London: Eliot Stock, 1893. 2 volumes. xvi, 558; viii, 574 pages, plus 16pp of ads. Thick 8vo, original gilt-lettered brown cloth (spine ends neatly repaired; first several pages torn at top edge but otherwise an unread copy with unopened pages). London: Elliot Stock, 1893. First edition. A very good copy.
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London: Oxford University Press, 1973. 2 volumes, text and plates. Colored frontispiece and numerous black & white photographic illustrations. Tall 4to, red cloth, d.w. (lightly rubbed at extremes and with a few neat tape repairs at ends). London & Delhi: Oxford University Press, (1973). First Edition. A fine set in very good(+) dust wrappers.
Leipzig: Tauchnitz, 1891. Frontispiece portrait of the author with tissue guard. 246 pages, 12mo, gorgeous Florentine vellum binding with ornate gilt stamping and dark green leather label and panels, beveled edges, metallic filigree endpapers. Boston: Roberts Brothers, 1891. A near fine copy. An adaptation of the Lalitavistara Sutra. Binder's label on preliminary page.
Avon: Limited Editions Club, 1976. Illustrated by Ayers Houghtelling with 8 color plates and other drawings in the text. 193pp. 4to, patterned cloth with green leather label, board slipcase. Avon, CT: The Limited Editions Club, 1976. A fine copy in a near fine box. One of 2000 numbered copies signed by the illustrator.
New York: Pegasus, 1929. Illustrated with 161 fine collotype plates, protected with lettered tissue guards. 2 volumes. Short folio, orange cloth with gilt-decorated spines, torn & tattered d.w. New York: Pegasus Press/ Harcourt Brace, (1929). The dust wrappers are quite worn and split at the seams, but books are near fine, with the ownership signature of art historian Meyer Schapiro in each volume. Printed in England for the Pegasus Press. Certainly appears to be a limited edition, although no specifics...
Philadelphia: David McKay, 1931. Illustrations by the author. Introduction by George C. Harvey. 59 pages. Slim 8vo, original pictorial boards, now re-backed in plain burgundy cloth. Philadelphia: David McKay, 1931. Boards are quite edgeworn and rear free endpaper is torn out; several pages with closed tears in margins. Overall a good copy.