Benozzo Gozzoli
New Haven: Yale University Press, 1996. Illustrated with color and b/w images throughout. 340 pages. 4to, red cloth, d.w. New Haven: Yale University Press, (1996). A fine copy in a fine dust wrapper. More
Books
Man, Myth, and Sensual Pleasures: Jan Gossart's Renaissance. The Complete Works
New York: The Metropolitan Museum of Art, 2010. 453 illustrations, including 337 in full color. xii + 484 pages. Very thick 4to, red pictorial boards, d.w. New York: The Metropolitan Museum of Art, (2010). A fine copy in a near fine dust wrapper. Maryan W. Ainsworth, Stijn Alsteesn and Nadine M. Orenstein with Contributions by Others. More
The Painted Page: Italian Renaissance Book Illumination, 1450-1550
New York: Prestel, 1995. Catalog for exhibitions at the Royal Academy of Arts in London and the Pierpont Morgan Library. Illustrated throughout in color. 272pp. Short 4to, glossy pictorial wrappers. (New York: Prestel, 1995). A near fine copy. With contributions by Jonathan J.G. Alexander, Lilian Armstrong, Giordana Mariani Canova, Federica Toniolo, William M. Voelkle, and Roger S. Wieck. More
Giorgione; The Painter of 'Poetic Brevity'
New York: Flammarion, 1997. Illustrated in b/w and color images throughout. 390 pages. Large 4to, black cloth, d.w. New York: Flammarion, (1997). A very good(+) copy in a very good wrapper--some minor dampstaining to bottom edges of boards and wrapper (visible only on reverse); internally clean. More
The Art of Florence.
New York: Artabras, 1988. Principal photography by Takashi Okamura. Exquisitely illustrated with hundreds of photos in color and black & white. 2 volumes, Thick and heavy 4tos, blue cloth, pictorial slipcase. New York: Artabras, Abbeville Press, (1988). A fine copy in a fine slipcase. The art and architecture of Florence throughout the ages. More
Disegni di Macchine.
Il Codice S.IV.5 della Biblioteca Comunale degl'Intronati di Siena. Introduction by Carlo Maccagni. Approx. 100 facsimile drawings, 403pp., thick 4to, cloth, board slipcase; (slightly rubbed). Genova: IBM Italia, (1986). More
The Drawings and Graphic Works of Durer
London: Hamlyn, 1970. Illustrated profusely in black and white with some additional color images. Double-page frontispiece and title-page image, 51 pages of text. 4to, tan boards, d.w. (two large tears near spine, chipped on back, worn at edges). London: Hamlyn, (1970). A very good(+) copy-- minor bump at corner-- in a very good(-) dust wrapper. Albrecht Durer was the first non-Italian able to absorb and make use of the techniques of the Italian Renaissance. More
Storia dell'arte italiana, volume primo.
Firenze: Sansoni, 1968. In Italian. Illustrated in color and black & white. Wide 8vo, black cloth, d.w. (slightly sunned edges). Firenze: Sansoni, (1968). Small ownership signature on endpaper, otherwise a near fine copy in a very good(+) dust wrapper. More
Costanzo Landi und seine "Methodus de bona valetudine tuenda"
Leipzig: Johann Ambrosius Barth, 1932. 1 text illustration. 30 pages (315-329), very thin 8vo, excerpt from Archi fur Geschichte der Medizin, original printed wrappers, front cover near detached. Leipzig: Johann Ambrosius Barth, 1932. Very good. Signed by Walter Artlet on front cover. More
Donatello: An Introduction
New York: Harper, 1994. Illustrated with b/w and color plates throughout. 128 pages. 8vo, cloth-backed boards, d.w. New York: Harper, (1994). First edition. A fine copy in a near fine dust wrapper. More
Finger Prints of the Artist; European Terra-Cotta Sculpture from the Arthur M. Sackler Collections
Washington: The Arthur M. Sackler Foundation, 1981. Illustrated (color and b/w). 298 pages. Folio, stamped orange cloth, dust wrapper; wrapper torn at top right corner. Washington D.C.: The Arthur M. Sackler Foundation, (1981). A fine copy in a very good(+) wrapper. More
A Catalogue of the Medieval and Renaissance Manuscripts and Incunabula in the Boston Medical Library.
