Voices of the Stones.
New York: Macmillan, 1925. Thine 8vo, blue cloth. New York: Macmillan, 1925. First American Edition. Fine, lacking the dust wrapper. Signed "George Russell 'AE' " on the fly-leaf. More
New York: Macmillan, 1925. Thine 8vo, blue cloth. New York: Macmillan, 1925. First American Edition. Fine, lacking the dust wrapper. Signed "George Russell 'AE' " on the fly-leaf. More
Cambridge: Riverside Press, 1887. 114pp. 16mo, original green cloth, spine ends lightly worn, corners bumped. Cambridge: Riverside Press, (1887). First Edition Signed by Samuel G. Tenney, a graduate of Williams College and one of the contributors. Tenney's poem has one line underlined by him. More
New York: Morrow, 1983. 94 pages, cloth backed boards, d.w. New York: Morrow, 1983. First Edition. Fine. Review copy. Presentation from the poet, written on the half-title. More
New York: Morrow, 1976. 8vo, cloth backed boards, d.w. New York: Morrow, 1976. First Edition. Fine. Her first book. Scientifically accurate poems about the solar system, written while the author was a student at Cornell. Astronomer Carl Sagan served as a technical adviser for the book, and the dedicatory poem is to him. Review copy. Presentation, signed by Ackerman on the half-title. Scarce. More
London: Hodder & Stoughton. 26 tipped in portraits including the frontispiece of Rupert Brooke. 312 pages. 8vo, decorative blue cloth. Lodnon: Hodder and Stoughton, n.d. ca. 1920. Revised and enlarged edition with 6 extra plates. Very good (+). More
Paris: Gallimard, 1989. 407 pages. Tall 8vo, glossy printed wrappers. Paris: Editions Gallimard, (1989). First edition. Toned covers, slightly creased at spine -- internally clean and tight. A very good(+) copy. From the Bibliotheque des Sciences humaines. More
George Braziller, 1967. Drawings by Leonard Baskin. Tall thin 8vo, blue boards, printed slipcase (top edge of case is worn). N.Y.: George Braziller, (1967). First Printing. Fine in very good case. Limited edition. Number 22 of 100 copies signed by Baskin. Also signed by Aiken on the half title page. More
London: R.H. Evans, 1810. Title page vignette. xxviii, 352pp. Short 8vo, handsomely bound in 19th century tan polished calf (a bit rubbed); marbled page edges. London: Printed for R.H. Evans, 1810. A New Edition with Additions and Corrections, and a Supplement by R. H. Evans. A work first published in 1772, by the Scottish physician and author, the brother of Anna Letitia Barbauld. "Aikin is better known as a man of letters than as a physician. His elegant scholarship gave..... More
Ithaca: Cornell University Press, 1937. 340pp. 8vo, maroon boards. Ithaca: Cornell University Press, (1937). A fine copy. More
New York: Bartow, 1819. Engraved copperplate frontispiece. 144pp. 12mo, sheep; rubbed, paper library label on spine, ink stamp on title and last page, text block very clean. New York: R. W.A. Bartow, 1819. The two-thousand line didactic poem for which Akenside is best remembered. He completed his medical studies at Leyden, publishing a dissertation contesting the authority of Antony von Leeuwenhoek. More
New York: Derby, 1855. By T.B.A. Thin 8vo, original cloth; spine darkened and chipped; corners rubbed. N.Y.: J.C. Derby, 1855. First Edition. A poor copy of the author's scarce first book but internally fine. More
Boston: Houghton Mifflin, 1897. Frontispiece portrait. 8 volumes, slim 8vo, 3/4 red morocco, ornately gilt spines, marbled boards, top edges gilt. Boston and New York: Houghton Mifflin, Riverside Press, (1897). Very good (+). Small inscription on front fly-leaf. More
Pisa: Niccolo Capurro, 1821. Fine engraved portrait by Bettelini. 18 vols. 16mo, contemporary 1/2 calf, marbled boards & edges. Pisa: Niccolo Capurro, 1821. The most celebrated Italian poet of his age, Alfieri developed the arts of 18th century poetry beyond the limits of any of his predecessors. Brunet I, 176. More
New York: Harper, 1925. 8vo, cloth, d.w. N.Y.: Harper, 1925. First Edition. Inscribed by the author. More
