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London: Ackermann, 1818. 15 fine color plates. 3 separate issues bound together: Volume V. May 1, 1818 No. 29, pages 250 - 314: Volume V. June 1, 1818. No. 30. pages 315 - 384: Volume VI. November 1. 1818, No. 35. pages 245- 310. slim 8vo, 3/4 red leather, marbled boards (rubbed). London: Ackermann, 1818. Very good (+). With a presentation and letter laid in by John Carnegie.
Armani, 1998. Black and white photographs, loose as issued by Aldo Fallai and Carton Davis. Two frosted mylar folders (one with corners creased), one for women's collection and one for men's, housed in a folding black paper slipcase (a few scrapes on back). Plates clean and fine. 1998, Armani. Overall a very good(+) copy.
Beverly Hills: Gagosian, 2013. Essay by Joan Juliet Buck and Abigail Solomon-Godeau. Well illustrated, some in color. An amazing exhibition catalogue, printed on loose folio folded sheets within printed yellow mylar covers, all protected in yellow board folding slipcase. Beverly Hills: Gagosian Gallery, 2013. First edition. A fine copy. An exhibition that spans six decades of Richard Avedon's photography. This is the first solo exhibition of Avedon's work in the Los Angeles area since 1976.
San Francisco: Fraenkel Gallery, 2001. Illustrated with numerous wonderful b/w photographs and other pages, reproducing annotations and stains of originals. Thin folio, bound with heavy pictorial boards with a linen spine. (San Francisco: Fraenkel Gallery, 2001). First trade edition, one of 5000 copies. A fine copy, as new. Scarce.
Bergamo: Bolis, 1992. The Italian Industry as Seen by Dorothea Balluff, Enrico Guagnini, Paola Pisa, and Maurizio Valentini. Introduction by Sergio Zavoli. Extensively illustrated, 221pp., 4to, grey cloth, d.w.; dust wrapper lightly rubbed. Bergamo: Edizioni Bolis, (1992). First edition. A very good (+) copy in a very good dust wrapper.
Paris: Meynial. 3 volumes, 1918, 1919 and 1921 of the five volumes almanac. Beautifully illustrated with 19 pochoir color plates and 3 color title page vignettes by George Barbier in his characteristic art deco style. The volume for 1918 is in pink silk with cracked hinges and no dust wrapper; 1919 is with pictorial silk covers, hinges strengthened, chipped spine and partial dust wrapper; 1919 has a white pictorial silk cover and good dust wrapper. The interiors are all fine.....
Parma: Franco Maria Ricci, 1972. Numerous exquisite tipped-in color plates, 181pp., printed on blue handmade Fabriano paper. Folio, gilt-stamped black silk cloth, mounted cover illustration, ornately gilt on front cover and spine, black clam shell box. Parma: Franco Maria Ricci, 1972. Fine. Limited Edition, one of 1500 (of 2000) numbered copies bound in silk. Text in English.
New York: Farrar Straus & Giroux, 2011. Illustrated (b/w). 292 pages. 8vo, grey boards, dust wrapper. New York: Farrar Straus & Giroux, (2011). First edition. A near fine copy. Inscribed by the author on title page: "For dear Louise [Hirschfeld Cullman] and Lewis [Cullman] Affection and admirarion Rosamund Bernier"
Warsaw: M. M. Art Books, 1994. Signed. Illustrated throughout in color. 142pp. Tall & slim 4to, stiff wrappers, scuffed d.w. Warsaw: M. M. Art Books, (1994). Edges slightly sunned, still a near fine copy in a very good(+) dust wrapper. A scarce book. Signed and dated by Ryszard Horowitz on the title page.
Paris: Editions du Regard, 1982. Introduction by Reny-Jean Clot. Hundreds of well-printed photo illustrations in black and white, a few in color. 571 pages with text in French. Thick 4to, black cloth, d.w. Paris: Editions du Regard, 1982. First edition. Lower front corner bumped but pages un-effected, dust wrapper edgeworn and a trifle dampstained, still a very good solid copy of this uncommon book. A comprehensive survey of 1950's art and design in a wide range of media...