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London: William E. Hill, 1931. Color Guaneri crest vignette on title, over 20 fine photogravure plates, a few plates in color, 51 sepia text illus. throughout, 181pp., large thick 4to, expertly recased in red morocco, gilt-dec. raised bands, original ornate gilt-dec. leather covers with Guaneri crest in center, inner gilt dentelles, t.e.g. London: William E. Hill, 1931. First Edition. Fine. Limited Edition, number 98 of only 200 copies.
Dusseldorf: Rheinland, 1968. With 107 b/w illustrations. 160pp of text in German. tall 8vo, blue cloth, edgeworn d.w. Dusseldorf: Rheinland-Verlag, 1968. First edition. Small stain at along top edge, otherwise a near fine copy in a very good(-) dust wrapper. Ownership signature of art historian Meyer Schapiro, along with a handwritten card in German & English from the author and her husband. Bonner Beitrage zur Kunstwissenschaft, band 10.
Venice: Liselotte Hohs, 1988. Introduction by Erica Jong. Illustrated in color throughout. Unpaginated. Short & square 8vo, printed stiff yellow wrappers. Venice: Liselotte Hohs, . A near fine copy of a scare, hand-made book. Liselotte Hohs is an internationally renowned artist with works in the Museum of Modern Art in Vienna, the Knoll Collection in Pasadena, and the Museum of Modern Art in Milan. She has put on exhibitions at galleries around the world.
Munich: Bruckamnn, 1926. Mit einem geleitwort von Hugo von Hofmannsthal. 10pp of text in German. Illustrated with 124 full-page photogravures (some pages are lightly foxed at inner gutter or outer blank margins, still a very good copy). Slim 4to, beige pictorial cloth, chipped dust wrapper. Munchen: F. Bruckmann, 1926. Very good (+).