Boston: Limited Editions Club, 1942. Illustrated with 12 etchings with tissue guards by Samuel Chamberlain, Introduction by Henry Seidel Canby.485pp. Thick 4to, rust cloth, board slipcase, (broken). Boston: Limited Editions Club, 1942. A very good copy in a worn slipcase. One of 1500 numbered copies signed by the Illustrator. More
New York: The Limited Editions Club, 1957. With a New Introduction by Francis Henry Taylor and Photographs by Samuel Chamberlain. 59 photo plates. 349 pages. Tall 8vo, cloth, gilt leather label, marbled board slipcase. N.Y.: The Limited Editions Club, 1957. Fine in a very good(+) slipcase. One of 1500 numbered copies signed by the illustrator. More
New York: Limited Editions Club, 1945. With Some Prefatory Notes by W. M. Thackeray, and Illustrations Drawn for this Edition by Gordon Ross. Full page hand-colored illustrations. 198pp. 8vo, decorative padded silk covers, cloth slipcase; unopened. (New York): The Limited Editions Club, 1945. Fine. One of 1500 numbered copies, signed by the illustrator. More
Haarlem: Limited Editions Club, 1965. Translated by Rex Warner. With a Preface by Rex Warner and Drawings by John Farleigh. With 16 illustrations. 161pp. Tall 8vo, gilt-stamped cloth' publisher's board slipcase. Haarlem, Holland: The Limited Editions Club, 1965. A fine copy. One of 1500 numbered copies. More
Los Angeles: Limited Editions Club, 1959. Translated by Martin Armstrong, with an Introduction by Gerald Brenan. Color illustrations by Roger Duvoisin. 155 pages. 4to, buckram-backed patterned cloth, board slipcase. Los Angeles: The Limited Editions Club, 1959. One of 1500 numbered copies, signed by the illustrator. More
New York: Limited Editions Club, 1978. With an Introduction by Malcolm Cowley and Illustrations by Ben F. Stahl. 13 color plates, 152pp. 4to, gilt-lettered 1/4 dark green morocco, board slipcase, soiled. New York: The Limited Editions Club, 1978. A very near fine copy in a very good box. One of 1600 numbered copies signed by the illustrator. More
New York: Limited Editions Club, 1959. Introduction by Dudley Fitts, Illustrations by Marian Parry. xii + 52pp. on double fold paper, tall 8vo, leather-backed patterned boards in decorative board portfolio, slipcase; bump to foredge of portfolio. New York: Limited Editions Club, 1959. A fine copy. One of 1500 numbered copies signed by the illustrator. More
Haarlem: Limited Editions Club, 1937. Translated from the Greek by William James Hickie with an introduction by Gilbert Seldes and wood-engravings by John Austen. 64pp. Tall slim 4to, pale pictorial cloth, brown board slipcase (broken). New York & Haarlem: The Limited Editions Club, 1937. A very good(+) copy in a poor box. One of 1500 numbered copies, signed by the illustrator, and printed in Haarlem by the office of Joh. Enschede en Zonen. More
Avon: Limited Editions Club, 1976. Illustrated by Ayers Houghtelling with 8 color plates and other drawings in the text. 193pp. 4to, patterned cloth with green leather label, board slipcase. Avon, CT: The Limited Editions Club, 1976. A fine copy in a near fine box. One of 2000 numbered copies signed by the illustrator. More
New York: Limited Editions Club, 1948. Translated from the French by Ellen Marriage with an Introduction by Francois Mauriac. Hand-colored illustrations by Rene Ben Sussan. 316pp. Tall 8vo, blue leather-backed marbled boards with gilt-stamped spine; matching board box (worn). New York: The Limited Editions Club, 1948. A very good(+) copy in a good slipcase. One of 1500 numbered copies signed by the illustrator. More
London: Limited Editions Club, 1940. Edited, with an Introduction by James Laver. Various translators. Lithographs by Jacob Epstein. 8vo, buckram, board box (cracked). London: Limited Editions Club, 1940. A fine copy in a very good(-) slipcase. One of 1500 numbered copies. More
New York: Limited Editions Club, 1960. Translated by Hilaire Belloc and Paul Rosenfeld. With an Introduction by Padraic Colum and Illustrations by Serge Ivanoff. 11 full page color illus. 173pp., short 4to, leather-backed decorative boards, board slipcase. New York: The Limited Editions Club, 1960. Spine slightly rubbed, otherwise a near fine copy. One of 1500 numbered copies printed by The Thistle Press, and signed by the illustrator. More
Baltimore: Limited Editions Club, 1960. Preface by Douglas Cleverdon. Illus. by George Him. 277pp. Tall 4to, cloth; board slipcase, worn. Baltimore: The Limited Editions Club, 1960. A fine copy in a very good(+) box. One of 1500 numbered copies signed by the illustrator and printed at the Garamond Press. More
