Bernd Lohaus: BLUMEN
London: Ridinghouse, 2017. With color illustrations throughout. 390 pages. 4to, white wrappers. (London: Ridinghouse, 2017). First edition, one of 750-copy run. A fine copy. More
WATERCOLOR
Otto Dix, Eros and Death: Watercolors, Drawings and Prints
New York: Lafayette Parke Gallery, 1987. Introduction by Roy Karlen. Profusely illustrated in black and white. Unpaginated, slim 8vo, printed wrappers (small crease on back cover). New York: Lafayette Parke Gallery, (1987). Near fine. Exhibition catalog from the Lafayette Parke Gallery in New York City -- November 5 to December 19, 1987. More
[Imperial Moscow]. The Moscow Kremlin in Watercolour: Watercolours and Lithographs of the XIXth Century
Paris: Alain de Gourcuff, 1994. Preface by I.R. Rodimtseva; Introduction and commentaries by I.R. Bogatskaia. Full page color illustrations. 153 pages. Slim square 4to, red boards, d.w. (Paris): Alain de Gourcoff, (1994). First edition. A fine copy in a fine dust wrapper. More
Nineteenth-Century Watercolors.
New York: Abbeville, 1991. 295pp., with 374 illustrations, mostly color. Thick square folio, blue cloth, d.w. New York: Abbeville, (1991). Fine in fine d.w. More
Autographed Letter Signed
London: 1931. 1 page, 10 x 8 inches, Campden Hill, London, February 1, 1931. In this letter, Flint complies with a request, in full: "Here at last I am posting you a copy of the book duly autographed. With my kind regards and good wishes. W. Russell Flint." Tiny crease and closed tear in the top margin; very good(+) condition. Scottish artist and illustrator best known for his watercolor paintings of women. More
Autographed Letter Signed
1951. A.L.S., 12 mo. 2 pages, on his personalized card, Peel Cottage, March 10, 1951, in full: "Many thanks for your nice letter - you are very extravagant in buying my [painting] "Molds of Posterity." The life of St. Paul for which I made 4 large watercolors appeared in the American 'Woman's Home Companion' in 1931. I never saw it and only got pull-sheets of two, possibly three, of my companions. Thanks again for your kind appreciation and ... with..... More
The Death of a Tree
Milan: Alice Editions, 1974. Original frontispiece lithograph by Max Ernst, and 24 color plates Thin oblong folio, stiff black card covers, thick pictorial dust wrapper, lightly toned. (Milan): Alice Editions, (1974). First Edition in English. Surrealistic watercolors. No. 266 of 1740 copies. More
The Death of a Tree
Milan: Alice Editions, 1974. Original frontispiece lithograph by Max Ernst, and 24 color plates by Folon. Thin oblong folio, stiff black card covers, thick pictorial dust wrapper. (Milan): Alice Editions, (1974). First Edition in English. Surrealistic watercolors. No. 262 of 1740 copies. Fine, in broken cardboard case. More
La Mort D'un Abre
Milan: Alice Editions, 1974. Original frontispiece lithograph by Max Ernst, and 24 color plates by Folon. Thin oblong folio, stiff black card covers, thick pictorial dust wrapper. (Milan): Alice Editions, (1974). First Edition in French. Surrealistic watercolors. One of of 3500 copies. Fine, in cardboard case. More
The Eyewitness: 26 Full-page Watercolors and a Text by the Artist.
New York: Abrams, 1980. Illustrated with Thin oblong 4to, cloth-backed boards, d.w. New York: Abrams, (1980). A fine copy in a fine dust wrapper. Limited, numbered edition. More
Walton Ford: Pancha Tantra
Koln: Taschen, 2009. Extensively illustrated in color. 320 pages. Thick folio, brown cloth, dust wrapper. Koln: Taschen, (2009). Fine in fine dust wrapper. Signed by Ford on title page. More
Raphael Soyer: Drawings And Watercolors.
New York: Crown, 1968. Illustrated with 52 watercolors and 72 drawings in b/w, b/w frontispiece portrait of artist. 26 pages of text. 4to, green cloth (a bit shelfworn at lower corner). New York: Crown Publishers, (1968). A very good clean copy, lacking the dust wrapper. More
Landscape Painting for Beginners: Second Stage, Teaching the Use of Seven Colours.
