throughout, heavier on first and last several pages. New York: Brewer, Warren & Putnam, Inc., . First edition. A very good copy of this exceedingly scarce book. Printed in Berlin by Felgentreff & Co., with cuts by C. Dunnhaupt, Dessau -- Freitag.....
New York: New Museum, 2009. Packed with more than 600 illustrations, mostly color. 480 pages. Thick 4to, pictorial boards. New York: New Museum & Zurich: JRP|Ringier, 2009. First edition. A fine copy, as new in the original shrinkwrap. Scarce. Printed for the exhibition 'Urs Fischer: Marguerite de Ponty' at the the New Museum. This was Fischer's first large-scale solo presentation in an American museum which took over all three of the New Museum's gallery floors to create a series of.....
Paris: Fondation Cartier pour l'Art Contemporain, 2002. Illustrated throughout in color, along with interesting typography. Text in French & English. Slim 4to, glossy pictorial boards, issued without a dust wrapper. Paris: Fondation Cartier pour l'Art Contemporain & London: Serpentine Gallery, 2002. First edition. A fine copy. Published on the occasion of the exhibition.
New York: Rizzoli, 1987. Beautifully and extensively illustrated in full color. 208pp., 4to, grey cloth, d.w. New York: Rizzoli, (1987). A fine copy in a near fine dust wrapper. With Essays by Elizabeth Frank, Steven A. Nash, Robert Rosenblum, and Nan Rosenthal. Published in conjunction with the exhibition of the same name at the Dallas Museum of Art & The National Gallery of Art.
Milan: Christian Stein, 1990. Drawings and sketches. 78pp., 8vo, printed boards with inlaid illustration on front cover. Milano: Christian Stein and Firenze: Hopeful Monster, (1990). A fine copy. Presentation copy to Nan Rosenthal, signed "Claes" by Oldenburg on title page, the inscription is written backwards.
Milan: Alberico Cetti Serbelloni, 2002. Foreword by Philip Glass. 223 pages with text in English and Italian. Tall 4to, white-lettered black cloth, d.w. (Milano: Alberico Cetti Serbelloni Editore, 2002). First edition. Faint but largish dampstain at bottom of both covers (not on dust wrapper) and first and last several pages; still overall a good looking copy of this rather scarce book A handsomely produced book with a comprehensive overview of the Close's photographic work, and an exhibition chronology...