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Paris: Musée d'Art Moderne de la Ville de Paris, 1982. Preface by Bernadette Contensou. Hundreds of illustrations. 559 pages, some with die-cut edges. Large, thick 8vo, flexible pictorial-boards with embossed image; minor edgewear. Paris: Musée d'Art Moderne de la Ville de Paris, (1982). A very good(+) copy. Essays by various authors. Texts in both English and French.
Boston: New York Graphic Society, 1984. Foreword by Charles C. Eldredge. Packed with 100 color, and 297 black and white plates. 350pp. Ssquare 4to, blue cloth, d.w. Boston: New York Graphic Society, 1984. First Edition. A fine copy in a near fine dust wrapper. Surveys the work of 131 artists, lavishly illustrated.
Boston: New York Graphic Society, 1984. Foreword by Charles C. Eldredge. Packed with 100 color, and 297 black and white plates. 350pp. Ssquare 4to, blue cloth, d.w. Boston: New York Graphic Society, 1984. First Edition. Small faint dampstain at lower corner, still a very good copy. Surveys the work of 131 artists, lavishly illustrated.
Boston: Little Brown, 1998. Foreword by David Michaelis. Introduction by Susan C. Larsen. Beautifully illustrated in color, with 30 paintings by each artist. 168 pages, slim square 4to, red cloth, dust wrapper. Boston: Little Brown, published in association with The Farnsworth Art Museum and the Delaware Art Museum, (1998). A fine copy in a fine (with one small bump to the upper spine) dust wrapper.
New York: Gagosian, 2006. Edited by Kara Vander Weg and Rose Dergan. Hundreds of color illustrations. 384 pp., 4to, lime green cloth, pictorial slipcase. New York: Gagosian Gallery in association with Rizzoli Publications, (2006). Fine. This slipcased volume presents his complete body of work - around 400 paintings and drawings- many of which are previously unpublished.
Berlin-Neubabelsberg: Athenaion, 1917. Mit Nachwort von A.E. Brinckmann. Illustrated with 6 mounted plates, 4 in color, and 149 in-text figues. 136pp. Slim 4to, gilt-stamped bluedecorative cloth (spine a bit faded and wrinkled). Berlin-Neubabelsberg, 1917. A very good copy. Introduction to modern art. Chamberlin 444. Lucas, p. 34.
New York: Doubleday & Company, Inc., 1981. Frontispiece portrait of the artist with color and b/w illustrations of his work throughout. 202pp. Slim 4to, black cloth, d.w. (worn and chipped at spine). New York: Doubleday & Company, 1981. Stamped on front free endpaper, still a very good(+) copy in a good dust wrapper.
Los Angeles: Museum of Contemporary Art, 2002. Essays by Paul Schimmel, Richard Shiff and Anne M. Wagner. 124 color plates, 6 black-and-white illustrations. 199pp., folio, d.w. Los Angeles. Museum of Contemporary Art, Los Angeles, (2002). A fine copy in a near fine dust wrapper. Published to accompany the exhibition: Willem de Kooning: Tracing the Figure.