Milan: France Maria Ricci, 1984. Many tipped in hand color plates. 227 pages, printed on light blue paper. Folio, black silk with inlaid picture on front cover, black board slipcase. (Milan): Franco Maria Ricci, (1984). Fine. Limited numbered edition signed by Franco Maria Ricci on the limitation page.
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Paris: Fernand Roches, 1929. Introduction by Gilbert Chinard. Illustrated at rear with 2 folding facsimile letters, one bound-in and one inserted in a printed glassine envelope. 170 pages with text in French. 8vo, handsomely bound in full brown polished calf with ornate gilt-stamped spine and inner dentelles. Paris: Editions Fernand Roches, 1929. Limited first edition -- 1 of only 10 lettered copies "C" from a total edition of 210 copies. Some fading on covers; back panel scuffed and light foxing.....
Frankfurt: Portikus, 1995. A long, shallow, silver printed box (very lightly edgeworn), containing two 4to booklets in silver wrappers: "Texte" contains an essay by Hans Irrek and interviews with Dubuisson and 3 residents of Montparnasse. "Images" contains grainy full-page voyeuristic details of interiors of individual apartments seen from the outside. 41 + 32 pages, with text in German. The 3rd piece is a silver folder printed inside with the names of the more than 750 families living in the massive.....
Long Crendon, Bucks: Seven Acres Press, 1933. 5 hand-colored woodcut illustrations, 3 full page. Thin, small folio, hand-bound in full leather with inset medallion & gilt borders. Long Crendon, Bucks, 1933. Limited Edition. Number 91 of only 100 copies, signed by Haberly who wrote, illustrated & bound the book. Haberly was an American poet, letterpress printer & educator who printed books under his own imprint of Seven Acres Press. The leather dentelles have offset on the opposing blank pages; leather.....
Brussels: Editions de l'Arcade, 1959. Preface de Herman Teirlinck. Illustrated with 104 mounted color plates. 276pp. Thick square 4to, vellum-backed boards with gilt-decorated cover; uncut edges; matching board slipcase. Bruxelles: Editions de l'Arcade, (1959). A fine copy in a fine slipcase. Limited edition - one of 2800 copies, signed by both Haesaerts & Teirlinck. Ownership signature of art historian Meyer Schapiro.
Boston: Little Brown, 1917. Illustrated with 21 b/w plates. 390; 442 pages. 2 thick 8vos, green cloth-backed boards; uncut edges, t.e.g. Boston: Little, Brown and Company, 1917. Limited edition -- number 125 of 265 large paper copies. Light foxing on endpapers and covers, otherwise a very good(+) copy which includes a hand-written letter from Hale mounted in the first volume.
Paris: Cakmann Levy, 1882. , 266pp. 8vo, rebound in 1/2 blue morocco over marbled boards with gilt-lettered spine; marbled endpapers, uncut edges. Original pale blue wrappers bound-in. Paris: Calmann Levy, 1882. Text in French. A near fine copy. A limited edition. Number 16 of only 50 copies printed on Holland Paper.
Philadelphia: Lippincott, 1889. Edited with Notes by Sir Walter Scott. Frontis. plus 33 Etchings by L. Boisson, from the Original Compositions by C. Delort. 396pp. Large 8vo, red cloth, gilt armorial decoration; light wear at spine ends and corners. Philadelphia: J.B. Lippincott, 1889. Very good (+). Number 378 of 780 copies printed.
William Morrow, 1974. Portfolio of reproductions after photographs by David Hamilton. The 67 plates (32 in color), are loose as issued in a white cloth folding slipcase with an inlaid pictorial label on cover. Oblong folio. N.Y.: William Morrow, 1974. First American edition. Fine in a near fine slipcase. Limited edition. Number 478 of 2500. This copy also contains an extra plate, signed in pencil by the artist.
San Francisco: San Francisco Museum of Modern Art, 1996. With a speculation by Ecke Bonk. Illustrated in color and b/w. 32 pages. Slim 4to, pictorial wrappers. San Francisco: San Francisco Museum of Modern Art & Anthony d'Offay Gallery, 1996. Limited first edition. A fine copy. Number 58 of only 200 copies, signed and numbered in pencil by Hamilton on final colophon page. This copy has an additional pencil inscription at front "For Nan Rosenthal, Richard Hamilton." Nan Rosenthal was the.....
