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New York: China Institute, 1999. With Contributions by Kenneth J. DeWoskin and Mitchell Clark. 143pp., tall thin 8vo, glossy pictorial wrappers; very minor bump to lower front corner. New York: China Institute Gallery, 1999. A near fine copy. Catalog produced to accompany "The Resonance of the Qin in East Asian Art", September 17-December 12, 1999.
Lawrence: Helen Foresman Spencer Museum of Art, 1980. Calligraphy by Kwan S. Wong. Color frontispiece and many other black-and-white illustrations. 145 pages, slim 4to, printed wrappers (spine gently edge-worn; glued binding slightly brittle as usual). Lawrence, Kansas: The Helen Foresman Spencer Museum of Art, (1980). A very good copy.
New Haven: Yale University Press, 2006. 210 illustrations, 186 in full color, map. 223pp. 4to, green cloth, dust wrapper. New Haven: Yale University Press, (2006). A fine copy in a fine dust wrapper. Chapters by: William H. Gerdts, Elaine Kilmurray, Rosella Mamoli Zorzi, Richard Ormond, and Elizabeth Oustinoff.
London: Arts Council of Britain, 1978. Profusely illustrated in black & white and color. 506pp., folio, stiff pictorial gray wrappers (edges slightly rubbed). (London): Arts Council of Great Britain, 1978. First Edition. Very good (+). Published in association with the exhibition held at the Hayward Gallery, London from 11 January to 27 March 1978.
New York: Rizzoli, 2004. With the assistance of Montse Aguer. More than 200 full page color plates, many other illustrations in both color and black & white. 607pp., thick 4to, black cloth, d.w. New York: Rizzoli, in Association with the Philadelphia Museum of Art, (2005). First edition. A fine copy in a very good (+) dust wrapper.
Paris: Pierre Tisne, 1950. With "L'Universe de Watteau" by Rene Huyghe, and a catalog of paintings and illustrations by Helene Adhemar. 155 plates, including 19 color tipped-in ones, plus many text illustrations. 262pp., 4to, green cloth with gilt lettering and color plate inlaid on front cover; spine ends discolored and chipped. Paris: Pierre Tisne, (1950). Internally near fine, a very good copy.
New South Wales: Craftsman House, 1996. Double-page title page image; illustrated profusely in color and black and white. 226 pages, short 4to, neon orange boards with silver stamping, dust wrapper. New South Whales: Craftsman House in association with G+B Arts International. A near fine copy in a near fine dust wrapper.
Neuchatel: Griffon, 1962. All texts by the artist, translated from the French. Illustrated throughout, a few in color; musical record in pouch at rear. 129pp. Slim 4to, white-lettered gray cloth, d.w. Neuchatel: Editions du Griffon, 1962. First edition. A fine copy in a fine dust wrapper, inscribed by the artist on the title page. the Sculpture of the Twentieth Century. A collection edited and published by Marcel Joray.
New York: Leon Amiel, 1980. Illustrated with 126 color plates and 128 in b/w, plus 2 original color lithographs, blank on rear. 160 pages. Thin 4to, pink textured boards, d.w. New York: Leon Amiel, (1980). Text pages are a bit toned at edges, otherwise a near fine copy in very good(+) dust wrapper. This copy has an original ink drawing and signed inscription on the front end papers.
Paris: Fundacio Antoni Tapies, 1989. 3 volumes. Volume 1: 1943-1960. 548 pages with 983 illustrations, 133 in color. Volume 2: 1961-1968. 512 pages with 1027 illustrations, 189 in color. Volume 3: 1969-1975. 576 pages with 1303 illustrations, 253 in color. Tall, thick square 4tos, gray decorative cloth, d.w., slipcases. Paris: Fundacio Antoni Tapies - Editions Cercle D'Art, 1989-1992. Fine.