A Century of Conflict 1850-1950: Essays For A.J.P. Taylor
New York: Atheneum, 1967. 276pp., 8vo, cloth. New York: Atheneum, 1967. A very good (+) copy. More
New York: Atheneum, 1967. 276pp., 8vo, cloth. New York: Atheneum, 1967. A very good (+) copy. More
New York: HarperCollins, 2000. Edited by Bill Moran. Foreword by Edward Sanders. xxiv + 536 pages, thick 8vo, boards, d.w. New York: HarperCollins, (2000). First edition. A near fine copy in a near fine dust wrapper. More
New York: George Wittenborn, 1959. Frontispiece, color and black & white plates throughout. Small 4to, light brown cloth with gilt lettering and label at spine. New York: George Wittenborn Inc., (1959). Sunned at spine, cloth slightly dust-soiled. Toned endpapers, infrequent spotting at page edges. A very good(+) copy lacking the dust wrapper. With sections on the works of Pablo Picasso, Georges Braque, Juan Gris, and the influence of cubism in France. More
Berkeley: University of California Press, 1987. Edited by Richard Woodfield. 48 illustrations. 256 pages. Tall 8vo, black cloth, d.w. Berkeley: University of California Press, (1987). First edition. Ownership signature on front endpaper, still a very good(+) copy in a very good(+) dust wrapper. More
Binghamton: Vail-Ballou Press, 1955. Illustrated with black and white photographs. 553 pages. 8vo, light blue boards with gold lettering and vignette, dust wrapper. Binghamton: Vail-Ballou Press, (1955). A very good(+) copy in a very good(+) dust wrapper, sunned and minor tears around edges. More
London: Tantivy Press, 1976. Illustrated with black and white photographs throughout. 171 pages. 8vo, brown boards, vivid pictorial dust wrapper. London: Tantivy Press, (1976). A very good(+) copy in a very good(-) dust wrapper, a few chips along top edge. More
New York: Simon & Schuster, 1987. 396 pages. 8vo, blue cloth-backed green boards, d.w. New York: Simon & Schuster, (1987). First edition. Front edge of text block is lightly soiled. A very good(+) copy in a near fine dust wrapper. More
New York: Wynkoop Hellenbeck Crawford Co., 1921. 29 pages. Slim 8vo, linen-backed boards with paper spine label and gilt title on cover. New York: Wynkoop Hellenbeck Crawford Co., 1921. A very good copy. More
New York: Farrar Straus & Giroux, 2003. Translated from the Hebrew by Haim Watzman. xi, 188 pages. Slim 8vo, two-toned boards, d.w. New York: Farrar, Straus, & Giroux, (2003). First Edition. Very lightly sunned at top edge, otherwise fine. A near fine copy in a near fine dust wrapper. More
New York: Applause, 1998. 456pp. 8vo, maroon cloth, d.w. New York: Applause, (1998). First edition. A fine copy in a near fine dust wrapper. Signed and inscribed on the half-title by Mel Gussow for the philanthropist Martin Segal: "August 1998. For Marty, With all best wishes and appreciation. Mel Gussow." More
New York: St. Martin's, 1999. Illustrated with black and white photographs. 343 pages. 8vo, blue boards, dust wrapper. New York: St. Martin's, (1999). A fine copy in a fine dust wrapper. More
New York: Metropolitan Museum of Art, 2011. Foreword by Sheila R. Canby. Color and black & white illustrations throughout. xi, 322 pages. Small 4to, matte pictorial wrappers. New York: The Metropolitan Museum of Art/Yale University Press, (2011). Spine evenly faded, still a fine copy. With essays by Robert Skelton, Deborah Hutton, John Seyller, Ali Akbar Husain, Phillip B. Wagoner, Michael Barry, Steven Cohen, Yumiko Kamada, John Guy, and others. More
Washington D.C. National Geographic, 2003. Illustrated with color photographic illustrations throughout. 305 pages. Wide 8vo, glossy pictorial boards, d.w. Washington D.C.: National Geographic, (2003). A near fine copy in a near fine dust wrapper. Bestselling author and Pulitzer winner Halberstam brings together a powerhouse list of journalists and scholars to consider why America, "for all its flaws, for all the things I dissent from, remains so powerful a beacon to so many of the less favored of the world." Thirty-six..... More
New York: 2018. Illustrated in color and b/w throughout. 47 pages. Slim 8vo, red wrappers. New York: Nicholas Hall, (2018). A fine copy. More
