Women Artists
Munich: Prestel, 2003. Full-bleed frontispiece; illustrated profusely in color. 127 pages, 4to, red boards, dust wrapper. Munich: Prestel, (2003). A fine copy in a fine dust wrapper. More
Munich: Prestel, 2003. Full-bleed frontispiece; illustrated profusely in color. 127 pages, 4to, red boards, dust wrapper. Munich: Prestel, (2003). A fine copy in a fine dust wrapper. More
New York: Judelson, 1994. 19 full page color illustrations plus black & white text illustions. text in two sections of 47pp., one in Englsh, one in Russian. 8vo, three panelled linen-backed boards, inside front panel has pasted down envelope containing two folded posters. New York: Paul Judelson Arts and Moscow: Avant-Garde, 1994. A very good (+) copy. One of 1500 copies. Published in conjunction with Afrika's 1995 exhibition at the Osterreichisches Museum fur angewandte Kunst (MAK). More
Lawrence: University Press of Kansas, 2008. Illustrated. xi + 248 pages, 8vo, black cloth, d.w. Lawrence: University Press of Kansas, (2008). A fine copy in a fine dust wrapper. More
New York: Liveright, 1970. Many b/w and some color illustrations. 122 pages + catalog appendix. Slim square 4to, brown cloth, dust wrapper (laminate wrinkled). New York: Liveright, (1970). A very good(+) copy in very good dust wrapper. More
New York: Doubleday & Company, Inc., 1981. Frontispiece portrait of the artist with color and b/w illustrations of his work throughout. 202pp. Slim 4to, black cloth, d.w. (worn and chipped at spine). New York: Doubleday & Company, 1981. Stamped on front free endpaper, still a very good(+) copy in a good dust wrapper. More
Dublin: Douglas Hyde Gallery, 1993. Illustrated in black and white and color. Unpaginated, slim short 4to, pictorial wrappers. Dublin: Douglas Hyde Gallery, (1993). A fine copy. More
Paris: Centre Georges Pompidou, 1986. Illustrations of more than 250 works, many in color. 448pp., folio, printed wrappers; ownership name of Nan Rosenthal on title page, lightly edgeworn, some creasing to front cover. Paris: Centre Georges Pompidou, 1986. Internally fine, a very good copy. More
Paris: Centre National D'Art Contemporain, 1974. Bilingual edition in French and English. Unpaginated, slim small 4to, pictorial wrappers. Paris: Centre National D'Art Contemporain, (1974). A near fine copy. More
Cambridge: Fogg Art Museum, 1957. 64 plates. 4to, printed wrappers (lightly worn and sun-darkened). Cambridge: Fogg Art Museum, 1957. Very good Exhibition catalogue. More
Le Mont-sur-Lausanne: Suzanne Herren, 1961. Extensively illustrated in black and white, text in French. Slim 4to, tan cloth, lightly edgeworn dust wrapper. Le-Mont-sur-Lausanne: Suzanne Herren, (1961). First edition. A fine copy in very good(+) wrapper. More
Milano: Edizioni Charta, 2006. Illustrated in color and black and white. 177 pages, square 4to, pictorial boards. Milan: Edizioni Charta, (2006). A fine copy. More
London: Christie's, 2009. Illustrated in color. 155pp. Slim 4to, glossy pictorial wrappers. London: Christie's, (2009). A fine copy. Catalog for an auction held on Tuesday, June 30, 2009. Includes work by Andeas Gursky, Gerhard Richter, CY Twombly, and Jeff Koons. More
Paris: Christie's, 2002. In French. Illustrated in b/w and color. 113pp. 4to, glossy pictorial wrappers. Paris: Christie's, (2002). A fine copy. Catalog from an auction which took place on September 28, 2002. More
New York: 1981. color illustrations throughout. Unpaginated, slim 4to, glossy pictorial boards. (New York), 1981. First edition. A fine copy. Inscribed and signed by the artist on title page. Typed letter signed by the artist, freely inserted. This is a supplement to the application for a Permit to create a work of art in Central Park. More
Basel: Beyeler, 2008. Extensively illustrated, including many full page, and in color. 207 pages. 4to, stiff pictorial wrappers. Basel: Fondation Beyeler, (2008). A fine copy. More
London: Gagosian Gallery, 2005. Profusely illustrated in color. 76 pages. Oblong 4to, pictorial boards. London: Gagosian Gallery, 2005. A fine copy, with small ink stamp from Zwirner Gallery on front pastedown. More
New York: Pace Gallery, 2014. Profusely illustrated with color photography. 91 pages. Slim 4to, stiff black wrappers. New York: Pace Gallery, 2014. A near fine copy. More
London: Royal Academy of Arts, 1986. 310 color plates, many b/w Illus. 460 pages. Thick 4to, printed wrappers, spine just a bit faded. London: Royal Academy of Arts, (1986). Near fine. Exhibition catalogue. More
Secaucus: Chartwell, 1980. Catalogue of the posters by Gloria Picazo. 119 posters reproduced in full color. 269 pages. Thick 4to, beige boards, d.w. Secaucus: Chartwell Books, (1980). A fine copy in a fine dust wrapper. More
Washington: National Gallery of Art, 1990. Frontispiece with color and b/w illustrations throughout this exhibition catalogue. 291 pages. 4to, glossy pictorial wrappers. Washington: National Gallery of Art, (1990). A very good(-) solid copy but with some bumping to front cover corners and lower spine. This exhibition was organized by Jack Cowart and Pierre Schneider, with John Elderfield, Albert Kostenevich, and Marina Bessonova. More
New York: Bard College, 1999. With 110 illustrations, including 93 color plates. Slim 4to, glossy pictorial wrappers with french-fold flaps. New York: Bard College in association with Harry Abrams, 1999. First edition. A near fine copy. Published on the occasion of the exhibition at the Center for Curatorial Studies Museum, Bard College. More
New York: Curt Valentin, 1953. A collection of 10 exhibition catalogues bound together with original wrappers in publisher's red cloth, d.w. with spine sunned and small chip at head. New York: Curt Valentin Gallery, (1953). First edition. Light foxing at top and fore-edges, still a very good(+) copy in a good dust wrapper. More
New York: Curt Valentin, 1953. A collection of 10 exhibition catalogues bound together with original wrappers in publisher's gray cloth. New York: Curt Valentin Gallery, (1955). First edition. Light foxing at top and fore-edges, still a very good(+) copy. More
New York: Rizzoli, 2018. Many photo illustrations throughout by David Glomb, mostly in color. 192 pages. 4to, brown boards, d.w. New York: Rizzoli, (2018). Reprint. A near fine copy in a near fine dust wrapper. More
I usually receive my packages as soon as delivered. However, this one had quite a night outside in a snow storm. Thanks to the extra care in packaging and double layer of wrapping cardboard and plastic bag, the book survived in pristine condition.... It sat in a three foot snow drift pounded by snow plows, in minus 25Temps overnight and was discovered this afternoon, the top of the package peeking out of the drift. If not for the attention to packaging and packing materials, this book would have been destroyed. Please let the people who package our treasures know that they make a difference. Whether in person or mail order, you folks rock. Best wishes from the (damned) frozen Adirondacks...
Dear Argosy Books, This is just to let you know that the D.H.Lawrence Manuscript arrived safe and sound yesterday via DHL, and in record time! I'm very pleased with it. Many thanks for taking the time and trouble to make sure the item was well protected and packed before you sent it. As a result, it arrived in pristine condition and I am very grateful to you for ensuring no damage would occur to it during transit. With all good wishes