New York: Knopf, 2009. Illustrated in black and white. 300 pages. 8vo, white boards, d.w. Knopf: New York, 2009. A near fine copy-- wear at top of spine and a tiny mark on front board-- in a fine dust wrapper. Idina Sackville's story is a parable of the twentieth century...The Bolter is an enthralling account of a dazzling, troubled life.
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New York: Morrow, 2002. Illustrated in black and white. 307 pages. 8vo, grey boards, black spine, d.w. (scratched, discolored on back) New York: Morrow, (2002). A fine copy in a near fine dust wrapper. They would be called upon to lead a nation in one of its darkest hours-- but were they up to the task? He became the embodiment of America's fighting spirit and she assumed the role of "First Comforter" with effortless grace. Still, the true nature of.....
Columbia, SC: U. of South Carolina, 1996. A Facsimile of the 1914 Acting Script and the Musical Score. Edited with an Introduction by Matthew Bruccoli. Illustrations from the original production.. 4to, cloth backed glazed pictorial boards. Columbia: University of South Carolina Press, (1996). Limited to 500 copies printed in celebration of the F. Scott Fitzgerald Centenary. This copy, unnumbered, is stamped: REVIEW COPY. Small smudge on end-paper, otherwise fine.
Baltimore: Aquarius Press, 1969. Illustrated with 16 full-page surreal and macabre color lithographs by Federico Castellon. 2 volumes -- book and plates. 69 pages. Thin folio, black calf-backed gold brocade cloth, cloth slipcase. Baltimore: Aquarius Press, 1969. Limited edition. A fine pair in very good slipcase. Signed by Castellon on the colophon. A very fine copy of the deluxe edition of this first publication of the Aquarius Press. From a total of 500 copies, this is number IV of only.....
New York: Museum of Modern Art, 1992. Frontispiece portrait, and packed with 592 illustrations, including 320 in color. 480 pages. Thick square 4to, black cloth, d.w. New York: MOMA/Abrams, (1992). First edition, third printing. A fine copy in a near fine dust wrapper. Published in conjunction with the 1992-1993 Matisse retrospective at The Museum of Modern Art, New York.
New York: Museum of Modern Art, 2011. Illustrated profusely in color. 288 pages. 4to, pictorial boards, d.w. New York: Museum of Modern Art, (2011). A near fine copy-- minor wear along bottom edge of front board-- in a near fine dust wrapper. Printed in conjunction with the exhibition "German Expressionism: The Graphic Impulse."
New York: Prestel, 1989. With 180 color illustrations. 292 pages. 4to, green cloth, dust wrapper (chipped at spine end, yellowed, and scuffed). New York: Prestel, (1989). A very good(-) copy-- small damp stain along bottom edge of rear board-- in a very good dust wrapper. Edited by Thomas Krens, Michael Govan, Joseph Thompson.
San Francisco: San Francisco Museum of Art, 2009. Exhibition catalogue illustrated in color and black and white. 264 pages. Square 4to, stamped grey cloth, dust wrapper (small tears on top edge and top of spine). San Francisco: The San Francisco Museum of Art, (2009). A near fine copy-- tiny scratch on front board-- in a very good(+) dust wrapper. Includes DVD at rear.
Paris: Quarte Chemins, 1948. Illustrated with 40 single-sided plates (10 in color protected with tissue, and 30 in double-tone) handsomely printed in France by Les Ateliers G. Bouan & Dreux-Barry on water-marked Marais paper. 7 pages of text in French. Small 4to, original printed wrappers (spine defective; as usual the binding glue has turned brittle so all pages are sprung but present -- some glue stains at inner margin of first several pages). Paris: Quarte Chemins & New York: Shoman.....
New York: Whitney Museum, 1998. Illustrated in black and white and color throughout. 200 pages. 4to, pictorial wrappers. New York: Whitney Museum of American Art, (1998). Laminate on the front cover is crinkled and some staining around outer page edges but, mostly clean save for a few pages with paint in the margin. A very good copy.