Cambridge: Peabody Museum, 1971. Illustrated in black and white. Unpaginated, 4to, printed wrappers. Cambridge: Peabody Museum, 1971. A very good(+) copy.
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New York: Crown, 1977. Packed with 400 illustrations, a few in color. 192pp. Slim 4to, cloth-backed boards, edgeworn d.w. N.Y.: Crown, (1977). Second printing. A fine copy in very good dust wrapper.
London: Thames & Hudson, 1970. With 365 illustrations including 37 color plates. 344 pages, 4to, grey cloth, dust wrapper. London: Thames & Hudson, (1970). A near fine copy in a good dust wrapper (tattered at corners).
Danville: Arman Enterprises, 1974. 853 pieces catalogued, many with a small black & white photographs . 244pp. 8vo, maroon cloth. Danville VA: Arman Enterprises, 1974. First Edition. A fine copy.
New York: China Institute, 2002. With an essay by Yuan Bingling. Illustrated with color photographs. 139pp., thin 4to, stiff, glossy pictorial wrappers; very minor fading along top edge of front cover. New York: China Institute Gallery, (2002). A fine copy.
Tucson: University of Arizona Press, 1988. Many Illus., some in color. 4to, black cloth, d.w., corners of cloth lightly bumped, cloth lightly soiled. Tucson: University of Arizona Press, (1988).
London: Hodder & Stoughton, 1908. Illustrated in black & white. Thin 8vo, beige cloth-backed boards lettered in gilt. London: Hodder & Stoughton, 1908. Very good. Art Primer, Pennsylvania Museum and School.
New York: Feingold & Lewis, 1976. Many b/w illustrations throughout. 2 volumes in one. Thick 8vo, black cloth, slightly shaken; d.w. with a few small tears. New York: Feingold & Lewis, (1976). Limited Edition - number 887 of 3000 copies. Very good. Reprints of the Philadephia, 1909 and Philadelphia, 1904 editions.
London: Hodder & Stoughton, 1907. Illustrated in black & white. Thin 8vo, beige cloth-backed blue boards lettered in gilt (extremities of spine rubbed). London: Hodder & Stoughton, 1907. Very good (+). Primers of Industrial Art, Pennsylvania Museum and School.
New York: Crown, 1958. 450 black & white plates, 7 color plates. 342 pages plus indexp. 4to, red cloth-backed boards. New York: Crown, (1958). First edition. A very good copy.
Gien: Societe Nouvelle des Faienceries de Gien, 1985. Translated by Denis Mahaffey. Nearly 200 color and black-and-white illustrations. 162pp., 4to, pale blue cloth, d.w.; triangular tear to upper margin of dust wrapper's front cover. Gien: Societe Nouvelle des Faienceries de Gien, (1985). A near fine copy in a very good dust wrapper.
Paris: de la Reunion des Musees Nationaux, 1989. More than 200 illustrations in color and black-and-white. 334pp., 4to, stiff, pictorial wrappers. Paris: Editions de la Reunion des Musees Naionaux, (1989). A near fine copy.
Chapel Hill: University of North Carolina Press, 1972. Illustrated. Photography by Bradford L. Rauschenberg. xiii + 300 pages. Tall 8vo, printed cloth. Chapel Hill: The University of North Carolina Press, (1972). near fine copy, issued without a dust wrapper. The Old Salem Series.
New York: Scribner, 1971. Color & b/w illus., 533pp., 4to, cloth. New York: Charles Scribner's Sons, (1971).
Mexico: Instituto Nacional de Antropologia e Historia, 1964. 32 plates. Text in eight separate unopened signatures. Text and plates loose as issued. Laid in publisher's cloth-backed board folder. Mexico: Instituto Nacional de Antropologia, 1964. Text in Spanish and English. Text and plates are very good. The folder is lightly soiled and worn on edges. Union Academique Internationale. Corpus Antiquitatum Americanensium, Mexico (Volume) I.
Santa Fe: School of American Research, 1989. Illustrated in b/w throughout with a few plates in color, and a few maps and diagrams. 253pp. Square 8vo, glossy pictorial paper wrappers. Santa Fe: School of American Research, (1989). A fine copy.
New York: Hudson Hills, 1983. Color frontispiece and illustrations throughout, mostly in black and white. 128pp. Oblong 4to, glossy pictorial wrappers. New York: Hudson Hills, (1983). A near fine copy. Introduction by Tony Berlant.
Introduction by Tony Berlant. Profusely illus. 128pp. Square 4to, pr. wrs. N.Y.: Hudson Hills Press, (1983). vg.
London: Reeves and Turner, 1932. Illustrated by Frederick Litchfield. Over 5000 Potters' Marks and Illustrations. 1095 pages. Very thick 8vo, ornately gilt burgundy cloth (inner hinges a bit weak). London: Reeves and Turner, 1932. Fourteenth issue enlarged. Overall a very good usable copy. The "New" Chaffers.
Los Angeles: Borden, 1946. Edited by Frederick Litchfield. Over 5000 illustrations. 1095pp., Very thick large 8vo, blue cloth, d.w. Los Angeles: Borden, 1946. Fourteenth ed. Very good.
Hong Kong: Christie's, 2009. Hundreds of objects beautifully illustrated in full color photographs. 234pp., tall 8vo, stiff, pictorial wrappers. Hong Kong: Christie's, 2009. A fine copy.
New York: AMS, 1973. With Introduction, Notes, and Bibliography by Stephen W. Bushell. xxxi + 222pp., short 8vo, red cloth. New York: AMS Press, (1973). A fine copy.
Cambridge: Cambridge University Press, 1970. Profusely illustrated, colored frontispieces, 2 vols., 4to, brown cloth, d.w. Cambridge University Press, 1970. Near Fine. Gulbenkian Archaeological Series.
Princeton: Art Museum, Princeton University, 1978. 20 folding color photographs by Justin Kerr. Foreword by Peter C. Bunnell. 142pp., large 8vo, decorative cloth, d.w.; minor spotting top edge, ownership signature front free endpaper and title page, dust wrapper lightly rubbed, price clipped. Princeton: The Art Museum, Princeton Unversity, (1978). A near fine copy in a very good dust wrapper.
Santa Fe: Clear Light, 1993. Color plate illustrations reproducing photographs of each sculptor's work. Foreword by Roger G. Kennedy. Slim 4to, 139 pp., silver stamped black cloth, slipcase. A handsome survey of 18 prominent native sculptors. Santa: Fe Clear Light Publishers, 1993. Signed on the limitation page by the 13 living artists of the total of 18 featured in the survey . Limited Edition. Fine. Limited to one of 300 numbered copies.