London: Studio Vista Limited, 1966. Illustrated (b/w and color). 161 pages + 12 pages of advertisers' announcements. 4to. Orange boards, spine slightly cocked, dust wrapper shows tear with some image loss at top edge, d.w. now protected from further damage with mylar. First edition. London: Studio Vista Ltd., (1966). A very good(+) copy in a good wrapper.
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Tokyo: A.D.A. Edita, 1972. Illustrated with full-page b/w photogravures and plans, a few in color. 47 pages with text in Japanese. Slim folio, glossy pictorial wrappers, slightly bumped at corner. Tokyo: A.D.A. Edita, (1972). First edition. A very good(+) copy. GA: An Encyclopedia of Modern Architecture, No. 15.
Chiaroscuro, 2002. Illlustrated in color. 429 + 153 pages, can be read in two directions: One side "The Story" the other "The Work," thick square 16mo, tan boards, in a tan slip board slipcase. A near fine copy in a near fine slipcase. Signed and with a doodle of a profile by Tonnessen, dated 03 08 03.
New York: Luxembourg & Dayan, 2019. Illustrated profusely in color throughout. 125 pages. Slim 4to, pictorial cloth boards. New York: Luxembourg & Dayan, (2019). A near fine copy, just slightly bumped at upper right corner of front board. This catalogue was published to accompany the exhibition "Piotr Uklanski: Ottomania," Luxembourg & Dayan, New York, September 19 - November 16, 2019. Foreword by Sam McKinniss. Designed by Joshua Shaddock.
Philadelphia: Philadelphia Museum of Art, 2014. More than 300 illustrations, including many full-page color plates. xv + 275pp., 4to, pictorial boards. Philadelphia: Philadelphia Museum of Art, (2014). A fine copy. Essays by Christian Derouet, Maria Gough, Spyros Papapetros, Anna Vallye, and Jennifer Wild.
Paris: Galerie Seroussi, 1985. Illustrated in color and black and white. 99 pages. Text in English and French. Small oblong 4to, printed paper wrappers, pictorial plastic dust wrapper. Paris: Galerie Seroussi, (1985). A very good(+) copy in a very good dust wrapper-- scratched and yellowed at edges with one small chip on front. Preface by Romain Pillement. Valmier, the spiritual son of cubism, didn't borrow from any other school and felt no other influence. But far from having a mere.....
New York: Museum of Modern Art, 2001. Subtly printed endpapers and solid grey frontispiece; 498 color and 180 duotone illustrations. 560 pages (back free endpaper and last page creased), printed boards, clear acetate dust wrapper. New York: The Museum of Modern Art, (2001). A very good(+) copy in a very good(+) dust wrapper.
New York: Museum of Modern Art, 1994. Illustrated throughout in color and b/w. 175 pages. Slim oblong 4to, stiff pictorial wrappers. New York: Museum of Modern Art, (1994). First softcover edition. A near fine copy. Published in conjunction with the exhibition. Ownership signature of National Gallery Modern Art Curator, Nan Rosenthal on the half title page.
New York: Solomon R. Guggenheim, 1996. More than 100 full page color plates, many other illustrations in both color and black and white. vii + 335pp., large, heavy 4to, pictorial wrappers, minor edgewear. New York: Solomon R. Guggenheim Foundation, (1996). Internally fine, a very good (+) copy. With essays by Roberta Bernstein, Carter Ratcliff, Mark Rosenthal, and Clare Bell.