David Mach: Likeness Guaranteed
London: Academy Editions, 1995. Illustrated in color. 128 pages, slim 4to, pictorial wrappers. London: Academy Editions, (1995). A near fine copy. More
London: Academy Editions, 1995. Illustrated in color. 128 pages, slim 4to, pictorial wrappers. London: Academy Editions, (1995). A near fine copy. More
New York: Beechhurst, 1953. Color frontispiece with 192 illustrations. 366 pages. 8vo, green cloth; somewhat worn. New York: Beechhurst, (1953). First American edition. Several pages with minor penciling, else a very good copy. More
Irvine: Art Gallery, University of California, 1968. More than 30 works illustrated, including several full page color plates. 59pp., thin 8vo, glossy, pictorial wrappers, ink ownership name of Nan Rosenthal on front endpaper; lightly rubbed. Irvine: Art Gallery, University of California, 1968. A very good copy of this scarce exhibition catalog. Works by Wallace Berman, Edward Kienholz, George Herms, Bruce Conner, Fred Mason, and Ben Talbert. More
Rome: Associazone Nazionale Per Il Restauro Dei Monumenti Danneggiati Dalla Guerra, 1947. Text by Emilio Lavagnino. Profusely illustrated with black & white photographs. 132 pages with text In Italian. Tall thin 4to, printed wrappers. Wrappers are lightly yellowed with age. Rome: Associazone Nazionale Per Il Restauro Dei Monumenti Danneggiati Dalla Guerra, 1947. A very good (+) copy. More
Boston: Bulfinch, 1997. Special photography by David Finn. Packed with 400 illustrations, including 80 color and 142 duotones. 287 pages. Thick 4to, brown boards, d.w. (a bit faded and scuffed). Boston: Bulfinch Press, 1997. First edition. A near fine copy in a near fine dust wrapper. More
Washington: The Arthur M. Sackler Foundation, 1981. Illustrated (color and b/w). 298 pages. Folio, stamped orange cloth, dust wrapper; wrapper torn at top right corner. Washington D.C.: The Arthur M. Sackler Foundation, (1981). A fine copy in a very good(+) wrapper. More
New York: Weybright, 1969. Introduction by Henry Moore. Color frontispiece and illustrated with 370 fine b/w photogravures by Ilario Bessi. 248 pages. Small square 4to, brown cloth, edgeworn d.w. New York: Weybright and Talley, (1969). A near fine copy in a very good(+) dust wrapper. More
Paris: Didier Imbert Fine Art, 1991. In French. Illustrated (black and white). Unpaginated slim 4to, paper wrappers. Paris: Didier Imbert Fine Art, 1991. A near fine copy. More
New York: Pegasus, 1929. Illustrated with 161 fine collotype plates, protected with lettered tissue guards. 2 volumes. Short folio, orange cloth with gilt-decorated spines, torn & tattered d.w. New York: Pegasus Press/ Harcourt Brace, (1929). The dust wrappers are quite worn and split at the seams, but books are near fine, with the ownership signature of art historian Meyer Schapiro in each volume. Printed in England for the Pegasus Press. Certainly appears to be a limited edition, although no specifics..... More
Le Caire, 1953. Illustrated in black and white. Text in French. Slim 8vo, tan printed paper wrappers. (no place) Le Caire: (1953). A very good copy-- wrappers soiled. More
London: John Murray, 1909. Frontis. Illus. 348pp. Large 8vo, cloth, some wear to cover. London: John Murray, 1909. More
London: Goupil, 1904. Many b/w illustrations, 302pp. 4to, beautifully rebound in full green morocco with floral gilt-decorated covers and spines, raised bands, inner and outer dentelles, a.e.g. London: Goupil & Co., 1904. Near fine. A collection, chiefly of paintings, particularly strong in the 18th century French masters, but with representatives of English, Flemish and Italian schools, furniture, porcelain, and sculpture. More
Baltimore: The Baltimore Museum of Art, 1954. Illustrated in black & white. 30pp. Slim 4to, pictorial wrappers covered in mylar. The Baltimore Museum of Art, 1954. A very good(+) copy. More
New Brunswick: Rutgers University Press, 1971. Illustrated in black and white. 4to, grey cloth, dust wrapper. New Brunswick: Rutgers University Press, (1971). Wrapper lightly worn at spine; a near fine copy in a very good(+) wrapper. More
New York: New York University Press, 1997. Illustrated in b/w throughout. 367 pages. Tall 8vo, burgundy cloth, d.w. New York: New York University Press, (1997). A fine copy in a fine wrapper. More
New Haven: Yale University Press, 1999. Illustrated. xxxiii + 428 pages, large 8vo, grey boards, d.w. New Haven: Yale University Press, (1999). A near fine copy in a very good(+) dust wrapper. More
Bilbao: Guggenheim Museum, 1999. 150 full page plates, plus other illustrations. 223pp., 4to, black cloth, d.w. Bilbao: Guggenheim, (1999). A near fine copy in a very good (+) dust wrapper. More
New York: Museum of Modern Art, 1963. Frontispiece illustrated in color, rest in black and white. 91 pages. Small 4to, tan cloth (foxed at edges), d.w. (worn). New York: Museum of Modern Art, (1963). Very good in a very good(-) dust wrapper. More
London: British Museum, 1954. 48 photographic plates, slim 4to, black cloth (slightly warped). London: Trustees of the British Museum, 1954. First Edition. With the ownership inscription of art historian Meyer Schapiro. More
London: British Museum, 1954. 48 photographic plates, slim 4to, blue cloth, d.w. (chipped). London: Trustees of the British Museum, 1954. A fine copy but for the dust jacket. More
New York: Medicina Rara, 1972. 13 plates, tall folio, loose as issued in a rust colored board portfolio and slipcase. N.Y.: Medicina Rara, 1972. A fine copy. Curwen Press, # 1290 of 2500 copies signed by the author. More
Philadelphia: Philadelphia Museum of Art, 2009. In-text illustrations in color and black & white. 240 pages. Square 4to, flexible printed boards. Philadelphia: Philadelphia Museum of Art, (2009). Fine. More
Paris: Editions d'Art et d'Histoire, 1937. 147p., 70 plates with 210 illustrations; bibliography. Folio, original printed gray wrappers. Paris: Les Editions d'Art et d'Histoire, 1937. Very good (+). Some chipping at the top of the spine, otherwise a fine copy, with the ownership label of art historian Meyer Schapiro. More
New York: Whitney Museum, 1961. 97 black and white plates. 120 pages, slim 4to, cloth, d.w.; dust wrapper chipped. New York: Whitney Museum of Art, 1961. A very good copy in a very good(-) dust wrapper. More
New York: Whitney Museum, 1961. 97 black and white plates. 120pp, slim 4to, yellow cloth (spine faded). New York: Whitney Museum of Art, 1961. Very good (+). With a bold inscription by the artist. More
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