Seal Harbor: High Loft, 1985. Small selection of 5 poems and one color woodcut, finely printed on Fabriano paper. Printed wrappers, string bound, and housed in a black cloth clamshell case with paper label. [Seal Harbor, Maine]: High Loft, 1985. Limited edition of only 60 copies, printed in the summer of 1984. A fine copy.
California Library Association, 1961. 39 pages. Very slim 8vo, original tan printed wrappers, staple-bound. California Library Association, 1961. First Edition. Near Fine. Limited Edition. One of 750 copies designed by Ward Ritchie and Printed by the Ward Ritchie Press. Keepsake Series No. 2. Inscribed by the author on the half-title.
Newtown: Bird & Bull, 2001. 8vo, handsomely bound in green silk cloth with rust morocco spine and green leather spine label; black cloth slipcase. (Newtown): San Serriffe Publishing (i.e. Bird & Bull), 2001. Limited First Edition - Number 9 of only 200 copies. Contains mounted color photographs, a fold-out broadside & 3 woodcut illustrations by Wesley Bates. Lacking the airmail "letter" from Theodore Bachaus, but otherwise fine.
Pennyroyal Press, 1975. Frontispiece portrait of Beekman is an engraving by Barry Moser, printed from the block. Book design by Richard Hendel. Printed throughout in black & red. Unpaginated. Thin oblong 12mo, black cloth with red leather spine label (labels is a bit rough at edges, otherwise a fine copy). No place: Pennyroyal Press, 1975. Limited edition. Number 150 of 200 copies printed. Signed by Beekman & Moser on the limitation page.
Oxford: Clarendon Press, 1932. Printed in red and black. Small folio, full red morocco elaborately stamped in gilt & blind with numerous borders enclosing four rectangles, also with borders; raised bands with 6 decorated panels on the spine, by the French Binders. Oxford: The Clarendon Press, 1932. Printed with the Greek type of Robert Proctor, the third book for which the type has been used, the others being The Oresteia, (1904) and The Odyssey, (1909). Two leather bookplates and the...
New York: Central Conference of American Rabbis, 1984. Hebrew texts, English translations, introduction, and new liturgies. Translations edited by Rabbi Albert H. Friedlander... Liturgies edited by Rabbi Herbert Bronstein... Illustrated and designed by Leonard Baskin. Original frontispiece lithograph, signed & dated. 37 watercolor plates. 323pp. Folio, cloth, d.w. New York: Central Conference of American Rabbis, 1984. A fine copy. New Translations of Ecclesiastes, Esther, Song of Songs, Ruth and Lamentations, with explanatory notes. Text in Hebrew and English. One of...
Montagnola: Bodoni, 1925. 28 pages, untrimmed, light foxing on fly-leaves, tall slim folio, green board, vellum spine (lightly soiled, tiny chip). (Montagnola: Officina Bodoni, 1925). Very Good. Number 82 of only 275 copies. This edition prints the original Latin text of the pact on which the Swiss Confederation is based, as well as translations of the pact into languages recognized in Switzerland: German, French, Italian, Ladin, and Romansh.
Kentfield: Allen Press, 1956. Handsomely printed in letterpress with color illustrations along each margin. Short slim 4to, parchment-backed white boards, untrimmed edges (spine darkened as usual; slipcase soiled, otherwise near fine). Kentfield: Allen Press, 1956. Limited Edition. A very good(+) copy. One of 130 copies. After a romance of the 13th century France. The original and only known copy is the Caxton edition in the British Museum.
New York: Gemor, 1942. Including the cover, there are 3 mounted plates by Andre Masson. Unpaginated. Tall slim 8vo, original black wrappers with paper spine label (rubbed; head of spine chipped; partial loss to spine label). New York: Gemor Press, 1942. First A very good copy of this scarce book featuring the prose & poetic work of American surrealist Hugh Chishom . Limited edition of 500 copies, set by Hand. The Gemor Press was founded by Anais Nin, and very...
London: Golden Cockerel, 1934. 6 woodcut engravings by Eric Gill with tissue guards. 41 pages, untrimmed, slim 8vo, cloth backed green boards, paper spine label. (London): Golden Cockerel Press, 1934. Limited Edition. Near Fine. Number 102 of 300 numbered copies signed by the author and illustrator.