New York: Doran, 1926. 2 volumes. Frontispiece portrait and other illustrations. Thick 8vo, gilt-lettered burgundy cloth, t.e.g. N.Y.: George H. Doran, 1926. A very good(+) copy. More
New York: Farrar, 1929. Tall 8vo, cloth backed boards; uncut, d.w. N.Y.: Farrar & Rinehart, 1929. Limited First Edition. One of 175 numbered large-paper copies, signed by the author. Fine copy, lacking dust wrapper. More
Ohio State Press, 1963. Thin 8vo, cloth, d.w. Ohio State Press (1963). First Edition. His second book, after a small vanity press publication. The dust wrapper is sunned on the spine, and there is a discreet ownership signature under the dust wrapper flap. More
New York: Norton, 1982. 51pp., cloth, d.w. New York: Norton, 1982. First Edition. Fine. Review copy. More
Highlands: Nantahala Foundation, 1964. With a note on Anderson's poetry by Edward Dahlberg and a poem by Frederick Eckman. Very slim, panoramic folio (7.5 x 21.75 inches), spiral-bound with brown printed wrappers. Highlands North Carolina: Nantahala Foundation/Jonathan Williams, 1964. First edition - limited to 1550 copies. Very minor edgewear and bumping along with light scattered foxing, still a very good copy, lacking the original clamshell box. Issued as Jargon 45, this is Sinsabaugh's first book, and the awkward sizing was..... More
illus. 48pp. 4to, two-toned buckram, publisher's box that is worn. Kingsport, TN: Privately printed, 1959. Limited edition. A fine copy in a worn slipcase. More
Edinburgh: Charles Stewart, 1807. Translated from the original Gaelic by Thomas Ross, with the old translation by James Macpherson. 335 pages, scattered foxing on the first and last pages, 8vo, 3/4 green calf, marbled boards, rubbed. Edinburg: Charles Stewart, 1807. Very Good. More
London: Patrick Martin, 1815. 15 color plates by Rowlandson. Thin 8vo, full red crushed morocco decoratively stamped in gilt,all edges gilt, by Morrell. London: Patrick Martin, 1815. First Edition. Elegant copy. Tooley 417. More
Haybarn Press, 2018. Frontispiece on Rives Heavyweight, printed from a painting on a Mylar plate, and hand-colored by the artist. Illustrated in color by Ed Colker. Letterpress printed. Unpaginated, unbound in burgundy cloth portfolio, as issued. Haybarn Press, 2018. A fine copy. Limited edition, number 24 of 125. Signed by the artist on the limitation page. Poems by: Lee Briccetti, Lea Graham, Kathryn Hellerstein, Catherine Kasper, Kadya Molodowsky, Kathleen Norris, Nina Pick, Ronnie Scharfman, Rosmarie Waldrop, Jeanne Murray Walker, and..... More
New York: Metropolitan Museum of Art, 1977. Illustrated with woodcuts by Raoul Dufy. 30 full-page woodcuts & other vignettes. Unpaginated. Thin folio, cream-colored linen, in board slipcase with pictorial paper label (some sunning to case). New York: The Metropolitan Museum of Art, 1977. A fine copy in a very good(+) slipcase. Reprint of the 1911 edition with new English translations and foreword. These woodcuts are considered among Dufy's best work. More
Illustrated. 278pp. 8vo, cloth, edgeworn d.w. New York & London: Columbia UP, 1969. Very good. More
As an Interior Decorator I am on the constant lookout for source material for my clients. I recently completed a Studio pied a terre in the Georgian period for Mr. David Brown at Lincoln Center. That is, we were almost finished with only the artwork to be designed and purchased. I have a passion for antique architectural prints and I can't believe that I didn't know about Argosy Books. After all Designers don't really like to share their finds with others. I was in a cab, looking out the window as we passed by Argosy Books and noticed a fine selection of framed prints hanging in the window. I had found my oasis! I now head first to Argosy for all my print work and framing. What a treasure and a real lifesaver for design business! Thanks eternal.
Dear Naomi, Thank you for sending the inscribed "Run-Through" which arrived today. Ah, there is Houseman's signature as big as his talent. I appreciate your making it available!