Albuquerque: University of New Mexico Press, 1983. Many illustrations, some in color. 228pp. 4to, maroon cloth, d.w. Albuquerque: University of New Mexico Press, (1983). First edition. A fine copy in a near fine dust wrapper.
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American Type Founders, 1906. Full of illustrations. 1109 pages, tall thick 8vo, pictorial red cloth, a bit worn at head. N.p. American Type Founders, 1906. Very good(+).
Detroit: Detroit Institute of Arts, 1983. Illustrated throughout in color and black & white. 411pp. Thick & wide 4to, stiff pictorial wrappers. Detroit: Detroit Institute of Arts, 1983. Slightly worn near spine, still a very good copy. Catalog for a traveling exhibition at The Detroit Institute of Arts (October 3 - November 22, 1981), The National Gallery of Canada in Ottawa (December 4, 1981 - January 31, 1982), and Kunstammlungen der Veste Coburg (July 18 - August 5, 1982).
New Haven: Yale University Press, 2015. 95 works reproduced in full color, most full page, incuding 2 folding plates. xi + 238pp., 4to, decorative boards with front and rear cover cut outs, printed board slipcase. New Haven: Yale University Press, (2015). A fine copy in a fine slipcase. With essays by Jordan Kantor and Adam D. Weinberg and an interview of Frank Stella by Laura Owens.
Newtown: Bird & Bull, 2001. 8vo, handsomely bound in green silk cloth with rust morocco spine and green leather spine label; black cloth slipcase. (Newtown): San Serriffe Publishing (i.e. Bird & Bull), 2001. Limited First Edition - Number 9 of only 200 copies. Contains mounted color photographs, a fold-out broadside & 3 woodcut illustrations by Wesley Bates. Lacking the airmail "letter" from Theodore Bachaus, but otherwise fine.
Metuchen: Scarecrow, 1989. 2 maps. viii + 282pp., 8vo, green, printed cloth. Metuchen: The Scarecrow Press, 1989. A fine copy.
Meriden: Meriden Gravure, 1978. Illustrated in black and white. Introduction by Gene Baro. 32 pages, slim small 4to, printed paper wrappers. A near fine copy.
Milano: Bertieri e Vanzetti. Con una Notizia Biografica di Guiseppe Fumagalli. 173pp., 66 plates, 25 facsimiles. 4to, patterned boards, worn at corners & edges; lacks spine; ownership inscription on endpaper. Milano, n.d. (ca. 1920).
Nordlingen: Karl Gottlob Beck, 1798. 68; 64 pages. The first 2 (of 7 total) volumes, bound together. Slim 8vo, original plain taupe wrappers, worn (several small library stamps on title, otherwise quite clean). Nordlingen: Karl Gottlob Beck, 1798-1799. First edition. A very good copy of this exceedingly rare history of printing and the book trade in Nordlingin. OCLC lists only partial copies at Yale, Harvard & Cornell. Erstes Stuck: Von der Formschneiderey. Zweites Stuck: Von der Formschneiderey und Buchdruckerkunst.
Amsterdam: Rijksmuseum, 1993. More than 280 illustrations, 144 in full color. 249pp., 4to, cloth, d.w. Amsterdam: Rijksmuseum, (1993). A fine copy in a very good (+) dust wrapper.
Newtown: Bird & Bull, 1992. With a foreword by Henry Morris. Black & white illustrations throughout the text. 4to, gray cloth. New Town: Bird & Bull Press, 1992. Fine. Reprinted from the first edition of 1883.
London: Elliot Stock, 1891. With a Memoir of the Author, and list of his Works, by Talbot B. Reed. Many illustrations, large paper, slim 4to, 3/4 morocco, gilt spine, gilt top. London: Elliot Stock, 1891. Very good (+). The chapter on Judges contains a useful bibliography and facsimile title-pages of a few curious works.
New York: Morgan Library, 1974. 125 black & white plates, some folding. xiv + 192pp., gilt-stamped black cloth, d.w. New York: Pierpont Morgan Library, (1974). Second Edition. Very Good (+).
