Art et Artistes du Moyen Age.
Paris: Armand Colin, 1927. 8 plates. vi + 328pp., 8vo, printed wrappers; spine ends bumped. Paris: Armand Colin, 1927. A very good copy. More
Paris: Armand Colin, 1927. 8 plates. vi + 328pp., 8vo, printed wrappers; spine ends bumped. Paris: Armand Colin, 1927. A very good copy. More
Paris: Armand Colin, 1931. 265 illustrations. 4to, original cream wrappers. Paris: Armand Colin, 1931. Fourth edition. Fine. On the iconography of the Late Middle Ages in France. Chamberlin 372. More
Paris: Armand Colin, 1922. 253 illustrations, 459pp. 4to, blue cloth. Paris: Armand Colin, 1922. Very good. "A standard work on the iconography of the Middle Ages in France". Chamberlin 374. More
Paris: Armand Colin, 1922. 253 illustrated. 459pp. 4to, contemporary 1/2 calf, marbled boards (rubbed). Paris: Armand Colin, 1922. Very good "A standard work on the iconography of the Middle Ages in France". Chamberlin 374. More
London: David Nutt, 1890. The Original Editions of William Claxton Reprinted and Edited by H. Oskar Sommer. Several large fold out tables (repaired with tape). Separate pagination for each volume 230; xxv + 338 pages. Very thick 8vo, black cloth, untrimmed; binding worn, ex-lib., half title repaired with tape London: David Nutt, 1890. A very good(-) copy. More
Melbourne: Thames & Hudson, 1984. Illustrated in black and white with some in color. 240 pages. Wide 8vo, orange gilt-stamped cloth, d.w. (toned at upper edge). Melbourne: Thames & Hudson, (1984). Fine in a near fine dust wrapper. With a foreword by K.V. Sinclair. More
New York: Brill, 1987. xvii + 568 pages, tall 8vo, blue cloth; a few instances of neatly penciled margin notes. New York: E. J. Brill, 1987. A near fine copy. Contains the Latin text with English translation on facing page.Mittelateinische Studien und Texte, Edited by Karl Langosch Volume XII. More
New York: Macmillan, 1975. Illsutrated. xii + 338pp., 8vo, cloth, d.w.; dust wrapper chipped. New York: Macmillan Publishing, (1975). Near fine in very good(+) dust wrapper. More
New York: Macmillan, 1975. Illustrated. xii + 338pp., 8vo, cloth, price-clipped d.w., chipped at spine ends. New York: Macmillan Publishing, (1975). Near fine in very good(-) dust wrapper. More
Paris: L'Edition d'Art, 1951. 216pp., 12mo,. printed wrappers; unopened. Paris: L'Edition d"art H. Piazza, (1951). A very good (+) copy. More
Princeton: Princeton University Press, 1914. A Catalogue Raisonne. Numerous b/w illustrations. 286pp., 4to, blue cloth-backed boards lettered in gilt (slight edgewear to cloth and small dampstain at top edge of covers). Princeton UP, 1914. A very good(+) copy. Princeton Monographs in Art and Archaeology III. More
Paris: Gonin, 1937. 231pp., 8vo, printed wrappers; unopened. Paris: Gonin, (1937). A very good copy. More
New York: George Brazilller, 1970. Illustrated with colored medieval images throughout. 12mo, blue boards with golden pattern. d.w. New York: George Braziller, (1970). Book in fine condition in a near fine dust wrapper with some minor creasing in back flap. More
Berkeley: University of California, 1966. Illustrated. viii + 262 pages. 8vo, brown cloth, dust-soiled and chipped d.w. Berkeley: University of California Press, 1966. A near fine copy in a very good(-) dust wrapper. More
Graz: Akademische Druck-u. Verlagsanstalt, 1975. 169 plates, 33 in color. 4to, blue cloth, d.w. Graz: Akademische Druck-u. Verlagsanstalt, 1975. A fine copy in a near fine dust wrapper. More
Windsor: Kensal Press. Includes 66 b/w illustrations. 210pp. Tall 8vo, light taupe boards, d.w. Windsor: Kensal Press, [1983]. A near fine copy in a near fine dust wrapper. More
New York: Viking, 1970. Illustrated. xvi + 407pp. 8vo, cloth, d.w. N.Y.: The Viking Press, (1970). A very good (+) copy in a very good dust wrapper. More
Cambridge: De Capo, 2007. Illustrated in black and white. 578 pages, very thick 8vo, two-tone boards, dust wrapper. Cambridge: De Capo, (2007). A near fine copy in a fine dust wrapper. More
London: Thames and Hudson, 1957. Illustrated with 13 color plates with gold highlights, and 96 monochrome plates. 96 pages of text, translated from the German of Dr. Peter Metz. Tall 4to, gilt-stamped burgundy cloth, pictorial d.w., printed mylar overwrapper (chipped). London: Thames & Hudson, (1957). First English edition. A fine copy in a near fine dust wrapper and very good mylar. The celebrated 10th century manuscript from the Benedictine abbey in Echternach, Luxembourg. More
Zurich: Editions Ex Libris Lausanne, 1978. Text in French. Many illustrations in color. 320 pages, 4to, green cloth with white stamping (corners bumped), dust wrapper. Zurich, Editions Ex Libris Lausanne, 1978. A very good copy in a very good dust wrapper. More
Paris: Calmann-Levy. Frontis. 312 pages with text in French. 12mo, printed wrappers; unopened. Paris: Calmann-Levy, n.d. A very good copy. More
Paris: Artheme Fayard, 1957. 286pp., 12mo, printed wrapper; a few pages unopened. Paris: Librairie Artheme Fayard, (1957). A very good copy. More
New York: J.F. Taylor & Company, 1903. Sparsely illustrated in b/w. lxix + 69pp. 8vo, pictorial boards (edge worn particularly along the binding). New York: J.F. Taylor & Company, 1903. Discoloration on the spine, cover, and endpaper, but internally clean. A good copy. More
Montreal: McGill, 1974. xiii + 170pp., tall 8vo, orange cloth, d.w. Montral: McGill-Queens University Press, 1974. A very good (+) copy in a very good dust wrapper. More
University Park: Pennsylvania State University Press, 1998. Illustrated in b/w. 168 pages + rear plates. 4to, blue boards, d.w. University Park: Pennsylvania State University Press, (1998). A near fine copy in a near fine wrapper--upper edges slightly creased. More
As an Interior Decorator I am on the constant lookout for source material for my clients. I recently completed a Studio pied a terre in the Georgian period for Mr. David Brown at Lincoln Center. That is, we were almost finished with only the artwork to be designed and purchased. I have a passion for antique architectural prints and I can't believe that I didn't know about Argosy Books. After all Designers don't really like to share their finds with others. I was in a cab, looking out the window as we passed by Argosy Books and noticed a fine selection of framed prints hanging in the window. I had found my oasis! I now head first to Argosy for all my print work and framing. What a treasure and a real lifesaver for design business! Thanks eternal.
Got it today. That is an awesome package job you did... wow! Much appreciated.