New South Wales: Craftsman House, 1996. Double-page title page image; illustrated profusely in color and black and white. 226 pages, short 4to, neon orange boards with silver stamping, dust wrapper. New South Whales: Craftsman House in association with G+B Arts International. A near fine copy in a near fine dust wrapper. More

Milan: Amilcare Pizzi, 1955. Introductory texts in Italian, French, German & English. Profusely illustrated throughout with 100 plates showing 248 images. The mounted facsimiles are faithfully reproduced in original colors, embellished with gold, and protected with lettered tissue. Massive folio, bound in publishers leather-backed pictorial boards (reproducing the original gilt-decorated covers); worn at spine ends, board slipcase broken, worn. Milan: Amilcare Pizzi, 1955. Limited edition -- un-numbered copy from a run of 2030. Internally fine, a very good (+) copy..... More

London: Annely Juda Fine Art, 1991. Illustrated with color photographs and drawings. 47 pages, slim small 4to, pictorial wrappers. London: Annely Jude Fine Art. A near fine copy. Exhibition catalog. More

London: Hamlyn, 1970. Illustrated profusely in black and white with some additional color images. Double-page frontispiece and title-page image, 51 pages of text. 4to, tan boards, d.w. (two large tears near spine, chipped on back, worn at edges). London: Hamlyn, (1970). A very good(+) copy-- minor bump at corner-- in a very good(-) dust wrapper. Albrecht Durer was the first non-Italian able to absorb and make use of the techniques of the Italian Renaissance. More

Milan: Fratelli Fabbri, 1971. 38 color plates, 35 b/w Illus. 96pp. 4to, gray cloth, d.w. (Milano): Fratelli Fabbri, (1971). A fine copy in a very good dust wrapper. I Desegni dei Maestri No. 13. Drawings of French artists of the 18th century. More

Paris: Flammarion, 2007. Profusely illustrated in both color and black & white. 191pp., large 8vo, pictorial padded boards. Paris. Flammarion, (2007). A fine copy. More

New York: Metropolitan Museum of Art, 2003. 515 illustrations, including 333 color plates. xiv + 786 pages. Very thick brown cloth, d.w. New York: The Metropolitan Museum of Art and New Haven: Yale University Press, (2003). A fine copy in a fine dust wrapper. More

London: British Museum Press, 2002. Illustrated in black and white and color. 317 pages. 4to, glossy pictorial wrappers. London: British Museum Press, (2002). A near fine copy. With contributions by Gunter Grass, Joseph L. Koerner and Ute Kuhlemann. The illustrations include all Durer's Best-known prints as well as numerous drawings and watercolors. More

New York: Abrams, 1979. 378 works illustrated in black and white. 299 pages. 4to, light blue cloth, d.w. New York Harry N. Abrams, 1979. A near fine copy in a near fine dust wrapper. More

Konigstein im Taunus: Langewiesche, 1943. Illustrated with many plates, some in color. 80pp. Tall thin 8vo, printed wrappers; chipped at head of spine.. Konigstein im Taunus: Karl Robert Langewiesche, (1954). A very good copy. More

Greenwich: New York Graphic Society, 1973. Color frontispiece, 118 color and 103 black and white illustrations. 224pp., thick 4to, brown cloth, d.w.; (slightly chipped). Greenwich, CT: New York Graphic Society, (1973). Very Good (+). More

London: Phaidon, 1954. Profusely illustrated with 1734 black & white images, many reproduced in the original size. 6 volumes. Small folios, turquoise cloth with gilt-lettered spines, tattered d.w. London: Phaidon, (1954-1957). First editions. A fine set in good dust wrappers. Un-retouched collotypes of all known drawings by the master, including over 100 "lost" originals. The standard catalogue raisonne of Rembrandt's drawings. More