New York: Morgan Library, 1978. Illustrated with 125 plates, some folding. 4to, cloth, d.w. New York: Pierpont Morgan Library, (1978). Third Edition. Near fine. Masterpieces of Typography Through Five Centuries from the Collections of the Pierpont Morgan Library.
Bloomington: Indiana University Art Museum, 1979. Written in collaboration with James T. Kenny and Fumiko Togasaki. Illustrated throughout in black & white. 184pp. Wide 4to, stiff pictorial wrappers. Bloomington: Indiana University Art Museum, 1979. Slightly sunned, still a very good(+) copy. Published in conjunction with an exhibition coordinated by Pamela Buell at the Indiana University Art Museum from February 25 - March 25, 1979.
New York: Dodd, Mead & Co., 1898. Decorations By Will Bradley and Adrian Iorio. 32 pages. Tall narrow 8vo, staple-bound wrappers. Printed throughout in red & black. New York: Dodd, Mead and Company & Cambridge: University Press, (1898). First edition. Several small chips and tears at edges and at head of spine, still a very good copy, internally fine. Arranged and Printed for Dodd, Mead & Company by Will Bradley at the University Press, in Cambridge, Mass.
London: Studio Limited, 1953. Illustrated in black & white. 240pp. Tall 8vo, beige cloth. London: Studio Limited, (1953). Sunned spine, still a very good(+) copy.
Barre: Imprint Society, 1971. Illustrated throughout with finely printed facsimiles, some folding. Folio, two-toned cloth; publisher's slipcase. Barre, MA: Imprint Society, 1971. Limited first edition. A fine copy in a very good slipcase, slightly edgeworn and sun-faded. Limited edition -- number 655 of 1950 copies, signed by the author.
Barre: Imprint Society, 1971. Illustrated throughout with finely printed facsimiles, some folding. Folio, two-toned cloth; publisher's slipcase. Barre, MA: Imprint Society, 1971. Limited first edition. A fine copy in a very good(-) slipcase, sturdy but edgeworn. Limited edition -- one of 1950 copies, but un-signed and un-numbered.
San Francisco: Black Vine Press, 1954. Illustrated + 4 tipped in facsimilies of period printing, title in red and black. 42 pages, slim 4to, tan cloth. San Francisco: Black Vine Press, 1954. Limited Edition. Very Good ( ). One of only 375 copies.
London: Day & Son, 1865. 20 leaves, each beautifully chromolithographed on single-sided heavy stock in many colors and embellished with gold & silver accents, by W.R.Tymms after designs by W. & G.Audsley. Slim 4to, original purple cloth with very ornate gilt and blind-stamped decorations on covers; spine ends repaired; light foxing to the verso of the plates, which are clean & bright. London: Day & Son, 1865. First edition with these illustrations. A very good(+) copy of this uncommon book...
Pittsburgh: Carnegie Institute, 1997. Color-illustrated exhibition catalogue. 48pp. Slim 8vo, pictorial wrappers. Pittgsburgh: Carnegie Institute, (1997). One 750 copies editioned in 1997.
Middlesex: Private Libraries Association, 1985. With an introductory memoir by Joan Hassall and an appreciation of her technique by George Mackley. 469 black & white illustrations by Joan Hassall. 160pp. Tall 8vo, black cloth. Middlesex: Private Libraries Assocaition, (1985). A near fine copy without a dust wrapper.
Paris: Siege Social - Cercle de la Librairie, 1925. Two volumes. Profusely illustrated throughout, some in color, with samples of finely printed book pages, covers, and drawings. 4to, original brown printed wrappers (edgeworn, especially at spine ends; some signatures starting in second volume); uncut edges. Paris: Siege Social - Cercle de la Librairie, (1926, 1928). Very good. I: Premiere Annee, 1925. Limited edition of 2000 numbered copies. II: Deuxieme Annee, 1926-1927.
Pasted or mounted in a modern scrapbook. Most images are 2 inches x 3 inches not including wide margins; (many have light browning to margins, 3 are torn in margins). Most of the images are patriotic allegories, some with pro-Union sayings. Other images are political cartoons that are anti-Confederate and/or pro-Union. In addition there are several larger images of state seals from some Northern states. Most of the images do not state a printer. Some of printers stated include: Charles...