City Fathers: Town Planning in Britain from Roman Times to 1900.
New York: Praeger, 1969. Many black & white illustrations. 216pp. Square 4to, cloth, dust wrapper; d.w. has tears and edge-wear. New York: Praeger, (1969). Very good. More
New York: Praeger, 1969. Many black & white illustrations. 216pp. Square 4to, cloth, dust wrapper; d.w. has tears and edge-wear. New York: Praeger, (1969). Very good. More
London: Simpkin Marshall, 1937. with a Survey of the existing remains. Over 70 Illus. including maps and plans. 124pp. 8vo, blue cloth, corners bumped, cloth rubbed, browning to text and Illus. on four pages. London: Simpkin Marshall, 1937. Includes folding map at end. More
Palermo: Flaccovio, 1976. More than 200 illustrations, a few in color and 6 folding plates. 418pp., folio, red cloth, d.w.; corners and foot of spine slightly bumped, dust wrapper lightly worn in same spots. Palermo: S. F. Flaccovio, (1976). Internally fine, a very good (+) copy in a very good dust wrapper. More
New York: Norton, 2000. Many color and black-and-white illustrations. 4to, black cloth, d.w. New York: Norton, (2000). A fine copy in a fine dust wrapper. More
London: Technical Journals, 1920. With a Personal Sketch by Arnold Bennett, an Appreciation by H. V. Lanchester, and Technical Notes by Amor Fenn. 65pp. of illustrations, some color. Folio, brown cloth with gold design (inner hinges wearing, a few tears on front fly leaves), beveled edges. New York & London: Doran/ Technical Journalls, 1920. First Edition. Very good. Collection of architectural drawings and paintings. More
Los Angeles: Los Angeles County Museum of Modern Art, 1993. Many illustrations throughout, much in color. 340 pages. 4to, glossy pictorial wrappers. Los Angeles: Los Angeles Museum of Art, (1993). Fine. More
London: Thames & Hudson, 1999. Photographs by Hugh Palmer. 251 color illustrations. 208pp., folio, blue cloth, d.w. London: Thames & Hudson, (1999). A fine copy in a near fine dust wrapper. More
London: Thames & Hudson, 1995. 288 color illustrations. 224 pages. 4to, mauve cloth, dust wrapper. London: Thames and Hudson, (1995). A fine copy in a fine dust wrapper. More
New York: Thames & Hudson, 1995. With 288 color illustrations. 224 pages. 4to, mauve cloth with gilt lettering, pictorial d.w. New York: Thames and Hudson, (1995). First edition. A fine copy in a fine dust wrapper. More
Secaucus: Chartwell, 1978. With color photos throughout. 191 pages. Folio, blue cloth, d.w. (Secaucus): Chartwell, (1978). A near fine copy in a very good(-) dust wrapper, lightly sunned with a large scuff and minor paper loss to front panel. More
New York: Simon & Schuster, 1981. 32 color and 175 black & white photo illustrations by Roloff Beny. 288 pages. 4to, gray cloth, d.w. New York: Simon and Schuster, (1981). First edition. A fine copy in a fine dust wrapper. More
New York: Abrams, 1958. Texts by Freya Stark, Jean Cocteau, Bernard Berenson, Rose Macaulay, Stephen Spender. Many fine photogravure plates. Square 4to, pale cloth, chipped d.w. New York: Abrams, (1958). Very good. More
London: Prion, 1987. Foreword by Anthony Hopkins. Edited by Robyn Karney.Profusely illustrated in color and black & white. 200pp, tall 8vo, glossy pictorial boards, dust wrapper. (London); Prion, (1987). Near fine. More
New York: Museum of Modern Art, 2015. Profusely illustrated throughout, much in color. 320 pages. Small folio, tan cloth, d.w. New York: Museum of Modern Art, 2015. First edition. A fine copy, as new in the original shrinkwrap. More
Brussels: CIVA, 2005. Illustrated in b/w throughout. 191 pages with text in French & Dutch. 4to, pictorial wrappers. (Brussels): CIVA, (2005). A very good(+) copy, light scuffing to corners. More
Pennsburg: Schwenkfelder Library, 1958. Illus. 70pp. 4to, 1/2 red cloth, cloth and front boards lightly dampstained, edges of board corners worn. Pennsburg: Schwenkfelder Library, (1958). More
New York: Monacelli Press, 2014. Beautifully illustrated with color photographs. 237 pages, 4to, green cloth, d.w.; small scratch to front cover of dust wrapper. New York: Monacelli Press, (2014). A fine copy in a near fine dust wrapper. More
Topsfield: Salem House, 1987. Color frontis., numerous full-page color Illus., 192pp., slim 4to, red cloth, d.w. with a small dampstain on back portion. Topsfield, MA: Salem House, (1987). Published in association with Country Homes and Interiors Magazine. More
Fratelli Alinari Editrice, 1986. Many photo Illus. Thin Folio, pictorial glossy wrappers, small area of wear to back wrapper, otherwise very good. (N.p.: Fratelli Alinari Editrice, 1986). Very good Text in Italian with some captions in English also. More
New York: McDowell Obolensky, 1958. Illustrated profusely in black and white. 480 pages. 8vo, black cloth, gilt lettering at spine. New York: McDowell, Obolensky, (1958). Spine lightly sunned, evenly toned text block, signature at front free endpaper but otherwise internally clean. A very good(+) copy. More
London: hogarth, 1939. 30p., printed orange wrappers. London: Hogarth Press, 1939. First Edition. Essay on architectural modernism. Hogarth sixpenny Pamphlets, Number Three. More
London: Chapman and Hall, 1933. Long folding plate. 8vo, cloth backed boards; paper spine label. London, 1933. First Edition. First issue. Errata slip, & spare spine label. More
New York: whitney, 2003. 418 illustrations, with 394 in color. Each page doubled-up and bound for viewing. Lime green boards with a holographic image on the front cover; die-cut fore-edges. New York: Whitney Museum of American Art, (2003). First Edition. Board edges lightly scuffed, still a near fine copy. Showcasing a major retrospective of the firm's work at the Whitney Museum in the Spring of 2003. More
Numerous black & white illustrations and photographs with several in color by Li Yuxiang. 4to, black cloth, d.w. (Wabern): Benteli, (2002). First Edition. A fine copy in a fine dust jacket. More
Padua: Tre Venezie, 1946. (Origini et Significato). 374p.+ 60 plates. Small 4to, original stiff printed wrappers. (Padova): Le Tre Venezie, (1946). Near fine. Sergio Bettini was an Italian art historian (1905-1986). In 1939 he became Director of the Museum of Padua and in 1942 became the chair of Christian Archeology. Ownership signature of art historian Meyer Schapiro. More
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