Hollywood: Limited Editions Club, 1941. Drawings by Elise. Designed by Merle Armitage. Square 8vo, decorative yellow cloth with red edges (spine a bit darkened; lacking the plastic slipcase as usual). Hollywood: Limited Editiions Club, (1941). A very good(+) copy. One of 1500 copies signed by the artist. More
Oxford: Limited Editions Club, 1941. With an introduction by Frank Swinnerton and a preface by the author. Illustrated by John Austen. 20 full page color plates, plus text illustrations. 2 volumes. 4to, green cloth-backed decorative white floral boards. Oxford: The Limited Editions Club, 1941. Very good(+). One of 1500 numbered sets, printed at the University Press and signed by the illustrator. More
Oxford: Limited Editions Club, 1941. With an introduction by Frank Swinnerton and a preface by the author. Illustrated by John Austen. 20 full page color plates, text illus. 2 volumes. 4to, green cloth-backed decorative floral boards, worn dust wrapper, slipcase. Oxford: The Limited Editions Club, 1941. Near fine in very good dust wrappers and rough but sturdy box One of 1500 numbered sets, printed at the University Press and signed by the illustrator. More
New York: Limited Editions Club, 1952. Translated into Modern Verse by William Ellery Leonard. Illustrated by Lynd Ward. 4to, cloth-backed patterned boards; publisher's brown paper slipcase, sturdy but well-worn and battered at corners. New York.: Limited Editions Club, 1952. A fine copy in a good slipcase. Limited to one of 1500 numbered copies. More
New York: Limited Editions Club, 1986. Introduction by Robert Coles. Illustrated with full-page black & white wood engravings by Fritz Eichenberg. 262pp. Large 4to, brown morocco-backed natural cloth, board slipcase. New York: The Limited Editions Club, 1986. A fine copy in a fine box. Limited edition. One of 1000 copies, signed by the artist. More
Oxford: Limited Editions Club, 1977. With an Introduction, Parallel texts, and Commentaries by R. Greer. With decorative engravings by Leo Wyatt. 87pp. 45o, morocco-backed marbled boards, gilt spine, t.e.g., board slipcase, with printed label. Oxford: The Limited Editions Club, 1977. Fine. One of 1600 numbered copies. More
New York: Limited Editions Club, 1979. In the King James Version. With 11 watercolor illustrations by Chaim Gross. 121pp. Short folio, white calf-backed brown cloth; publisher's slipcase. N.Y.: The Limited Editions Club, 1979. A fine copy. One of 2000 numbered copies signed by the artist. More
New York: Limited Editions Club, 1967. Translated from the German of Richard Voss by Gustav Adolf Danziger. With an introduction by Maurice Valency and Illustrations by Michel Ciry. 8 color plates. 80 pages. Short 4to, beige cloth, ocher board sleeve and brown board slipcase. New York: The Limited Editions Club, 1967. A fine copy in a fine slipcase. One of 1500 numbered copies, signed by the illustrator. More
Adelaide: Limited Editions Club, 1975. Illustrated with watercolours and drawings by Geoffrey C. Ingleton. 4 full-page color plates and many other in-text illus. 150pp. Folio, beige pictorial cloth with leather spine label, board slipcase. Adelaide, South Australia: The Limited Editions Club, 1975. A fine copy in a fine box One of 2000 numbered copies signed by the illustrator and by the designer of the edition. More
New York: Limited Editions Club, 1940. Illustrated with woodcuts by Fritz Kredel. 2 volumes, small 4to (7-1/4" x 10-1/4"), bound in half black calf and decorated linen boards. New York: Limited Editions Club (1940). One of the scarcest publications of the press with only 530 copies printed and signed by the illustrator. The first English translation of 1620, plus two tales there omitted. More
New York: Limited Editions Club, 1930. Decorated title pages. 2 volumes. 4to, red cloth. New York: The Limited Editions Club, 1930. A very good copy, lacking the slipcase. One of 1500 numbered copies designed and decorated by T. M. Cleland, and signed by him. More
London: Limited Editions Club, 1936. With an Introduction by Hugh Walpole. Illustrated with sixteen lithographs in colour and pen drawings by Barnett Freedman. 2 volumes, 8vo, previous owner's bookplate, brown cloth, t.e.g. London: The Limited Editions Club, 1936. Near Fine. One of 1500 numbered copies, signed by the illustrator. More
I am very glad to let you know that the copy of Daniel Bell's The End of Ideology arrived yesterday in Brazil. Thank you very much for your kind attention and promptness.
I just received a book I ordered. I wanted to tell you how pleased I was with the condition of the book and especially how it was meticulously wrapped for shipment. I order a lot of books and your service far exceeds what I normally see from book dealers. I hope in the future I'll be able to find books I need at your book store. Keep up the good work.