Boston: New York Graphic Society, 1979. Introduction by Paul Brooks. Frontispiece and 115 other black & white photographs, mostly full-page. Slim oblong folio, two-toned cloth, a touch faded at edges, d.w. (small tear on back cover). Boston: New York Graphic Society, 1979. First edition. A near fine copy in a very good(+) dust wrapper.
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Highlands: Nantahala Foundation, 1964. With a note on Anderson's poetry by Edward Dahlberg and a poem by Frederick Eckman. Very slim, panoramic folio (7.5 x 21.75 inches), spiral-bound with brown printed wrappers. Highlands North Carolina: Nantahala Foundation/Jonathan Williams, 1964. First edition - limited to 1550 copies. Very minor edgewear and bumping along with light scattered foxing, still a very good copy, lacking the original clamshell box. Issued as Jargon 45, this is Sinsabaugh's first book, and the awkward sizing was.....
Leipzig: Thomas Crowell, 1840. Mit erlauterndem texte von N.P. Willis, ins Deutsche ubertragen von Dr. Susemihl. Fine illustrations after Bartlett, engraved on steel by Payne. 75 views on 48 plates (24 are full-page including the extra illustrated title), protected with tissue. 169pp. Tall 8vo, original green patterned cloth with gilt-stamped spine (light edgewear; scattered foxing throughout). Leipzig: Theodor Thomas, (circa 1840). A very good copy of this uncommon book, replete with images of New England cities and natural landmarks.
Paris: Audot, 1825. Oblong 8vo. (6 1/2 x 8 inches). Text in two columns. vi, 156, pp. of text. 97 engraved black & white plates. Plate number 34 is hand colored. Brown mottled calf backed green boards (rubbed), red spine label, marbled end papers. Paris: Audot, 1825. Third Edition. Very good. Popular illustrated work on landscape design. The present third edition, revised and augmented, includes engravings of garden designs, pavilions, fountains, monuments, bridges, temples, pagodas, obelisks, hydraulic machines for water.....
Fort Myers: Shade Tree Press, 1994. Illustrated with 65 exquisitely printed black & white photographs. Slim oblong 4to, silver-lettered gray cloth, d.w. (lightly edgeworn and laminate has a wrinkle on cover along with a small faint dampstain)Fort Myers Florida: Shade Tree Press, 1994. Second printing, revised. A near fine copy in a very good dust wrapper. Signed by the artist on the dedication page, and dated 2001.
Washington: Phillips Collection, 1988. Full bleed frontispiece and filled with illustrations in color and black & white. 270 pages, oblong 4to, glossy pictorial wrappers (spine is a a touch faded and there are some small abrasions at edges; stamped ownership info on dark green endpaper). Washington: Phillips Collection, (1988). A very good solid copy.
New York: New York Graphic Society, 1986. Illustrated with 119 duotones from photographs by the author; 11 b/w illustrations. Oblong 4to, blind-stamped natural cloth, unclipped d.w. (lightly edgeworn and with one small tear on spine panel). New York: New York Graphic Society, (1986). First edition. A fine copy in a very good dust wrapper.
Washington, D.C. National Gallery of Art, 1989. Illustrated in color and black & white.118pp. Slim & square 4to, cloth, d.w. Washington DC: National Gallery of Art, (1989). A fine copy in a near fine dust wrapper. Catalog for an exhibition held at the National Gallery of Art in Washington DC from 15 October 1989 - 28 January 1990 and at the Wadsworth Atheneum in Hartford from 18 March - 20 May 1990.
Santa Fe: William Clift Editions, 1987. Illustrated with 22 beautiful tritone plates. Thin oblong 4to, cloth-backed boards lettered in gilt, dust wrapper chipped at extremities. Santa Fe: William Clift Editions, (1987). First edition. A near fine copy in a very good dust wrapper. Published on the occasion of an exhibition at the Art Institute of Chicago, 1987.
Santa Fe: William Clift Editions, 1987. Illustrated with 22 beautiful tritone plates. Thin oblong 4to, cloth-backed boards lettered in gilt, dust wrapper. Santa Fe: William Clift Editions, (1987). First edition. A near fine copy in a near fine dust wrapper. Signed by Clift on the title page. Published on the occasion of an exhibition at the Art Institute of Chicago, 1987.