Baltimore: The Walters Art Museum, 2009. Illustrated throughout, mostly in color. Wide 4to, black cloth, d.w. Baltimore: The Walters Art Museum, (2009). A fine copy in a near fine dust wrapper. Catalog for a traveling exhibition. With essays by Michal J. Anderson, Jorge J. Bravo III, Gunnel Ekroth, Guy Hedreen, Ralf von den Hoff, Jennifer Larson, Jenifer Neils, John H. Oakley, Corinne Ondine Pache, H.A. Shapiro.
Stockbridge: Reichner, 1978. Introduction by Marie Delcourt, Preface by Jan Van Der Marck. Illustrated with 152 plates, and several in-text figures. 275pp of text. Short thick 4to, blue cloth. Stockbridge, MA: Herbert Reichner, 1978. First edition. A very good (+) copy. Study of the Oriental-Asiatic vision of a sensual afterlife as it influenced Mediterranean eschatology and art. From the library of art historian Meyer Schapiro.
New York: Columbia University Press, 1941. Translated from the Old French by Merton Jerome Hubert. Notes and Documentation by John L. La Monte. Illustrated. xi + 478pp. thick 8vo, green cloth. New York: Columbia University Press, 1941. A very good (+) copy. Columbia University Records of Civilization.
London: Heinemann, 1929. Illustrated by Arthur Rackham with 24 color plates, 12 tinted plates, and 66 black & white drawings in the text. 549pp. Thick tall 8vo, brownish pictorial cloth with gilt lettering (spine repaired). William Heinemann, 1929. Later printing. A good(+) copy. Humorous parodies of medieval folklore and poetry.
London: Dent, 1898. 12 color plates with tissue guards, 90 in-text figures, and pictorial end papers, all by Arthur Rackham. xxiv, 638pp. Thick 8vo, original green gilt pictorial cloth (light wear at spine ends; front end paper detached and with bookplate), t.e.g., uncut edges. London: J.M. Dent, 1898. First edition with these illustrations. A very good copy. Latimore & Haskell 11. Humorous parodies of medieval folklore and poetry.
London: Fraser, 1841. 393pp., 12mo, original brown cloth; London: James Fraser, 1841. First Edition. An apparently very good copy, with the inner joints neatly repaired, an ownership inscription on the front end-paper and the date 1861 incorrectly written on the title page. Some penciled underlining on the first 75 pages. The book is encased in an attractive custom full vellum dust wrapper, titled and embellished in gilt, hence difficult to assess the condition of the original cover.