New York: American Art Assoc, 1928. Many illustrations in black & white, several folding with some tipped in and in color, several with lettered tissue guards. Folio, brown boards, vellum spine (darkened and rubbed), internally fine. (New York): American Art Association, 1928. Scarce. Very good (+). Limited Edition. Number 446 of 500 copies.
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Paris: Hachette, 1964. Profusely illustrated throughout with b/w photographs. 335 pages with text in French. Large 4to, white pictorial cloth, tattered d.w. Paris: Hachette, (1964). First edition. A very good copy in a very good(-) dust wrapper. Collection Connaissance des Arts "Grands Artisans d'Autrefois"
New York: Privately Printed, 1919. Illustrated in color and photogtravure. 315 pages, thick 4to, original drab brown wrappers with gilt-lettered spine (very minor wear at ends and small stains at upper corners of some pages, well outside of printed area, otherwise a very near fine copy). Limited edition -- number 148 of an unspecified printing. New York: Privately printed for Virginia Bacon, 1919. A near fine copy of this rather scarce memorial catalogue depicting 617 items in the collection...
London: Faber & Faber, 1976. Foreword by R. J. Charleston, preface by Edmund de Unger. More than 250 illustration, including many full page color plates. 378pp., 4to, green cloth, d.w.; dust wrapper price clipped. London: Faber & Faber, (1976). First edition. A very good (+) copy in a very good dust wrapper.
London: Chapman and Hall, 1899. With Notes by T.J. Larkin. Replete with 485 b/w illustrations, including plates and line drawings. 270 pages. 8vo, rebound in older 3/4 dark green morocco (spine evenly faded to brown; light wear at outer joints and spine ends). London: Chapman and Hall, 1899. Second edition. A very good(+) copy. Chamberlin 1772.