New York: Guggenheim Museum, 1977. Profusely illustrated in color & b/w. 84pp. Slim square 4to, printed wrappers. (New York: The Solomon Guggenheim Foundation, 1977). Very good. More
New York: Viking, 1979. Illustrated. 263pp. 8vo, 1/2 black cloth, d.w. New York: The Viking Press, 1979. Very good. More
New York: Panache Press, 1988. Illustrations in color and in black & white. Tall 4to, original tan decorative cardboard boards (light crease in front cover; internally spotless). New York: Panache Press, (1988) First edition. A near fine copy. More
Nashville: Aurora Publishers, 1971. Illustrated in color and black and white. 302 pages, 4to, blind stamped black cloth, dust wrapper (rubbed and with to top edge of back panel). Nashville: Aurora Publishers, 1971. A very good(+) copy in a good dust wrapper. More
New York: MoMA, 1998. With essays by Carolyn Lanchner, Jodi Hauptman, and Matthew Affron, and contributions by Beth Handler and Kristen Erickson. 303pp. Profusely illustrated in color and b&w. Oblong 4to, pictorial wrappers. New York: The Museum of Modern Art, (1998). A near fine copy. More
New York: Museum of Modern Art, 1998. With essays by Carolyn Lanchner, Jodi Hauptman, and Matthew Affron, and contributions by Beth Handler and Kristen Erickson. 303pp. Profusely illustrated in color and in black and white. Oblong 4to, black cloth, d.w. New York: The Museum of Modern Art, (1998). Fine. More
New York: Abrams, 1981. Profusely illustrated in color and in black & white. 307 pages. Large oblong 4to, red cloth lettered in white and black, orange printed d.w. New York: Harry Abrams, (1981). First edition. A fine copy in a very good(+) dust wrapper. More
New York: Abrams, 1981. Profusely illustrated in color and in black & white. 307 pages. Large oblong 4to, red cloth lettered in white and black, orange printed d.w.; minor wear from removal of sticker on front free endpaper, dust wrapper lightly scuffed. New York: Harry Abrams, (1981). First edition. A very good copy in a very good dust wrapper. More
Paris: Editions des Musees Nationaux, 1973. Color and black & white illustrations. 167pp. Square 8vo, printed wrappers. (Paris: Editions des Musees Nationaux, 1973). Very good. More
New York: Whitney Museum, 2002. 87 illustrations, some in color. 224pp. Short square 4to, yellow cloth, blue d.w. New York: Whitney Museum in association with Harry Abrams, (2002). A fine copy. More
New York: Filipacchi Books, 1979. Illustrated with beautiful color and black & white plates. 71 pages. Tall slim 4to, glossy pictorial wrappers. New York: Filipacchi Books, 1979. A near fine copy. This volume is part of the series La Septieme Face du De, directed by Jean Saucet. More
New York: Harcourt, 1975. Frontispiece and illustrated profusely with other black-and-white photos. 128 pages, large 8vo, grey cloth, dust wrapper (several small closed tears to upper edge). New York: Harcourt Brace, (1975). First American Edition. A fine copy in a very good(+) dust wrapper. More
New York: Abrams, 1966. Profusely illustrated, including many mounted color plates. 235 page. Thick oblong 4to, gilt-stamped burgundy cloth with printed mylar wrapper. New York: Abrams, [1966]. First edition. A near fine copy in a near fine wrapper. More
Los Angeles: Gemini Gel, 1969. 1 foldout with title and three-page essay and interview by Frederic Tuten, followed by 13 color plates, loose as issued in a red folding envelope with die-cut design on front. Slim obglong 8vo (9.5 x 6.5 inches). Los Angeles: Gemini Gel, 1969. First edition. Some light wear to the envelope but prints are all fine. A very good(+) copy of this rather scarce item -- a prospectus for Lichtenstein's famous lithographic series featuring Monet's haystacks..... More
New York: Gagosian, 2005. Organized in collaboration with Roy Lichtenstein Foundation. 132pp., 4to, yellow boards with decorative black dot pattern. New York: Gagosian Gallery, (2005). A near fine copy. With essay by Hal Foster, Pop Pygmalion. More
New York: George Braziller, 1956. Contains color illustrations, aquatints, lithographs, monotypes, linoleum cuts, etchings, and drypoints. 124 b/w reproductions, 8 pages in full color. 150pp. Short slim 4to, black decorative cloth. New York: George Braziller, 1956. A very good copy. More
London: Thames & Hudson, 1990. Profusely illustrated with 366 images, 300 in color. 272 pages. Square 4to, blue cloth, d.w. London: Thames & Hudson, 1990. First edition. A fine copy in a fine dust wrapper. More
Milan: Charta, 2008. Profusely illustrated in color. 87pp. 8vo, pictorial boards. Milan: Charta, (2008). Signed by the artist on flyleaf. A fine copy. Published on the occasion of Petah Coyne's exhibition Vermilion Fog at Galerie Lelong, New York, October 24 - December 6, 2008. More
Barcelona: Lunwerg, 1992. Hundreds of color reproductions. 707pp., very thick 4to, black cloth, d.w.; dust wrapper worn. Barcelona: Lunwerg, (1992). A very good (+) copy in a very good (-) dust wrapper. More
Paris: Weber, 1976. Illustrated (b/w). 245 pages. 4to., paperback, spine slightly rubbed, plain cardstock slipcase, worn. First edition. Paris: Weber, (1976). A very good copy. More
Ithaca: Cornell University Press, 1975. 254 pages, 8vo, grey cloth, dust wrapper. Ithaca: Cornell University Press, (1975). A near fine copy in a very good(+) dust wrapper. More
London: Phaidon, 1999. Packed with 535 illustrations, mostly color. 512 pages. Very thick square 4to, softcover with glossy printed wrappers. London: Phaidon Press, (1999). First softcover edition. A fine copy. Well-organized, informative, authoritative and challenging, Art Today is the ideal introduction for anyone wishing to confront contemporary art. More
New York: M. Knoedler, 1980. Illustrated in black and white and color. 20 pages, small slim 4to, pictorial wrappers. New York: M. Knoedler, (1980). A near fine copy. More
New York: Atlantic Monthly, 1995. 48 full-page color plates, other black-and-white illustrations. xiii + 400pp., large 4to, cloth-backed blue boards, d.w. New York: Atlantic Monthly Press, (1995). First edition. A very good (+) copy in a very good (+) dust wrapper. Signed by Norman mailer on the half-title page. More
A.L.S., 8vo. 1 page, no place/no date, in French, translated, c. early 1883, at a time when he suffered from a host of ailments and was unable to complete even the most rudimentary commission without difficulty, in full: "I will implore you to delay until later the visit you promised to make me Thursday in my workshop. I am not yet advanced enough with my painting. 'Til next Thursday therefore...Please convey to Mademoiselle the assurance of my regards." *By early..... More
I'd like to say thank you very much for this wonderful book! The parcel arrived yesterday in best condition. Thank you also for the very professional processing, especially the customs formalities. I've already browsed through it briefly: a very interesting work in its original, very well preserved condition. Simply wonderful!
The book has arrived and all is well. Thanks for a nice sale!