Perturbations Delices et Orgues.
Alexandre Iokas, 1973. Fine illustrations in color & in black & white. Slim square 8vo, stiff pictorial wrappers. N.p. Alexandre Iolas, (1973). Near fine. One of only 1000 copies printed on aquarelle arches. More
Alexandre Iokas, 1973. Fine illustrations in color & in black & white. Slim square 8vo, stiff pictorial wrappers. N.p. Alexandre Iolas, (1973). Near fine. One of only 1000 copies printed on aquarelle arches. More
Cologne: DuMont Schauberg. Ein Traum. 78 plates by Ernst. Small square 4to, pictorial printed pictorial blue wrappers. Koln: DuMont Schauberg, (1971). Near Fine. More
New York: Braziller, 1981. Foreword by Andre Breton. Profusely illustrated in black & white. Small 4to, black cloth, d.w. (edgeworn, faded, soiled). New York: Braziller, (1981). Gift inscription on the front free end paper, still a very good(+) copy -- cloth sunned at edges but internally clean -- in a very good(-) dust wrapper. More
Berlin: Gerhardt, 1962. Foreword by Andre Breton with text in German. Illustrated profusely in black and white. Small 4to, pictorial wrappers, d.w. Berlin: Gerhardt, (1962). Minor bumping to page edges -- still internally clean and tight. A near fine copy in a fine dust wrapper house in a good solid slipcase. One of 4000 copies. More
New York: Guggenheim Museum, 1975. Illustrated with 282 plates, 11 in color, and 33 additional illustrations. 271 pages. Short 4to, color pictorial wrappers (a bit faded and edgeworn). N.Y.: Guggenheim, (1975). A very good(+) copy. Catalogue of an exhibition at the Guggenheim Museum. More
Paris: Bibliotheqve Nationale, 1975. Text in French. Illustrated in b/w throughout. Unpaginated. Slim, square 8vo, pictorial wrappers. Paris: Bibliotheqve Nationale, 1975. A very good copy--lightly sunned and scuffed at wrappers with slight bump to upper corners. More
Boston: Journey Editions. 1995. Profusely illustrated in color. 204pp. 4to, gilt-stamped purple cloth with color illustration mounted on front cover. Boston: Journey Editions, (1995). A near fine copy. More
New York: Abbeville Press, 1988. Packed with almost 300 illustrations, some in color. 348 pages. Thick 4to, maroon cloth, d.w. New York: Abbeville Press, (1988). First edition, third printing. A fine copy in a very good(+) dust wrapper. Published for the exhibition: Perpetual Motif: The Art of Man Ray a the National Museum of American Art. Includes chapters by: Francis Naumann, Billy Kluver and Julie Martin, Elizabeth Hutton Turner, Sandra S. Phillips, Stephen C. Foster, Merry Foresta and Roger Shattuck..... More
New York: Abbeville Press, 1988. Packed with almost 300 illustrations, some in color. 348 pages. Thick 4to, maroon cloth, d.w. New York: Abbeville Press, (1988). First edition. A fine copy in a very good(+) dust wrapper. Published for the exhibition: Perpetual Motif: The Art of Man Ray a the National Museum of American Art. Includes chapters by: Francis Naumann, Billy Kluver and Julie Martin, Elizabeth Hutton Turner, Sandra S. Phillips, Stephen C. Foster, Merry Foresta and Roger Shattuck... More
Cambridge: MIT Press, 1993. 313 pages, wide 8vo, blue cloth (lightly sunned at edges), dust wrapper (slightly sunned spine). Cambridge: MIT, 1993. A very good(+) copy in a near fine dust wrapper. More
Moscow: Pushkin Museum, 2014. ALL TITLES AND TEXT IN RUSSIAN. Many full-page color plates. 288 pages, 4to, cloth. Moscow: Pushkin Museum, 2014. A fine copy. Jean Arp, Enrico Bai, Hans Bellmer, Victor Brauner, Salvador Dali, Giorgio de Chirico, Oscar Dominguez, Wifredo Lam, Andre Masson, Roberto Sebastian Matta, Joan Miro, Pablo Picasso , Dorothea Tanning, Leonor Fini, Max Ernst. From the collections of Georgy Gens and Boris Fridman. More
Paris: Galerie Zabriskie, 1991. Exhibition catalog with text in French and English. Illustrated in black and white. 34 pages, slim 8vo, printed wrappers, dust wrapper (slightly dust-soiled at edges). Paris and New York: Zabriskie Gallery, (1991). A fine copy in a very good(+) dust wrapper. More
