Boston: Limited Editions Club, 1942. Illustrated with 12 etchings with tissue guards by Samuel Chamberlain, Introduction by Henry Seidel Canby.485pp. Thick 4to, rust cloth, board slipcase, (broken). Boston: Limited Editions Club, 1942. A very good copy in a worn slipcase. One of 1500 numbered copies signed by the Illustrator. More
New York: The Limited Editions Club, 1957. With a New Introduction by Francis Henry Taylor and Photographs by Samuel Chamberlain. 59 photo plates. 349 pages. Tall 8vo, cloth, gilt leather label, marbled board slipcase. N.Y.: The Limited Editions Club, 1957. Fine in a very good(+) slipcase. One of 1500 numbered copies signed by the illustrator. More
New York: Limited Editions Club, 1945. With Some Prefatory Notes by W. M. Thackeray, and Illustrations Drawn for this Edition by Gordon Ross. Full page hand-colored illustrations. 198pp. 8vo, decorative padded silk covers, cloth slipcase; unopened. (New York): The Limited Editions Club, 1945. Fine. One of 1500 numbered copies, signed by the illustrator. More
Haarlem: Limited Editions Club, 1965. Translated by Rex Warner. With a Preface by Rex Warner and Drawings by John Farleigh. With 16 illustrations. 161pp. Tall 8vo, gilt-stamped cloth' publisher's board slipcase. Haarlem, Holland: The Limited Editions Club, 1965. A fine copy. One of 1500 numbered copies. More
New York: Limited Editions Club, 1961. Translated by E.D.A. Morshead with an introduction by Rex Warner. Illustrated by Michael Ayrton. 177pp. Short folio, red leather-backed cloth, board slipcase. New York: The Limited Editions Club, 1961. A fine copy. One of 1500 copies, signed by the artist. More
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Oxford: Limited Editions Club, 1933. Translated by Samuel Croxall. Bibliographical note by Victor Scholderer. Woodcut on title page, numerous facsimiles of Florentine woodcuts throughout. Title in red, 211pp., small 4to, vellum-backed marbled boards, t.e.g.Oxford: The Limited Editions Club, 1933. Very good (+). Limited Edition, one of 1500 numbered copies arranged by Bruce Rogers and signed by him. More
Los Angeles: Limited Editions Club, 1959. Translated by Martin Armstrong, with an Introduction by Gerald Brenan. Color illustrations by Roger Duvoisin. 155 pages. 4to, buckram-backed patterned cloth, board slipcase. Los Angeles: The Limited Editions Club, 1959. One of 1500 numbered copies, signed by the illustrator. More
New York: Limited Editions Club, 1978. With an Introduction by Malcolm Cowley and Illustrations by Ben F. Stahl. 13 color plates, 152pp. 4to, gilt-lettered 1/4 dark green morocco, board slipcase, soiled. New York: The Limited Editions Club, 1978. A very near fine copy in a very good box. One of 1600 numbered copies signed by the illustrator. More
New York: Limited Editions Club, 1959. Introduction by Dudley Fitts, Illustrations by Marian Parry. xii + 52pp. on double fold paper, tall 8vo, leather-backed patterned boards in decorative board portfolio, slipcase; bump to foredge of portfolio. New York: Limited Editions Club, 1959. A fine copy. One of 1500 numbered copies signed by the illustrator. More
Haarlem: Limited Editions Club, 1937. Translated from the Greek by William James Hickie with an introduction by Gilbert Seldes and wood-engravings by John Austen. 64pp. Tall slim 4to, pale pictorial cloth, brown board slipcase (broken). New York & Haarlem: The Limited Editions Club, 1937. A very good(+) copy in a poor box. One of 1500 numbered copies, signed by the illustrator, and printed in Haarlem by the office of Joh. Enschede en Zonen. More
Avon: Limited Editions Club, 1976. Illustrated by Ayers Houghtelling with 8 color plates and other drawings in the text. 193pp. 4to, patterned cloth with green leather label, board slipcase. Avon, CT: The Limited Editions Club, 1976. A fine copy in a near fine box. One of 2000 numbered copies signed by the illustrator. More
Baltimore: Limited Editions Club, 1971. With an Introduction by Sylvia Townsend Warner. Illustrations by Clarke Hutton. 12 full-color plates and many other drawings in the text. 210pp. Short 4to, bound in colorful striped silk with black leather label on spine, publisher's board slipcase with paper label. [Baltimore]: The Limited Editions Club, 1971. A fine copy. Limited edition. One of 1500 numbered copies, printed at the Garamond Press and signed by the illustrator. More
London: Limited Editions Club, 1960. trans. from the French by Ellen Marriage with an intro. by Richard Aldington and illustrations by Rene ben Sussan. 271pp. 4to, linen boards with leather labels, boxed. London: The Limited Editions Club, 1960. Fine. One of 1500 copies by the Curwen Press and signed by the artist. More