New York: Limited Editions Club, 1969. With an introduction by John Bayley and wood engravings by Agnes Miller Parker. 427 pages. Large 8vo, leather-backed boards, in a matching board slipcase. New York: The Limited Editions Club, 1969. Fine. One of 1500 numbered copies, printed by the Spiral Press, and signed by the illustrator.
New York: Limited Editions Club, 1969. With an introduction by John Bayley and wood engravings by Agnes Miller Parker. 427pp. Large 8vo, leather-backed boards, in a matching board slipcase. N.Y.: The Limited Editions Club, 1969. Fine. One of 1500 numbered copies, printed by the Spiral Press, and signed by the illustrator. Included, in a separate folder is an additional print, signed by Parker, which is not present in all copies.
Barrytown: Station Hill Press, 1982. Illustrated with 19 black & white photographs of animals and flowers by Diana Guest and Poems by Jim Harrison. Slim 4to, beige linen, no dust jacket as issued. (Barrytown: Station Hill Press/Open Studio, 1982). Limited Edition. Fine. One of 350 copies inscribed by the author and artist.
San Francisco: Grabhorn Press, 1948. With 4 color illustrations designed and engraved by Mallette Dean. Introduction by Oscar Lewis. , 17pp Tall slim 4to, cloth-backed gilt-stamped pictorial boards, uncut pages. San Francisco: Grabhorn Press for Ransohoffs, 1948. Pages slightly toned at edges, still a near fine copy. One of 300 copies.
Northampton: Gehenna Press, 1966. Compiled by Hatch, and with a biographical essay by Nash. Title page printed in red & black; mounted plated throughout. 215pp. Tall 8vo, white cloth-backed boards with paper spine label, uncut edges; board slipcase. (Northampton MA: Gehenna Press, 1966). A fine copy in a near fine box. Limited edition - number 74 of 500 copies.
Leipzig: Seeman, 1920. Frontispiece is an original signed etching, a portrait and the title page a colorful aquarelle, aquarelle initials, 15 plates with a few in color. 48pp., slim 4to, 3/4 vellum, mottled boards. Leipzig: E.A. Seeman, ca. 1920. Very good (+). Signed by Corinth under the frontispiece portrait. Limited Edition, one of only 100 copies.
New York: Limited Editions Club, 1935. With an introduction by Van Wyck Brooks and illustrations in color by Valenti Angelo. 413pp. 8vo, black calf-backed marbled boards (very lightly worn at spine ends; silver board slipcase worn but unbroken). New York: The Limited Editions Club, 1935. Near fine in very good slipcase. One of 1500 numbered copies, signed by the illustrator.
New York: Limited Editions Club, 1966. Selected and Introduced by Wallace Stegner. Illustrated throughout in color by Valenti Angelo. 411 pages. Short thick 4to, pale blue cloth with red leather spine label (2 very small chips at left edge, otherwise fine), publisher's board slipcase. New York: The Limited Editions Club, 1966. A near fine copy in a near fine slipcase. One of 1500 numbered copies, printed at the Stinehour Press, and signed by the illustrator.
London: Hodder & Stoughton. Tipped-in color frontis., 16 tipped-in color plates, lettered tissue guards. 7 other color lithographic-style plates, and black & white vignettes by Arthur Rackham. 207 pages. Thick 4to, original white cloth with gilt lettering on the spine and a gilt picture on the front cover (lower corers bumped, cloth bit soiled), internally clean. London: Hodder & Stoughton, no dtae . Very good. Limited Edition. One of 600 numbered copies signed by the artist.
New York: Hoeber, 1929. Prefatory essay by Le Roy Crummer, and with a reprint of Heberden's "Some Account of a Disorder of the Breast". Photogravure frontispiece portrait and 6 other plates; some other in-text illustrations. 159pp. Thin 8vo, cloth-backed boards with paper label; board slipcase (broken). New York: Paul B. Hoeber, 1929. Limited first edition. A near fine copy in a good box. Number 89 of 230 copies, printed on Kelmscott hand-made paper, with illustrations on Japanese vellum, and signed.....