Benozzo Gozzoli
New Haven: Yale University Press, 1996. Illustrated with color and b/w images throughout. 340 pages. 4to, red cloth, d.w. New Haven: Yale University Press, (1996). A fine copy in a fine dust wrapper. More
New Haven: Yale University Press, 1996. Illustrated with color and b/w images throughout. 340 pages. 4to, red cloth, d.w. New Haven: Yale University Press, (1996). A fine copy in a fine dust wrapper. More
New York: The Metropolitan Museum of Art, 2010. 453 illustrations, including 337 in full color. xii + 484 pages. Very thick 4to, red pictorial boards, d.w. New York: The Metropolitan Museum of Art, (2010). A fine copy in a near fine dust wrapper. Maryan W. Ainsworth, Stijn Alsteesn and Nadine M. Orenstein with Contributions by Others. More
New York: Flammarion, 1997. Illustrated in b/w and color images throughout. 390 pages. Large 4to, black cloth, d.w. New York: Flammarion, (1997). A very good(+) copy in a very good wrapper--some minor dampstaining to bottom edges of boards and wrapper (visible only on reverse); internally clean. More
New York: Artabras, 1988. Principal photography by Takashi Okamura. Exquisitely illustrated with hundreds of photos in color and black & white. 2 volumes, Thick and heavy 4tos, blue cloth, pictorial slipcase. New York: Artabras, Abbeville Press, (1988). A fine copy in a fine slipcase. The art and architecture of Florence throughout the ages. More
London: Hamlyn, 1970. Illustrated profusely in black and white with some additional color images. Double-page frontispiece and title-page image, 51 pages of text. 4to, tan boards, d.w. (two large tears near spine, chipped on back, worn at edges). London: Hamlyn, (1970). A very good(+) copy-- minor bump at corner-- in a very good(-) dust wrapper. Albrecht Durer was the first non-Italian able to absorb and make use of the techniques of the Italian Renaissance. More
Firenze: Sansoni, 1968. In Italian. Illustrated in color and black & white. Wide 8vo, black cloth, d.w. (slightly sunned edges). Firenze: Sansoni, (1968). Small ownership signature on endpaper, otherwise a near fine copy in a very good(+) dust wrapper. More
Leipzig: Johann Ambrosius Barth, 1932. 1 text illustration. 30 pages (315-329), very thin 8vo, excerpt from Archi fur Geschichte der Medizin, original printed wrappers, front cover near detached. Leipzig: Johann Ambrosius Barth, 1932. Very good. Signed by Walter Artlet on front cover. More
Chicago: University Press, 1962. ix, 311 pages. 8vo, blue cloth. Chicago: Chicago University Press, (1962). A bit scuffed but internally clean. A very good (+) copy. More
Washington: The Arthur M. Sackler Foundation, 1981. Illustrated (color and b/w). 298 pages. Folio, stamped orange cloth, dust wrapper; wrapper torn at top right corner. Washington D.C.: The Arthur M. Sackler Foundation, (1981). A fine copy in a very good(+) wrapper. More
Boston: Banta, 1944. 246pp. 4to, green cloth. Boston: George Banta, 1944. Fine. One of 400 copies, privately printed. More
New York: Metropolitan Museum of Art, 2010. 274 illustrations, 155 in color. xii + 323 pages. Thick 4to, brown cloth, d.w. New York: The Metropolitan Museum of Art, (2010). A fine copy in a near fine dust wrapper. Contributions by Philippe Costamagna, Marzia Faiettie, and Elizabeth Pilliod. More
New York: Metropolitan Museum of Art, 2003. 515 illustrations, including 333 color plates. xiv + 786 pages. Very thick brown cloth, d.w. New York: The Metropolitan Museum of Art and New Haven: Yale University Press, (2003). A fine copy in a fine dust wrapper. More
New York: New York University Press, 1992. 298 pages. Tall 8vo, black cloth, d.w. New York: New York University Press, (1992). A fine copy in a fine wrapper. More
New York: New York University Press, 1978. 232 pages. Tall 8vo, blue cloth, d.w. New York: New York University Press, 1978. A near fine copy with very light penciling (light neat underlining and small ticks in margins) in a very good(+) wrapper, sunned rear panel. More
Chicago: University of Chicago Press, 2001. Well-illustrated throughout, much in color. 440 pages.Thick square 4to, tan cloth, d.w., pictorial slipcase. Chicago: University of Chicago Press, (2001)/. Reprint. A fine copy in a fine dust wrapper and box. More
New Haven: Yale University Press, 1999. Illustrated. xxxiii + 428 pages, large 8vo, grey boards, d.w. New Haven: Yale University Press, (1999). A near fine copy in a very good(+) dust wrapper. More
Beaux Arts Editions, 1999. Gorgeously illustrated in color with many full-bleed images. 328 pages, thick folio, pictorial boards backed in gold cloth with silver stamping. Beaux Arts Editions, (1999). A near fine copy of this large, attractively designed book. More
New York: Metropolitan Museum of Art, 2008. Profusely illustrated in color & in black & white. 4to, burgundy cloth, d.w. New York: Metropolital Museum of Art, (2008). First Edition. Fine in fine dust wrapper. More
New York: Metropolitan Museum of Art, 2008. Profusely illustrated in color & in black & white. 4to, burgundy cloth, slightly edgeworn d.w. New York: Metropolital Museum of Art, (2008). First Edition. Fine in near fine dust wrapper. More
New York: Abrams, 1979. 378 works illustrated in black and white. 299 pages. 4to, light blue cloth, d.w. New York Harry N. Abrams, 1979. A near fine copy in a near fine dust wrapper. More
New York: Harper, 1981. Many b/w illus., 484pp., tall 8vo, cloth, d.w.; d.w. rubbed. New York: Harper & Row, (1981). Very good+. More
Chicago: University of Chicago Press, 1999. Illus. 8vo, maroon cloth, d.w. Chicago: University of Chicago Press, (1999). Very good. More
Milan: Electa, 1998. Exquisitely and extensively illustrated with reproductions of La Maesta. 363 pages with text in Italian. 4to, tan cloth, d.w. Milano: Electa, (1998). A fine copy in a fine dust wrapper and slipcase. More
I received my philosophy text on Saturday. It is in very good condition. I appreciate - and thank you for - your prompt, courteous, professional attention to my request. Hoping to see you when I visit Argosy in the near future.
I have just received John Ruskin's "The King of the Golden River" by this morning mail. Thank you very much for your kind arrangements.