Epitaphs Of Our Times, The Letters Of Edward Dahlberg.
New York: Braziller, 1967. 308pp. 8vo, cloth. New York: George Braziller, 1967. Near-fine copy in a good dirt soiled dust wrapper. More
New York: Braziller, 1967. 308pp. 8vo, cloth. New York: George Braziller, 1967. Near-fine copy in a good dirt soiled dust wrapper. More
Los Angeles: The Paul Getty Museum, 2013. Some illustrations in b/w and color. 392 pages. 8vo, blue cloth with white lettering, d.w. Los Angeles: The Paul Getty Museum, (2013). First edition. A fine copy in a near fine dust wrapper. More
Providence: Rhode Island Society of the Cincinnati, 1949. Ed. by Jeanette D. Black and William Greene Roelker. 3 Illus., one folding. Thin 4to, 1/2 green cloth. Providence: Rhode Island Society of the Cincinnati, 1949. Very good One of 900 copies. From the library of Wendell Garrett with his ownership signature. More
Providence: Rhode Island Society of the Cincinnati, 1949. Ed. by Jeanette D. Black and William Greene Roelker. 3 Illus., one folding. Thin 4to, green cloth, spine and near top of covers faded from sun exposure, cloth lightly soiled. Providence: Rhode Island Society of the Cincinnati, 1949. One of 900 copies. More
Ann Arbor: University of Michigan Press, 1966. 281pp. 8vo, grey cloth, slightly worn and chipped d.w. Ann Arbor: University of Michigan Press, (1966). A very good copy in a very good(-) dust wrapper. More
New York: Abrams, 1999. Profusely illustrated in color and black & white with many facsimile letters and some reproductions of paintings. 4to, blue boards, dust wrapper. (New York): Abrams, (1999). A near fine copy in a near fine dust wrapper. More
Paris: La Martiniere, 1998. Profusely illustrated in color. 4to, green cloth, d.w. (Paris): La Martiniere, (1998). First Edition. Fine. More
Paris: Hachette, 1868. 16 tipped in plates and facsimile autographed letters, some several pages long. Tall 8vo, rubricated title, 3/4 red morocco, marbled boards. Paris: Hachette, 1968. Very good (+). More
Paris: Hachette, 1862. 14 volumes, plus additional Album with heraldry, portraiture, architecture, and facsimile letters. 8vo, 3/4 dark green morocco, red leather spine labels, ornately gilt-stamped spine with raised bands, top edge gilt, marbled boards and endpapers. Paris: Hachette, 1862-1868. Some bindings are faded to brown, still a very good(+) attractive set. More
Paris: J. Techener, 1861. Small vignettes throughout, 11 volumes, small 8vo, 1/2 brown morocco, gilt-stamped spine with raised bands, top edge gilt, marbled endpapers. Paris: J. Techener, 1861. Near fine. More
Edited by Wallace Stegner. 8vo, cloth. Garden City, N.Y., 1975. More
London: Smith, Elder, 1912. Selected and edited by R. C. Lehmann. Illus. 404pp. 8vo, red cloth, several pages with several pencil marks in the margins, several pages with light foxing in margins, back cover lightly soiled. London: Smith, Elder, 1912. Very good(-). More
London: Fourth Estate, 2008. xlii, 532 pages. Thick 8vo, black cloth, d.w. London: Fourth Estate, (2008). First Edition. Pages toned and with light staining on outer fore-edge; several pages lightly bumped at rear. A very good copy in a near fine dust wrapper. More
Illustrated. 662pp. 8vo, two-toned cloth. Boston: Gambit, 1973. Very good copy in a good tattered dust wrapper. More
Ed. by Melvin I. Urofsky. 448pp. 8vo, cloth, d.w. (Bethesda): Adler, (1987). vg. More
Bethesda: Adler & Adler, 1987. Advanced uncorrected proof. 437 pages. 8vo, paper wrappers; cover and spine sunned. Bethesda, MD: Adler & Adler, (1987). A very good(+) copy. More
New York: Scribner, 1979. Illustrated sparingly in black and white. xxi, 362 pages. 8vo, black cloth-backed boards, d.w. (price clipped, edgeworn, lightly dust soiled). New York: Charles Scribner's, (1979). Internally clean and tight. A very good(+) copy in a very good(-) dust wrapper. Foreword by Sir John Gielgud. Edited, with narrative notes, by Neilla Warren. More
Paris: Grasset, 1936. Illustrated sparsely in black and white. 446 pages. 8vo, rebound in orange cloth with black spine label (rather chipped), original paper wrappers bound-in. Paris: Editions Bernard Grasset, (1936). 7e Edition. A very good(-) solid copy, internally clean. More
Toronto: Adam, Stevenson & Co., 1872. 359 pages. 12mo, orange boards with gold vignette. Toronto: Adam, Stevenson & Co., (1872). A very good(+) sturdy copy, spine sunned and a bit worn at ends, owner's signature on copyright page dated 1872. More
Amherst: University of Massachusets, 1973. Printed in column, with notes in double column. 272pp. 8vo, cloth, d.w. Amherst: University of MA, 1973. Near fine. Correspondence to and from James Marsh, " the first editor and commentator on Samuel Taylor Coleridge" More
New York: Random House, 1974. Edited with a Connecting Text by Francis Steegmuller. Illustrated. 399 pages. 8vo, decorative cloth, chipped d.w. New York, (1974). More
London: S.P.C.K, 1957. Frontis. Illustrated. x + 213 pages, 8vo, yellow cloth. London: S.P.C.K, 1957. A very good copy. More
Boston: Prince Society, 1867. With Notes and and Appendix by W. H. Whitmore. xxiv, 340pp., untrimmed, 8vo, rebound in gray cloth, with the original (damaged) wrappers bound in. Damp stain in margins of first pages not affecting the text. Boston: Published for the Prince Society by T. R. Marvin, 1867. First Edition. Very good (+). One of 150 numbered copies with the autographed initials of W. H. Whitmore. Author, a London bookseller and author, stayed in Boston for eight months..... More
Princeton: Princeton University Press, 2009. Line drawings, black & white illustrations. 8vo, two-toned red and orange boards with gilt lettering at spine, pictorial d.w. (remnants of sticker at spine). Princeton: Princeton University Press, (2009). A fine copy in a near fine dust wrapper. More
Norman: University of Oklahoma Press, 1991. 8vo, blue cloth, d.w. Univ. of Oklahoma Press, (1991). A very good(+) copy in very good dust wrapper. More
Hi, I just wanted to thank you for the wonderful care you took in getting the book to me. Also, your description was accurate -- so thank you and hope to do business again.
It was quite a moving moment when I actually set eyes on the letters this morning! Thank you very much - doing business with you was an uncommercial pleasure. Kind regards