London: Blackie & Son. Illustrations in b/w and 20 mounted color facsimiles of watercolors. 76pp. Tall, slim 8vo, blue boards with color pictorial on front cover (light stains, edges lightly bumped). London: Blackie & Son, (ca. 1920s). A very good copy. From Vere Foster's Water-Colour Series. More
Cicale e Cattedrali.
Amriswil: Bodensee, 1962. 12 full-page guache plates by Santomaso. Text in French, German & English. Tall thin folio, original printed wrappers, board slipcase (broken). Amriswil: Bodensee-Verlag, 1962. Fine in poor box. More
Paul Klee Rediscovered: Works from the Burgi Collection
London: Merrell, 2000. With chapters by various authors. More than 130 full-page plates of drawings, watercolors, oils and prints, including one folding. 287 pages, folio, cloth, d.w. London: Merrell, (2000). A fine copy in a fine dust wrapper. More
Charles Demuth.
New York: William Edwin Rudge, 1927. Color frontispiece, protected with tissue; 27 black & white plates. xiv, 10pp of text. Short slim 40, burgundy cloth-backed patterned boards (very lightly edgeworn). New York: William Edwin Rudge, 1927. A near fine copy. Limited edition of 450 copies. More
Glyn Philpot (1884-1937). Edwardian Aesthete to Thirties Modernist
London: National Portrait Gallery, 1984. Illustrated in black & white and color. 148 pages. Short 4to, printed wrappers. London: National Portrait Gallery, (1984). Pages slightly toned at margins, and minor dings and scratches to wrappers, still a very good(+) clean and tight copy of this scarce book. More
Views and Plans of the Petit Trianon at Versailles
Paris: Alain de Gourcuff, 1998. 29 color plates. 112 pages. Oblong 4to, blue boards, d.w. Paris: Alain de Gourcuff, 1998. Fine. Introduction and commentaries by Pierre Arizzoli-Clementel. Photographs by Gianni Roncaglia. Editorial director: Emmanuel Duchamp. More
Water-Colour Painting in Britain; Volume III The Victorian Period
London: B.T. Batsford, 1979. Illustrated (color frontispiece, black and white in text). 398 pages. Thick 4to, grey cloth, dust wrapper, publisher's box. London: B.T. Batsford, (1979). A fine copy in a near fine dust wrapper & box. More
Rowlandson: Watercolours and Drawings.
London: Phaidon, 1972. Many lack & white illustrations with a few in color. 214 pages, Short 4to, brown cloth, tattered d.w. (London: Phaidon, 1972). Near fine in good dust wrapper. More
Watercolors by Kandinsky; At The Guggenheim Museum
New York: Guggenheim Museum, 1991. Illustrated (mostly color). 186 pages. Slim square 4to, paper wrappers; covers lightly sunned at edges. New York: The Guggenheim Museum, (1991). A near fine copy. More
Expressionist Watercolors, 1905-1920
New York: Abrams, 1967. 30 full-page plates. 103pp., folio, cloth with inlaid plate on front cover, clear, printed dust wrapper; minor wear to lower edge, dust wrapper chipped at head of spine. New York: Harry N. Abrams, (1967). Internally fine, a very good copy in a very good dust wrapper. Works by Schiele, Klee, Nolde, Chagall, Picasso, Ernst, et al. More
Yorkshire: Coast and Moorland Scenes
London: Adam and Charles Black, 1907. 31 color plates by Gordon Home, one folding map. x + 148pp. plus ads, 8vo, gilt-lettered decorative green cloth. London: Adam and Charles Black, 1907. Second edition. A very good (+) copy. More
Eakins Watercolors
New York: Watson-Guptill, 1971. Illustrated with 32 color plates. 87 pages. Square 4to, gray cloth, d.w. New York: Watson-Guptill, (1971). A very good(+) copy, slightly cocked with minor fading to cloth edges; wrapper is very good(+), light edgewear. More
Winslow Homer: Watercolors.
New York: Watson-Guptill Publication, 1970. Illustrated with 32 color plates. 88pp. Square 4to, gilt-stamped green cloth, d.w. (wrapper edgeworn with a tear). New York: Watson-Guptill in cooperation with The Brooklyn Museum and The Metropolitan Museum of Art, (1970). Light edgewear on cloth and previous owner's pen signature on front free endpaper. A very good(+) copy in a very good dust wrapper. More