New York: Limited Editions Club, 1948. Translated from the French by Ellen Marriage with an Introduction by Francois Mauriac. Hand-colored illustrations by Rene Ben Sussan. 316pp. Tall 8vo, blue leather-backed marbled boards with gilt-stamped spine; matching board box (worn). New York: The Limited Editions Club, 1948. A very good(+) copy in a good slipcase. One of 1500 numbered copies signed by the illustrator. More
London: Limited Editions Club, 1940. Edited, with an Introduction by James Laver. Various translators. Lithographs by Jacob Epstein. 8vo, buckram, board box (cracked). London: Limited Editions Club, 1940. A fine copy in a very good slipcase. One of 1500 numbered copies. More
New York: Limited Editions Club, 1960. Translated by Hilaire Belloc and Paul Rosenfeld. With an Introduction by Padraic Colum and Illustrations by Serge Ivanoff. 11 full page color illus. 173pp., short 4to, leather-backed decorative boards, board slipcase. New York: The Limited Editions Club, 1960. Spine slightly rubbed, otherwise a near fine copy. One of 1500 numbered copies printed by The Thistle Press, and signed by the illustrator. More
Baltimore: Limited Editions Club, 1960. Preface by Douglas Cleverdon. Illus. by George Him. 277pp. Tall 4to, cloth; board slipcase, worn. Baltimore: The Limited Editions Club, 1960. A fine copy in a very good(+) box. One of 1500 numbered copies signed by the illustrator and printed at the Garamond Press. More
Hollywood: Limited Editions Club, 1941. Drawings by Elise. Designed by Merle Armitage. Square 8vo, decorative yellow cloth with red edges (spine a bit darkened; lacking the plastic slipcase as usual). Hollywood: Limited Editiions Club, (1941). A very good(+) copy. One of 1500 copies signed by the artist. More
New York: Limited Editions Club, 1948. With an Introduction by Douglas Southall Freeman and fourteen illustrations by John Steuart Curry. Full and double-page color plates. 454pp. Short thick 4to, red cloth with blue leather and gilt label (spine faded and with 2 faint stains; lacking slipcase). New York: The Limited Editions Club, 1948. Very good(-) copy, internally clean. Number 105 of 1500 numbered copies printed by William E. Rudge's Sons (unsigned), illustrated with the last work done by Curry... More
Oxford: Limited Editions Club, 1941. With an introduction by Frank Swinnerton and a preface by the author. Illustrated by John Austen. 20 full page color plates, plus text illustrations. 2 volumes. 4to, green cloth-backed decorative white floral boards. Oxford: The Limited Editions Club, 1941. Very good(+). One of 1500 numbered sets, printed at the University Press and signed by the illustrator. More
Oxford: Limited Editions Club, 1941. With an introduction by Frank Swinnerton and a preface by the author. Illustrated by John Austen. 20 full page color plates, text illus. 2 volumes. 4to, green cloth-backed decorative floral boards, worn dust wrapper, slipcase. Oxford: The Limited Editions Club, 1941. Near fine in very good dust wrappers and rough but sturdy box One of 1500 numbered sets, printed at the University Press and signed by the illustrator. More
New York: Limited Editions Club, 1986. Introduction by Robert Coles. Illustrated with full-page black & white wood engravings by Fritz Eichenberg. 262pp. Large 4to, brown morocco-backed natural cloth, board slipcase. New York: The Limited Editions Club, 1986. A fine copy in a fine box. Limited edition. One of 1000 copies, signed by the artist. More
Oxford: Limited Editions Club, 1977. With an Introduction, Parallel texts, and Commentaries by R. Greer. With decorative engravings by Leo Wyatt. 87pp. 45o, morocco-backed marbled boards, gilt spine, t.e.g., board slipcase, with printed label. Oxford: The Limited Editions Club, 1977. Fine. One of 1600 numbered copies. More
New York: Limited Editions Club, 1979. In the King James Version. With 11 watercolor illustrations by Chaim Gross. 121pp. Short folio, white calf-backed brown cloth; publisher's slipcase. N.Y.: The Limited Editions Club, 1979. A fine copy. One of 2000 numbered copies signed by the artist. More
Thanks for the order! Everything was fine and I am delighted with my purchase! It has been nice doing business with you.
As an Interior Decorator I am on the constant lookout for source material for my clients. I recently completed a Studio pied a terre in the Georgian period for Mr. David Brown at Lincoln Center. That is, we were almost finished with only the artwork to be designed and purchased. I have a passion for antique architectural prints and I can't believe that I didn't know about Argosy Books. After all Designers don't really like to share their finds with others. I was in a cab, looking out the window as we passed by Argosy Books and noticed a fine selection of framed prints hanging in the window. I had found my oasis! I now head first to Argosy for all my print work and framing. What a treasure and a real lifesaver for design business! Thanks eternal.