New York: Ecco Press, 1977. 137pp+ads. Wide 8vo, stiff pictorial wrappers. New York: Ecco Press, Autumn 1977. Slightly edge-worn, still a near fine copy. With fiction, poetry, and essays by Andre Malraux, Jane Bowles, Italo Calvino, Richard Selzer, Mohammed Mrabet, Kensaku Shimaki, Laura Jensen, John Ashberry, Philip Levine, David Wagoner, Wendell Berry, Leslie Silko, Peter Klappert, Norman Dubie, Michael Ryan, Jane Miller, Quentin Vest, Joan Moore, Robert Mazzocco, Julia Thacker, Gary Soto, James Galvin, Lex Runciman, Jeanie Thompson, Susan Wood..... More
London: Thames & Hudson, 1983. 267 illustrations, including 101 in color. 276pp., large 8vo, grey cloth, d.w.; very minor bump to upper corner. London: Thames & Hudson, (1983). A near fine copy in a near fine dust wrapper. More
New York: Ballantine, 1994. Black & white illustrations. xiii, 316 pages. Square 8vo, red cloth-backed tan boards with gilt lettering at spine, d.w. (price-clipped). New York: Ballantine Books, (1994). First edition. A fine copy in a near fine dust wrapper. With contributions by Joan Wester Anderson, Joan Borysenko, Sophy Burnham, K. Martin-Kuri, Raymond Moody, and others. More
Bergamo: Studio Lucchetti, 2011. With color images throughout. 62 pages. Slim 8vo, white-lettered red cloth. Bergamo: Studio Lucchetti, 2011. A near fine copy. Scarce. More
Los Angeles: J. Paul Getty Museum, 2008. Color reproductions throughout. 118 pages. 4to, pictorial boards. Los Angeles: J. Paul Getty Museum, (2008). First edition. A fine copy. Catalogue published in conjunction with the exhibition of the same name, presented at the J. Paul Getty Museum December 16, 2008-May 3, 2009. With essays by Charles Dempsey, Gail Feigenbaum, Elisabeth Hipp, and others. More
Leiden: Elzevir, 1629. Engraved title page depicting two minstrels serenading a donkey. [20], 438, [1] pages. Thick 24mo, bound in plain contemporary vellum. Lugd. Batavorum: Ex officina Elzeviriana, 1629. Second enlarged edition. A very good(+) clean copy of these satirical essays. More
Boston: Houghton Mifflin, 1905. Edited by George Herbert Palmer. Handsomely illustrated throughout, with tissue-protected plates. Slim 8vo, 6 volumes, brown cloth-backed boards with leather spine labels (labels scuffed; some wear to corners and spine ends; internally clean with unopened pages in 5 of the 6 volumes). Boston: Houghton Mifflin, 1905. Overall a very good set. Limited large paper edition -- number 55 of 150 numbered sets, designed by Bruce Rogers. More
Newcastle upon Tyne: Cambridge Scholars, 2017. Black & white illustrations. xv, 172 pages. Slim 8vo, black cloth with gilt lettering at the spine, pictorial d.w. (small area of damage on spine from removed sticker). Newcastle upon Tyne: Cambridge Scholars Publishing, (2017). A fine copy in a near fine dust wrapper. With essays by Caroline Archer, Jack Mockford, Rathna Ramanathan, Rosa Smurra, Daliah Bond, and Geraldine Marshall. More
Oakland: University of California, 2018. A few illustrations. ix + 277 pages, 8vo, blue boards, d.w.; spine lightly rubbed, minor wear to edges of dust wrapper. Oakland: University of California Press, (2018). Internally fine, a very good(+) copy in a very good(+) dust wrapper. More
Carbondale: Southern Illinois University Press, 1967. With a Preface by Harry T. Moore. 198pp. 8vo, cloth-backed boards, d.w. (slightly sunned edges). Carbondale: Southern Illinois University Press, (1967). A near fine copy in a very good(+) dust wrapper. Part of the series: Crosscurrents Modern Critiques, general editor Harry T. Moore. More
Boston: Houghton Mifflin, 1907. Illustrated in black and white by H.M. Brock. 3 volumes, small 8vo, brown morocco over marbled boards, gilt stamped spines, top edges gilt. Boston: Houghton Mifflin, 1907. Fine aside for previous owner's signature and inscription on preliminary blank page. More
Thanks for the book, which I am pleased with, and its very prompt delivery, together with the partial refund on the initial postage charge. All in all, I am very satisfied, and grateful for you for having taken the trouble you have gone to in this matter. Best wishes to you and your store. Sincerely,
Dear Argosy, the book was absolutely positively great! Most pleased.