New York: Aperture, 1981. Foreword by James. L. Enyeart. Hundreds of black & white photographs. 223 pages. Square 4to, brown cloth, matching cloth slipcase. New York: Aperture, (1981). Limited edition - number 272 of 1000 copies, signed y John G. Morris on behalf of the Estate of W. Eugene Smith. A fine copy in a near fine slipcase, but LACKING the hand-pulled gravure. More
Beverly Hills: Gagosian Gallery, 2014. Illustrated (color). Slim 4to, white paper wrappers. Beverly Hills: Gagosian Gallery, (2014). A very near fine copy. Signed by Ruff on title page. More
New York: Aperture, 1998. Illustrated (color and black & white). 149 pages. Square 4to, black cloth, dust wrapper. New York: Aperture, (1998). First edition. Fine. More
New Haven: Yale University Press, 1989. Illustrated (color and black & white). 347 pages. Tall 4to, cloth, dust wrapper. New Haven: Yale University Press, (1989). A near fine copy. More
New York: Abbeville, 1983. 350 illustrations, 200 in color. 278 pages, 4to, cloth, d.w. New York: Abbeville Press, (1983). First American edition. A near fine copy in a near fine dust wrapper. More
San Diego: Thunder Day, 2002. Filled with paired old and new photographs. 144 pages, large oblong 8vo, pictorial boards, d.w.; small closed tear to dust wrapper. San Diego: Thunder Day Press, (2002). A fine copy in very good dust wrapper. More
Chicago: Rand McNally, 1975. Foreword by Joe Garagiola. Illustrated. with black-and-white photographs. 287 pages, 4to, yellow cloth. Chicago: Rand McNally, (1975). A near fine copy. More
New York: Norton, 1980. Translated by John Glad. 222 pages, 8vo, blue cloth, d.w.; dust wrapper price clipped. New York: W. W. Norton & Company, (1980). A near fine copy in a very god dust wrapper. Inscribed by the translator, John Glad. More
Philadelphia: Philagraphica, 2011. Illustrated (color). 256 pages. Small square 4to, pictorial paper wrappers. Philadelphia: Philagraphica, (2011). A near fine copy. Published in conjunciton with the exhibition 'Philagraphica 2010', Philadelphia, January 29-April 11, 2010. More
Seattle: Decode Books, 2008. Illustrated (color). Slim 8vo, colorful pictorial boards. Seattle: Decode Books, (2008). Fine. Signed by the artist on title page. More
New York: Doubleday, 1901. Illustrated. viii + 353 pages, 8vo, green cloth; rubbed, spine lettering faded. New York: Doubleday, Page & Co., 1901. New and Revised Edition. More
Paris: Librarie Grund, 1948. In French. Illustrated (56 black and white plates, some in-text sepia illustrations). 100 uncut pages + 56 plates, loose as issued. Folio, string-tie green cloth, printed boards, lacking spine label. Paris: Librarie Grund, (1948). Limited edition, number 667 of 1000 copies. Text fine within very good(+) boards. More
New York: Viking, 2019. xiv + 239 pages, 8vo, cloth-backed boards, d.w. New York: Viking, (2019). A fine copy in a fine dust wrapper. More
New York: Simon & Schuster, 1968. Illustrated. 349 pages, 8vo, black cloth. New York: Simon & Schuster, (1968). A very good(+) copy. More
Paris: chen, 1989. Numerous illustrations in color and in black & white. 440 pages with text in French. Tall thick 4to, black cloth, d.w. Paris: Chen, (1989). Fine in near fine dust wrapper. More
New York: Random House, 1962. Many black-and-white photographs. 190 pages, blue cloth, lightly rubbed. New York: Random House, (1962). A very good copy. More
Paris: Duculot, 1991. In French. Illustrated (color). 208 pages. 4to, burgundy cloth, dust wrapper. Paris: Duculot, (1991). A fine copy in near fine dust wrapper. More
New York: Rinehart, 1953. 339 pages, 8vo, blue cloth, d.w.; printed on wood pulp paper, dust wrapper lightly chipped. New York: Rinehart & Company, (1953). A very good(+) copy in a very good dust(-) wrapper. More
Boston: Houghton Mifflin, 1916. 19 black-and-white photographs. iv + 120 pages, 12mo, pictorial cloth. Boston: Houghton Mifflin Company, (1916). A very good copy(+). The Industrial Readers--Book Four. More
New Haven: Yale University Press, 1993. Illus. 437pp. 8vo, red cloth boards, dust wrapper. New Haven: Yale University Press, (1994). A near fine copy. More
Norwalk: Easton, 1977. With a preface by Frank Swinnerton and illustrations by Helen Sewell. 411pp. Thick 8vo, gilt-stamped blue leather, pale pink silk moire endpapers, all edges gilt. Norwalk: Easton Press, (1977). A fine copy. The 100 Greatest Books Ever Written series. More
Norwalk: Easton, 1977. With a preface by Frank Swinnerton and illustrations by Helen Sewell. 411 pages. Thick 8vo, gilt-stamped red leather, all edges gilt, pink silk moire endpapers. Norwalk: Easton Press, (1977). A fine copy. More
New York: Abrams, 1987. 371 illustrations, including 276 plates in full color and 80 in duotone. 4to, brown cloth, d.w. New York: Abrams, (1987). First Edition. Gift inscription on half title, else a fine copy in very good(+) dust wrapper. The Kimbell Art Museum in Fort Worth Texas was designed by Louis I. Kahn. More
New York: Abrams Comicarts, 2011. Illustrations in color & black & white. Introduction by Roz Chast; Afterword by Jules Feiffer. Thick 4to, cloth-backe dpictorial boards. New York: Abrams Comicarts, (2011). First Edition. Ghost of sticker on front cover, else a fine copy. Signed by Jeanne Stein, Roz Chast & Jules Feiffer (on a label). More
I want to thank you for your excellent service. I telephoned to inquire about the availability of a book this past Wednesday morning. Michele informed me it was available and took my order at about 11 AM EST. The next day when I got home from work, I was astounded to find that the book had been delivered in the early afternoon -- less than 30 hours after the order. Now, I know that UPS deserves some credit, but such fast delivery would not have occurred if Michele (and perhaps others) had not worked extremely efficiently. The book was well packed and fully meets my expectations, and Michele even got my name right! You have demonstrated a level of service I hope all merchants would meet. Thanks again.
I usually receive my packages as soon as delivered. However, this one had quite a night outside in a snow storm. Thanks to the extra care in packaging and double layer of wrapping cardboard and plastic bag, the book survived in pristine condition.... It sat in a three foot snow drift pounded by snow plows, in minus 25Temps overnight and was discovered this afternoon, the top of the package peeking out of the drift. If not for the attention to packaging and packing materials, this book would have been destroyed. Please let the people who package our treasures know that they make a difference. Whether in person or mail order, you folks rock. Best wishes from the (damned) frozen Adirondacks...