Florence: Vallecchi, 1954. 121 plates, six in color, protected with tissue. 149 pages with text in Italian. 8vo, red cloth (some edgewear; two small spots on front cover). Florence: Vallecchi Editore, (1954). A very good copy. More
Zurich: Pro Litteris, 1990. Extensively illustrated, several in color. 191pp., 4to, stiff, pictorial wrappers. Zurich: Pro Litteris, (1990). A fine copy of this scarce catalog. More
New York: Norton, 1998. Lightly illustrated with b/w photos. 798 pages. Thick, square 8vo, green cloth, d.w. New York: Norton, (1998). First American edition. Inscribed by previous owner. A very good(+) copy--minor staining to bottom outer edge--in a very good(+) wrapper, scratching to rear cover. More
London: Tantivy Press, 1976. Illustrated with black and white photographs throughout. 171 pages. 8vo, brown boards, vivid pictorial dust wrapper. London: Tantivy Press, (1976). A very good(+) copy in a very good(-) dust wrapper, a few chips along top edge. More
New York: Praeger. Color frontispiece and illustrations in b/w. 211pp. 8vo, orange cloth (worn), d.w. (yellowed, dust rubbed, and edgeworn). New York: Praeger, (n.d., circa 1954). A good copy in a good dust wrapper. More
New York: Abrams, 1985. 138 illustrations with 48 color plates. 167 pages. Tall 4to, blue cloth, d.w. New York: Abrams, (1985). First edition. A near fine copy in a very good(+) dust wrapper. More
New York: Galley Press, 1978. Introduction by Barbara Rose. 232 illustrations, including 32 in color. 264pp. 4to, blue boards, d.w. New York: Galley Press, (1978). A near fine copy. More
Berkeley: University of California Press, 1988. Frontispiece, and 119 illustrations including 38 color plates. 358 pages. Thick 8vo, cloth, d.w. Berkeley: Univ. of Cal. Press, (1988). Fine. The first book-length study of the unique collaborations between surrealist painters and authors which resulted in illustrated books. More
Berkeley: University of California Press, 1988. Frontispiece, and 119 illustrations including 38 color plates. 358 pages. Thick 8vo, cloth, d.w. Berkeley: Univ. of Cal. Press, (1988). Fine. The first book-length study of the unique collaborations between surrealist painters and authors which resulted in illustrated books. More
Cambridge: MIT Press, 1993. Packed with over 1300 photographs, 150 in color. Very thick 4to, dark gray cloth, price-clipped and lightly chipped d.w. Cambridge: MIT Press, (1993). First American edition. A near fine copy in a very good(-) dust wrapper. A double-faced publication. One side, entitled "Work" contains a catalogue of Duchamp's paintings, sculptures and objects, edited by Pontus Hulten. The other side, entitled "Life: Ephemerides" shows a day-by-day account of the artist's life, replete with documents and photographs, many..... More
New York: Viking, 1980. Illustrated. 472p., small 4to, black spine beige boards, d.w. New York: Viking, (1980). Very good (+). Near fine copy, with the ownership signature of art historian Meyer Schapiro. More
Paris: Hazan, 2000. With color images throughout. 119 pages in French text. Small, square 4to, stiff pictorial wrappers, d.w. Paris: Hazan, (2000). A fine copy in a near fine dust wrapper, slightly scratched on cover. More
The book arrived here in Australia in excellent condition, well packaged within a very short timeframe. The postage service that you provided through DHL was very much appreciated as it enabled me to keep track of the location of the package and monitor delivery time. The whole transaction from my first enquiry, to you providing photos of the book to delivery has been an enjoyable experience without any hassles. Thank you very much for your time and effort and I hope you have an enjoyable holiday season.
I wanted to let you know that the Lehár autograph quotation arrived safe and sound having made its transatlantic journey without any problems. It’s a beautiful thing, and I can’t wait to get it up on the wall. I’m absolutely delighted with it – thank you!