Boston: Banta, 1944. 246pp. 4to, green cloth. Boston: George Banta, 1944. Fine. One of 400 copies, privately printed. More
The Drawings of Bronzino
New York: Metropolitan Museum of Art, 2010. 274 illustrations, 155 in color. xii + 323 pages. Thick 4to, brown cloth, d.w. New York: The Metropolitan Museum of Art, (2010). A fine copy in a near fine dust wrapper. Contributions by Philippe Costamagna, Marzia Faiettie, and Elizabeth Pilliod. More
Leonardo Da Vinci: Master Draftsman.
New York: Metropolitan Museum of Art, 2003. 515 illustrations, including 333 color plates. xiv + 786 pages. Very thick brown cloth, d.w. New York: The Metropolitan Museum of Art and New Haven: Yale University Press, (2003). A fine copy in a fine dust wrapper. More
Icon: Studies in the History of an Idea
New York: New York University Press, 1992. 298 pages. Tall 8vo, black cloth, d.w. New York: New York University Press, (1992). A fine copy in a fine wrapper. More
Light and Color in the Italian Renaissance Theory of Art
New York: New York University Press, 1978. 232 pages. Tall 8vo, blue cloth, d.w. New York: New York University Press, 1978. A near fine copy with very light penciling (light neat underlining and small ticks in margins) in a very good(+) wrapper, sunned rear panel. More
Leonardo: The Last Supper
Chicago: University of Chicago Press, 2001. Well-illustrated throughout, much in color. 440 pages.Thick square 4to, tan cloth, d.w., pictorial slipcase. Chicago: University of Chicago Press, (2001)/. Reprint. A fine copy in a fine dust wrapper and box. More
Unearthing the Past: Archaeology and Aesthetics in the Making of Renaissance Culture
New Haven: Yale University Press, 1999. Illustrated. xxxiii + 428 pages, large 8vo, grey boards, d.w. New Haven: Yale University Press, (1999). A near fine copy in a very good(+) dust wrapper. More
Women Artists
Beaux Arts Editions, 1999. Gorgeously illustrated in color with many full-bleed images. 328 pages, thick folio, pictorial boards backed in gold cloth with silver stamping. Beaux Arts Editions, (1999). A near fine copy of this large, attractively designed book. More
Albrecht Durer and His Legacy: The Graphic Work of a Renaissance Artist
London: British Museum Press, 2002. Illustrated in black and white and color. 317 pages. 4to, glossy pictorial wrappers. London: British Museum Press, (2002). A near fine copy. With contributions by Gunter Grass, Joseph L. Koerner and Ute Kuhlemann. The illustrations include all Durer's Best-known prints as well as numerous drawings and watercolors. More
Art and Love in Renaissance Italy
New York: Metropolitan Museum of Art, 2008. Profusely illustrated in color & in black & white. 4to, burgundy cloth, d.w. New York: Metropolital Museum of Art, (2008). First Edition. Fine in fine dust wrapper. More
Art and Love in Renaissance Italy
New York: Metropolitan Museum of Art, 2008. Profusely illustrated in color & in black & white. 4to, burgundy cloth, slightly edgeworn d.w. New York: Metropolital Museum of Art, (2008). First Edition. Fine in near fine dust wrapper. More
17th Century Italian Drawings In The Metropolitan Museum of Art
New York: Abrams, 1979. 378 works illustrated in black and white. 299 pages. 4to, light blue cloth, d.w. New York Harry N. Abrams, 1979. A near fine copy in a near fine dust wrapper. More
Italian Renaissance Painting.
New York: Harper, 1981. Many b/w illus., 484pp., tall 8vo, cloth, d.w.; d.w. rubbed. New York: Harper & Row, (1981). Very good+. More
How to Do It; Guides to Good Living for Renaissance Italians
Chicago: University of Chicago Press, 1999. Illus. 8vo, maroon cloth, d.w. Chicago: University of Chicago Press, (1999). Very good. More