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Venice: Liselotte Hohs, 1988. Introduction by Erica Jong. Illustrated in color throughout. Unpaginated. Short & square 8vo, printed stiff yellow wrappers. Venice: Liselotte Hohs, . A near fine copy of a scare, hand-made book. Liselotte Hohs is an internationally renowned artist with works in the Museum of Modern Art in Vienna, the Knoll Collection in Pasadena, and the Museum of Modern Art in Milan. She has put on exhibitions at galleries around the world.
New York: Watson-Guptill Publication, 1970. Illustrated with 32 color plates. 88pp. Square 4to, gilt-stamped green cloth, d.w. (wrapper edgeworn with a tear). New York: Watson-Guptill in cooperation with The Brooklyn Museum and The Metropolitan Museum of Art, (1970). Light edgewear on cloth and previous owner's pen signature on front free endpaper. A very good(+) copy in a very good dust wrapper.
New York: Museum of Modern Art, 1987. Color frontispiece, and 257 illustrations, including 85 in full color. 347 pages. Thick square 4to, burgundy cloth. New York: Metropolitan Museum of Art & Abrams, (1987). First edition. A fine copy, lacking the dust wrapper. Published in conjunction with the exhibition at the Metropolitan Museum.
New York: Museum of Modern Art, 1987. Color frontispiece, and 257 illustrations, including 85 in full color. 347 pages. Thick square 4to, burgundy cloth, d.w. New York: Metropolitan Museum of Art & Abrams, (1987). First edition. Front hinge is very neatly strengthened, still a near fine copy in a near fine dust wrapper. Published in conjunction with the exhibition at the Metropolitan Museum.
New York: Funk & Wagnalls, 1967. Illustrated with 246 photographs and 11 text diagrams. 174 pages. Thin 4to, green cloth, d.w. New York: Funk & Wagnalls, (1967). First American edition. Ownership signature, still a near fine copy in a near fine dust wrapper. "Illustrates the principal gardens and garden architecture attached to country houses during the first half of the 18th century and relates them to the revolution of ideas that in England was then transforming gardens into landscapes."...
Versailles: Brunox, 1858. Dessinees d'Apres Nature par Jaime. Accompagnees d'un Texte Descriptif et d'un Plan General avec Indication des Embarcaderes des Chemins de Fer. 12 woodcut engravings by Best and Hotelin. Oblong 12mo, orignal brown cloth, scattered foxing. Versailles: Chez Brunox, 1858. First Edition. Very good(+).
London: The Studio, 1927. Architecture, Landscape, Life of the People. Photographs by Lehnert & Landrock. Map, 240 full-page sepia photo illustrations, 12pp. of text, 4to, green cloth (extremities a bit rubbed). London: The Studio, (1917). Very good (+), Photo captions in English, French, German, Spanish and Italian.